Last time I read this book, I did reviews of the two individual books it collects, so I guess this time I may as well review the omnibus itself.
A Host of Furious Fancies is how I first encountered the Bedlam's Bard series, and until now, it was the only part of the series I'd read. I'm normally averse to picking things up in the middle but originally I figured if they published it as if it were a standalone book it would probably be fine. This time I'm coming into the story with a knowledge of what happened before which makes things a bit different.
There was a gap of almost a decade between the first two books and these two, and the co-author has changed, so it's appropriate that a certain (unfortunately vague and contradictory) amount of time has passed for Eric and friends and he's a different man now. Specifically, he's a single and more mature man. The throuple formed in the first two books has broken up, with Beth choosing to live most of her life Underhill as she still works to recover from the trauma she endured in book two, and Kory chooses to remain with her. Eric has given them a child, but he himself has finished his bardic training and decided that he needs to face his demons - in his case, Julliard. So it's off to Manhattan for the bard where he meets a number of new friends and enemies, while still keeping in touch with many of the old ones.
The pacing of the plot is decidedly uneven and is probably my biggest complaint about the book. The two parts are united by one threat, or rather multiple threats that unify into one. In the mortal world, a black ops group is developing a drug that activates the magical powers inherent in 10% of the population. In Underhill, a fey lord name Aerune has decided to stop moping about his centuries old dead girlfriend and start doing something about it - namely pitting elf and human against each other so they all wipe each other out. It's an interesting change from the elf real estate scheme of book one, even if I've started to find the recurring use of government black ops stuff a bit boring.
But the problem is that while much of what actually happens in the first part is focused on the magic drugs, we spend way too much time on Aerune's tragic backstory. I feel that the plot would've been stronger if Aerune was more of an outside context problem to everyone in the first book and his backstory wasn't delivered until the second. This would especially work well because a character gets kidnapped in the second part and would offer a great chance for Aerune to deliver his backstory to someone rather than just dumping it on the reader. Plus it means that while the woman who creates the magic drug is developed fairly well, her boss who ends up being the climactic threat of the first part of the book gets barely any interiority, which feels like a huge missed chance.
The second book also runs into some issues with clashing tones. A new Bard named Hosea is introduced, and a fair part of the early story is devoted to introducing him into Eric's world. But then Eric detours to Beth's daughter's elven baby shower, and this kicks off Beth and Kory's quest to find how to have kids that are biologically related to both. This quest is generally fairly light hearted, involving things like an interdimensional bazaar with references to everything from Red Sonja to Casablanca. But the main plot gets darker as it goes along, with two major character deaths and a lot of other nasty stuff. The Beth and Kory plot does intersect with the other one a little, but it still feels like it doesn't quite belong in the same book, but instead would be great fodder for a novella in an urban fantasy anthology.
Which is not to say I didn't like the book. It's definitely different in a lot of ways from the first two. While Eric is at Julliard, the narrative doesn't spend too much time on his adventures there. There's far too much magic and mystery going on. Mercedes Lackey spends some time welding this series to her Diana Tregard and racecar elves books, as Eric now lives in Guardian House and a character or two from the racecar books show up in the plot. I do really like the woman who creates the magic drug, as her character is really well developed and manages to create a complex villain who starts to verge into anti-hero later on. Hosea is a fun new character, and it's interesting to see Ria return. I'm not totally sure how I feel about her and Eric hooking up again, but it is a good way of making it clear that they've both grown into very different people.
While the pacing is off, I do kinda enjoy the slice of life parts. It's nice to see Eric settled into a more stable living arrangement, and paling around with a gargoyle is definitely something I wish I could do. I do also love the way Underhill is depicted, as it ends up feeling a bit like the internet but as a physical place since realms aren't next to each other but must be accessed by a network of portals and the way to get between two places is never a straight line. The action in the climax of the second part was also pretty interesting, as the characters find themselves trapped in Aerune's dream of the day his girlfriend died, creating a fun timeloop/escaping from a dream reality scenario.
When I first read this book, I'd read some urban fantasy but I hadn't read much of this kind before. And admittedly I still haven't, but I have now read the first two books in this series. I feel like this book still holds up pretty well, but for some reason I found myself enjoying the first two a little more. Maybe it was that in a way they felt more out there, with the RenFaire setting and the evil elven property developer and everything. Still, it was fun rereading this and I'm looking forward to starting the last two books in the series in the near future.