Sixty-One Psalms of David

by David R. Slavitt

For centuries, men and women have turned to the Psalms more frequently than to any other book in the Bible. The reasons are not hard to find. With their passionate lyricism, their wild fluctuations between faith and fear, and their marvelous, incantatory rhythms, the Psalms provide the most extended and deeply personal treatment of the human call to God. The emotional power of such prayers, and the literary artistry with which they are expressed, are as compelling today as they were 2000 years ago. That power and artistry are made magnificently apparent in Sixty-One Psalms of David. This is not so much another translation as an inspired and engagingly fresh rendition of the Psalms. Following the tradition of Ezra Pound's versions and Robert Lowell's Imitations, David R. Slavitt--himself an esteemed poet and translator of Ovid, Virgil, Seneca, and others--casts the Psalms into a modern idiom that stays faithful to the original but strikes the ear remarkably like contemporary speech. Perhaps the most innovative and immediately appealing feature of these renditions is Slavitt's skillful use of traditional poetic forms. Here the Psalms are compressed, clarified, and given the satisfying shapes and textures of English poetry. Working most often in rhymed tetrameter quatrains, but also employing rhymed couplets and other forms, Slavitt brings all the subtlety and expressive power of English versification to these Psalms, and the result is a poetry that fits comfortably in the lineage that includes Sir Philip Sydney, John Donne, William Blake, and Richard Wilbur. Metrically supple, vividly physical, and marked by felicitous phrasing throughout, these renditions preserve the spiritual directness of the originals while giving readers the added pleasures of a new, and seemingly effortless, formal variety. As poet and Jewish folklorist Howard Schwartz has observed on this collection, "In Slavitt's hands the Psalms become an intense, one-sided conversation with God. They cohere in the only way a fine book of poems can, unified by the poets voice. The full range of emotion emerges, especially fear, disgust at the foibles of humanity, loathing of one's enemies, and awe and trust in God." Readers well familiar with the Psalms will want to have Slavitt's new renditions alongside the Bible on their shelves, as a highly inventive and illuminating counterpoint. And readers coming upon these verses for the first time will feel themselves blessed to discover poetry and prayer so beautifully joined.

Unknown Binding

First published October 3, 1996

About the author

David Rytman Slavitt was an American writer, poet, and translator, the author of more than 100 books.
Slavitt has written a number of novels and numerous translations from Greek, Latin, and other languages. Slavitt wrote a number of popular novels under the pseudonym Henry Sutton, starting in the late 1960s. The Exhibitionist (1967) was a bestseller and sold over four million copies. He has also published popular novels under the names of David Benjamin, Lynn Meyer, and Henry Lazarus. His first work, a book of poems titled Suits for the Dead, was published in 1961. He worked as a writer and film critic for Newsweek from 1958 to 1965.
According to Henry S. Taylor, winner of the 1986 Pulitzer Prize for Poetry, "David Slavitt is among the most accomplished living practitioners" of writing, "in both prose and verse; his poems give us a pleasurable, beautiful way of meditating on a bad time. We can't ask much more of literature, and usually we get far less." Novelist and poet James Dickey wrote, "Slavitt has such an easy, tolerant, believable relationship with the ancient world and its authors that making the change-over from that world to ours is less a leap than an enjoyable stroll. The reader feels a continual sense of gratitude."