Lucia Perillo is a brilliant writer. There are many fans, since "in 2000, when she had been named a recipient of a MacArthur Foundation fellowship, the poet Rodney Jones told The Chicago Tribune: 'Her goal is lucidity. She does not like the idea of writing a poem that people cannot understand.' ” I had read her poetry and memoir and was already a fan before beginning this collection of short stories.
The San Francisco Chronicle blurb on the back cover assures readers that if they are fans of Ray Carver, they will love this collection of short stories. I am not a fan of Ray Carver but I admire these stories, and some of them I loved. I wondered if she had abandoned a novel as I read the stories narrated by a woman who has a mentally disabled sister and a most entertaining mother. I think I would have loved that novel. Her characters grew on me. Actually, this is true of the collection as a whole. I thought in the midst of the second story that I might not finish reading. By the time I was halfway through, I was clear why many people (I assume) have given it five stars.
These are people with trouble, with sorrow and error and the need to manage day to day. Life is not about easy choices—the easy choices are not the ones that keep us awake at night, and Perillo knows a little bit about that. I argued over some of the stories, maybe cried a little, and they will stick. By the time I finished this slim volume, I'd decided it went on my keeper shelves.
The 14 stories are pretty uniformly depressing. But they do not entirely dwell on depression, other than the ones about death, which might be my favorites. Most have a male protagonist, five have a woman at the center: Louisa's younger sister (in multiple stories), the logging worker, and the woman with the health issue and perhaps-unfaithful husband. I should go back through and count them up.
A quick review of her background reminds me why the logging story feels so authentic, but also informs me of something I missed. Perillo died a little over a year ago at the age of 58. "In an interview for The American Poetry Review in 2014, she presented her situation straightforwardly. Asked about battling her disease, she said: 'I don’t battle M.S. I relent to its humiliations.' How did she manage not to fall into despair? 'I’ve already fallen. This is the voice from the swamp.' ”
She is a great loss to her family, friends, and the literary community.
[When you get to the point where your quarrel is the tiniest details and one sentence, the reader is splitting hairs. That is me, I am afraid. I am one of those readers who have a hard time getting past details that strike me wrong. The Douglas fir is always spelled with a capital D. Puget Sound is always "Puget Sound" and never "the Puget Sound," though we do say "the Sound" sometimes. I discovered there is a black and white species of porpoise that might have been found cast up and rotting on the shores of the Strait of Juan de Fuca, but I have also discovered enough marine mammals to be certain that the smell reaches fifty yards ahead of the animal.]
She deserved a fan letter. I am sorry not to have had that privilege.