This is a very interesting account of how the film was made, full of little tidbits and minutiae and trivia that make re-watching the film after finishing the book a necessity to pick out some of the little flourishes and curlicues. Taylor incorporates information about the roles that everyone from the top to the bottom played in the production of the movie. It's not usual type of fare, but I found it enhanced my appreciation of the finished product quite a bit.
First published in 1981, paperback format with a batch (32 pages) of “spectacular behind-the-scenes photos”, this is a real old school making-of, the kind that’s almost as much a memoir as anything else. Derek Taylor writes well and he really is our guide, explaining the situation, the script as he sees it, the troubles with the locations and the pace of the film-making. He chats with various actors and they all seem lovely - Harrison Ford remembers him from the Monterey pop festival, Karen Allen goes for a walk, Ron Lacey befriends holidaymakers at the hotel where they’re staying - and the crew all come across well. Spielberg and Lucas are as unguarded in interview as I think I’ve ever read and Taylor devotes chapter interviews to Howard Kazanjian and Frank Marshall, Harrison Ford, Tom Smith (the make-up man), David Tomblin, Terry Leonard, Martin Grace and Wendy Leach (the stunt doubles), , Karen Allen, Roy Charman (the sound man), Kit West and Douglas Slocombe. He also interviews Richard Edlund at ILM but clearly doesn’t understand anything he’s told, though he faithfully reports it and it’s fascinating. A wonderful guide to the way film-making was (Kit West talks about creating black smoke cheaply by buying tyres “for pennies” and setting fire to them, different times for environmental concerns), this is a terrific read, a huge crew with one aim who seemed to get on very well together and, as we know, produced a fantastic film. This might not be to everyone’s tastes but, for me, it's streets ahead of those big glossy books featuring people sitting around computers or standing in front of green screens and I’d very much recommend it.
This is another one of my personal treasures from my childhood. Not a single day goes by that I do not put my eyes upon its cover. Once or twice a week I open it up and run my fingers through its pages. It's the best book that came from one of the best films in the history of motion pictures.