Herodotus, widely known as the father of history, was not only a historian but also a master story-teller, argues the author of this insightful book. James Romm gives general readers a fresh appreciation of the Histories and shows that Herodotus was more than a source of historical data-he was a masterful and artistic author who created a radically new literary genre.
What a pleasure it is to be in such company: James Romm, a classicist at Bard College, who thinks and writes about classical Greece with such clarity and beauty, and his subject, the incomparable Herodotus. The book is part of a series of studies of ancient Greeks and Romans whose intended audience is the literate but non-specialist reader. The eloquent, witty, and insightful Romm is an excellent choice for Herodotus. You certainly wouldn't want to be reading stuffy academic prose about someone as fresh and curious, original, open, and modern as Herodotus, who developed an entirely new literary genre, encompassing fiction and non-fiction, myth, history, ethnography, and even poetry. Romm's book is a great introduction to Herodotus's great epic tale, the so-called Histories, which charts the rise of the Persian Empire and its ultimate defeat at the hands of the Greeks, as well as everything else that caught Herodotus's interest as he traveled extensively collecting stories and observing local cultures and customs. Makes me want to read the Histories again.
I enjoyed this quite a bit. Romm does not give short-shrift to any of the types of interpretation of the text, while at the same time telling you exactly what he thinks one should draw from it.
I’ve made half-hearted stabs at Herodotus over the years, but I am now getting ready to tackle him in earnest. This book by James Romm is often recommended as a useful introduction. It’s the first of the Hermes series that I’ve read. This series is aimed at the nonspecialist adult or the “intelligent but uninstructed beginning student,” according to John Herington’s introduction. This book lived up to that aim. In thirteen brief, well-organized chapters, Romm deals with a variety of topics from the political background of the sixth century BCE to Herodotus as a storyteller. He expects that most who pick up this book will go on to read Herodotus in translation (a bibliographic note in the book discusses some of the notable translations published in the last half of the twentieth century — at least two notable ones have appeared since). Yet Romm explains key Greek terms. An English-speaking reader will find it helpful to know what “history” or “myth” meant to Greek-speakers twenty-five hundred years ago. Romm only gives an inkling of current scholarly debates, such as whether Herodotus actually traveled to the lands he claims to have visited (Romm sees no inherent difficulty in this assertion). The author who emerges is more of a storyteller than historian in the modern sense of the word. Yet, Romm clearly admires the curiosity and ability of Herodotus. I’m eager to tackle The Histories.
A very neatly written introduction to the Herodotean studies. It poses some extremely interesting questions and answers some others. No description of the Persian Wars is intended but rather an all-encompassing description of the first historian and his epic work.