French Dirt is 200 pages of decently written garden blog fodder. In theory, it's the story of an American who moves into a rented house in a small village in France with his Dutch girlfriend for a year. It's supposed to be a story about the people he met and his experience with his first garden. And those elements are, indeed, present.
But it isn't much of a story. He went there, he met people, he gardened and he left. It sounds like he a had a great time. But reading this book was like watching someone's vacation picture slide show. Some of the pictures are great but no matter how many times you tell someone it was nice or great they just don't care that much.
Some of the writing was really good: "Intimacy with another country is ripened by pleasure but also by loneliness and error." Or, "But nothing could prepare us, really. For the immense quiet at night. The vast sky. The light - whose clarity and force prompted me to reach for paints I didn't have."
And some of the writing was not good: "In fact, aside from this one luxury, I didn't need much to garden in France. Just a shovel, a rake, a hoe, a pail. Some bits of cloth to secure my tomato plants. Bamboo. A few wooden stakes for boundaries. A cup of coffee in the morning, maybe, to get me going. That and the land, of course. My clothes were just as simple. I wore jeans and a sweatshirt at the start, in April, shorts and a T-shirt later when it got hot. And a cap. I used gloves once in a while, mainly with a hoe."
Overall, the good writing was overshadowed by the author's tendency to communicate all the mundane details like which tools he used, how quickly villagers worked in the fields compared to him, and descriptions of actually doing garden chores like weeding and watering. These are things that are boring enough to actually do. Reading about them was a chore in itself.
My chief complaint about this book, however, was that there was no tension unless you consider the author's failed attempts at growing a melon to be tension. Although some of the villagers were interesting people, none of them seemed to have real lives outside of their gardens or working in their vineyards. They all seemed like caricatures to me. There were no relationship hurdles to overcome. There was no new love discovered or no old love severed. It's a book I'll quickly forget.