This book had an opening that you would not want to show your grandmother. I was mildly entertained but also curious, wondering how Tambini would develop the narrative. However, as much as I tried, I could not truly get immersed in the story and it wasn’t until it reached the half-way point that I started to like it.
The protagonist, Lola, is not a character you can like. Yet, you cannot help but admire her cutthroat ways and how she has succeeded as a publicist to celebrities, protecting their reputations and spinning newspaper stories to ensure the best possible outcome. As readers get to know this character, it is revealed that she has quite a few secrets hidden and this is where you see Lola at her most manipulative. The way she treats others is simply for her own gain and protection, making her snake-like in her actions. In contrast, the leading Detective on the disappearance of Sam Stevens is surprisingly weak and I disliked how she treated her family, making assumptions that her partner knows nothing about her troubled son.
The disappearance of Sam Stevens almost becomes a sub-plot as Lola’s character grows in strength. Her manipulative actions reach far and beyond and the control she maintains is deadly. On the other hand, I thought the lack of emphasis on Sam to lessen the tension of the story. Whilst the background to this missing character added to the novel, I did find myself a bit bored by some of the relationships portrayed.
Another element that didn’t help was the frequent references to the previous book by this author. Despite this not apparently being a series, it did feel like I should have read the first book to get an idea of a previous case that Sue Fisher had worked on. It made this story less appealing and I was frustrated by how little understanding I had of this case that seems to still feature largely in this novel.
There were a few plot developments in this book that made a significant impact on me; I wish there had been more along the way. Instead, for the most part, I feel that readers were given too much insight into character motives, with little room for surprises. Indeed, the story featuring Sue’s son had me questioning whether there would be greater links to other characters in the story, so I was a bit disappointed when this did not come into fruition.
In my opinion, there was a mixture of dark crime and a bit of light-heartedness that made reading the book a bit awkward. I don’t think it helped that I didn’t warm enough to the leading women in the story and whilst Lola’s ruthlessness made it seem that she would not stop at anything, I would have preferred there to be more surprises along the way.
With thanks to One More Chapter, Harper Collins and NetGalley for providing me with a copy of this book in exchange for an honest review.