Curiosity, rather than reputation (plus an irresistible price of 10p) prompted me to buy this book; despite my having read her previous book, “Below Stairs”. Highly self-opinionated and critical of others; Margaret Powell initially does not come across at all attractively. Obsessions below stairs made me feel positively sorry for her employers. However, Margaret was at least sufficiently cool-headed to weigh up the potentially advantageous economic benefits to her of setting her cap at an English fishmonger in preference to a foreigner; whilst she (unintentionally?) humorously observes, “So I continued to cultivate him, to sort of get closer to him, though the all-pervading odour of fish that hung around him was hardly an inducement for closer proximity.” (p.68).
Setting aside Margaret’s somewhat unattractive, but survivalist, street-fighter persona, by half-way through this book, in a Professor Henry Higgins’-ish sort of a way I began to find her curiously interesting. Once married, she extends her no-holds-barred critical observations to Berwick and Leather Lane markets (London), life as married to a milkman, a six roomed house in Hove (Sussex) for a pound a week during WW2 & lots of Canadian soldiers; the new National Health Service, a foreign (European) holiday, children, the joy of public libraries, and more. Yet she leaves her reader entirely in the dark as to what paths in life her three sons took in Life.
On the surface at least, confidence is clearly not something Margaret was ever short of. Her observations on the social changes in English pubs are forthright but thoughtful. Most fascinatingly, right at the end of this book she describes a tour round Woburn Abbey conducted by its owner, the Duke of Bedford. She ends with an astute observation: “He showed me that in spite of all my talk about ‘them up there and us below stairs,’ if one can possibly associate with them, one does so – which makes us all really snobs at heart, or perhaps just ordinary mortals.” Yep, I thought; ordinary mortals, just as we’re reminded of by so many a wealthy man’s sculptured monument within the timelessness of an English country church.