This is a fun, easy-to-read yarn about the unfolding of a complicated plot to correct a telemarketer's bad attitude, hatched by an irate and wacked-out Floridian the telemarketer had the ill-luck to insult. The characterization is rather superficial, and since this book was written in 2006, and relies to some extent on "inside jokes" or critiques of contemporary problems the reader is supposed to be hip to, some references (but, surprisingly, not too many) were a bit "creaky" or out of date. The book was also written in the pre-great recession era, when there was much more euphoric optimism. The people in Hiaasen's book had no particular fear or anxiety of where their next dollar was going to come from - all sorts of jobs and credit seemed to be available. A telemarketer colleague of the rude telemarketer, actually his mistress, had no problem putting airfare, a few days at the Ritz-Carlton, pricey meals, and sundry other purchases, on her credit card - all on a telemarketer's pay.
I've previously - years ago - read some other Hiaason book and enjoyed it, probably why I took the present volume out of the library. He's a great humorist and this book delivers fun and laughs on every page, including memorable, laugh-until-you-cry episodes. From the perspective of our present-day muddled (to say the least) state of politics, environmental worries, and so forth, this book is a good break. The author transports the reader into various worlds - the Dallas, Texas, world of the callous telemarketer, and the world of trailer park resident Honey Santana (the "Nature Girl") near the mangrove swamps of West Florida (unfortunately, approximately where the disastrous hurricane Irma is currently churning away). The pretensions and phoniness of the better off in the book are consistently skewered, but another seemingly jaded/heartless character, the telemarketer's mistress, Eugenie, isn't portrayed as a one-dimensional chronically bored young woman, only looking for kicks. The mostly eccentric yet endearing denizens of the Everglades town in which Honey lives, are mostly drawn sympathetically, except for the arch-villain Piejack. Yet even Piejack is given some background, perhaps to soften his unremitting evil. That's the "nice" thing about this book: There are no entirely "good" or "bad" characters, and mostly, what befalls the characters in this novel, seems to ironically befit their character flaws. Honey's ex Skinner has to clobber Piejack in self-defense when Piejack was about to kill him, Honey and Fry, Honey and Skinner's son -
Several sub plots or plots in the novel unfold simultaneously, and the strands of the plots are woven together in the final portion of the book. The book opens with the tragic misadventure of a drunken boorish tourist taking a sight-seeing trip via canoe in the mangrove swamp conducted by Sammy Tigertail, a half-breed Seminole Indian, and suffering a fatal heart attack when a harmless snake latches onto his throat. Although Sammy didn't cause the random mishap, he knows he'd probably be blamed for the tourist's death, so he attaches weights to the body and throws it into a river in the Everglades. Thereupon, he retreats to what he assumes would be an isolated island in the swamp to recenter himself - and deal with the spirit of the dead tourist, which regularly haunts his dreams. The contrast between the grave young Indian, hoping to achieve spiritual peace (although he had nothing to do with the tourist's death and tried to revive him after his heart attack) meditating, communing with nature, and the parade of campers -- all somehow related to the unfolding main plot involving the telemarketer, as well as an additional plot line involving Piejack - that descend on the uninhabited island, make for an automatically "funny/ironic" set-up: The crass world of materialists, college student partiers, religious fanatics, Honey and her telemarketer "friends" - contrasted with the Seminole's wish to escape the world for a while, and find peace.
I would recommend this book to anyone who wants a humorous break, even if it is slightly out of date (in terms of technology/references). It's mostly on-target as a general take-down of yuppie culture - the most sympathetic characters are the hard-scrabble denizens of Honey's small town (except for Piejack) and of course the Indian, caught between the world of his tribe (also a corporation due to casino wealth) and the world of the whites. It's a well-written page-turner, economically written and every page is a joy to read.