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384 pages, Hardcover
First published January 1, 2012
The idea that certain kinds of writing were dangerous---especially to young women---was commonplace: usually the culprits were French novels, but Isabella Robinson's diary showed that a middle-class Englishwoman could assault her own decency in prose.
My misery is a woman's misery, and it will speak - here, rather than nowhere; to my second self, in this book, if I have no one else to hear me.Wilkie Collins; Armadale
'Dreaming all night of absent friends, romantic situations, and Mr. Lane,' ran another entry. 'Oh! Why are dreams more blest than waking life?'
Oh, thought I, each of these roofs conceals human life with all its mysterious joys and sorrows. Doubtless, many a sojourner in these dwellings has a private history, thrilling, exciting, strange.
George argued that in women, as in men, 'strong sexual appetites are a very great virtue...If chastity must continue to be regarded as the highest female virtue, it is impossible to give any woman real liberty.'
All the guests were encouraged to walk in the park. 'I strolled a little beyond the glade for an hour & half & enjoyed myself,' reported Charles Darwin in a letter to his wife, '-the fresh yet dark green of the grand Scotch firs, the brown of the catkins of the old Birches with their white stems & a fringe of distant green from the larches, made an excessively pretty view. At last I fell fast asleep on the grass & awoke with a chorus of birds singing around me, & squirrels running up the trees & some Woodpeckers laughing, & it was as pleasant a rural scene as ever I saw, & I did not care one penny how any of the beasts or birds has been formed.'
'All day,' she wrote, 'this dream haunted my brain. "I never loved any one as I did thee, both mind and body," I had said in my dream, and in my waking moments the same idea was breathed still in my ear.'
'We can colonise the remotest ends of the Earth...we can spread our name, and our fame, and our fructifying wealth to every part of the world, but we cannot clean the River Thames.'
Though the journal contained elements of melodrama and sentimental fiction, the judges considered that as a whole it told a nuanced story, rendered credible by its self-recrimination, disappointment and doubt. Its exaggerations and excesses were those familiar to any diarist, to any desperately unhappy person or to anyone in love. It was ultimately not a work of madness, but of realism, an account of the limits of romantic dreams.