One of my beefs with publishers is that in their efforts to put authors and their novels into boxes with a distinct label they can sell they actually deceive readers. Fatal really as readers buying a book in the expectation that it is a particular genre style read, but find it is not like the blurb at all, tend to bin the book and vow never to read that author again. A.L. Berridge’s book ‘Honour and the Sword’ has a title, cover and blurb which led readers to expect a jolly, all chaps together ‘Three Musketeers’ experience. What an insult to the author and the story. And so frustrating to the reader. Until I got my head round the fact that this novel is not a 3rd POV, romping narrative, adventure story, I really could not read it. I kept getting stuck. What was this so called editor’s note? And this business about interviews with the Abbe? Where was the Hero, the Main Character? When was the adventure starting? And all these characters who kept popping up and disappearing. What was going on?
It took a little while to understand that this was a novel which needed a new cover and a different blurb, a better title too. Once light dawned, that ‘Honour and the Sword’ was a multiple, 1st POV, literary novel about growing up, about seeing how things can seem to be one thing and yet actually be another, about loving and understanding people and their dreams, I was able to read it. But I do curse the publishers for nearly losing me a rich reading experience because of their stupid ‘fit the box’ marketing.
‘Honour and the Sword’, is set in the 17thC, during the Thirty Years War, a very complicated war which involved many countries but mainly between Spain and France and the Holy Roman Empire. The plot deals with young Andre de Roland, twelve years old, grappling with his stern father’s instructions about honour and the correct behaviour of gentleman from a noble family. The story begins in 1636. Andre de Roland is the heir of a large estate in Picardy, France, but that year his world comes to an end. The Spanish invade, overrun the estate and murder his family. He manages to escape because his friend, the stableboy, Jacques, rescues him and hides him. It’s a complicated plot, told by many different characters, and covers several years, Andre de Roland’s growing up years. They are filled with love and friendship, learning and betrayal, and his driving urge to recover his estate and free his people. The writing’s tight, the plot filled with tension and surprises. The reader watches Andre de Roland grow up, hunted by the Spaniards, because he would be a rich hostage, fiercely clinging to his aim of driving off the Spaniards and regaining his estate. He is also trying to learn who he is and what his role in life is, a difficult task without his family. Andre achieves nearly everything. He becomes part of a guerilla army, formed by his people on the estate, and finally drives off the Spaniards. But there are costs. How far should honour extend? Readers ‘see’ the action through other characters as well as Andre and Jacques, all these view points do make for a richer and rounder read. We understand far more than if the novel had been told from a single narrative point of view.
‘Honour and the Sword’ is not a quick afternoon’s read. It is an intelligent, thought provoking and very entertaining novel. It requires the reader not just to engage and follow the characters, but to think about their actions and understand their motives. I still feel that it does not need the complications of the notes from the pseudo-editor and might even do without the ‘we’re telling all this to the Abbe’ start, but this is a novel to reread and enjoy. I thoroughly recommend it look forward to reading and reviewing the next novel about Andre, ‘In the Name of the King’