James Baldwin was beginning to be recognized as the most brilliant black writer of his generation when his first book of essays, Notes of a Native Son , established his reputation in 1955. No one was more pleased by the book’s reception than Baldwin’s high school friend Sol Stein. A rising New York editor, novelist, and playwright, Stein had suggested that Baldwin do the book and coaxed his old friend through the long and sometimes agonizing process of putting the volume together and seeing it into print. Now, in this fascinating new book, Sol Stein documents the story of his intense creative partnership with Baldwin through newly uncovered letters, photos, inscriptions, and an illuminating memoir of the friendship that resulted in one of the classics of American literature. Included in this book are the two works they created together–the story “Dark Runner” and the play Equal in Paris , both published here for the first time.
Though a world of difference separated them–Baldwin was black and gay, living in self-imposed exile in Europe; Stein was Jewish and married, with a growing family to support–the two men shared the same fundamental passion. Nothing mattered more to either of them than telling and writing the truth, which was not always welcome. As Stein wrote Baldwin in a long, heartfelt letter, “You are the only friend with whom I feel comfortable about all heart, head, and writing.” In this extraordinary book, Stein unfolds how that shared passion played out in the months surrounding the creation and publication of Baldwin’s Notes of a Native Son , in which Baldwin’s main themes are illuminated.
A literary event published to honor the eightieth anniversary of James Baldwin’s birth, Native Sons is a celebration of one of the most fruitful and influential friendships in American letters.
James Arthur Baldwin authored plays and poems in society.
He came as the eldest of nine children; his stepfather served as a minister. At 14 years of age in 1938, Baldwin preached at the small fireside Pentecostal church in Harlem. From religion in the early 1940s, he transferred his faith to literature with the still evident impassioned cadences of black churches. From 1948, Baldwin made his home primarily in the south of France but often returned to the United States of America to lecture or to teach.
In his Giovanni's Room, a white American expatriate must come to terms with his homosexuality. In 1957, he began spending half of each year in city of New York.
James Baldwin offered a vital literary voice during the era of civil rights activism in the 1950s and 1960s. He first partially autobiographically accounted his youth. His influential Nobody Knows My Name and The Fire Next Time informed a large white audience. Another Country talks about gay sexual tensions among intellectuals of New York. Segments of the black nationalist community savaged his gay themes. Eldridge Cleaver of the Black Panthers stated the Baldwin displayed an "agonizing, total hatred of blacks." People produced Blues for Mister Charlie, play of Baldwin, in 1964. Huey Newton, co-founder of the Black Panther Party, defended Baldwin.
A great book showcasing the behinds the scene work between 2 great friends, writer and editor, of one of America's great literary works Notes of a Native Son.