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304 pages, Hardcover
First published May 1, 2010
• The hawk-speak. Matty has an almost supernatural ability to speak to birds of prey in their own language, straight up communicating whole sentences through chirps and calls, and to see through their eyes. This isn't so bad for most of the book, though it does stretch credulity a little, but then when Matty is captured, she has an entire out-of-body experience and inhabits the mind of one of her hawks. This whole section, with its many hawk conversations, is just weird and makes me cringe.
• The lack of coherency regarding what's going on at all times. The band of teen friends decides to go into outlawry full-time, and they all just pick pseudonyms and decide they're now outlaws. Matty's mission to the sheriff's castle makes no sense. She didn't accomplish anything there besides getting in huge trouble and seeing Guy of Gisborne's ring. There are just the five of them, but there is also a huge band. They're stealing to help others survive, but they're also political activists arranging to ransom King Richard. It's all somewhat poorly arranged and not-quite believable.
• The last scene at the end. One of my biggest Robin Hood pet peeves is an unrealistic scene where King Richard honors someone in a blatantly impossible, never-ever-would-have-happened way. This particular scene is a twofer because first, he comes out into the woods to her sickbed to look for her. (How did he even know about her?? All his mom knows is that a magic hawk delivered the jewels! How long did it take him to get back from Germany??? Has Matty been unconscious for weeks? Why is THIS his first priority when first setting foot in England?) And second, he knights her. (??????????)