Between You and Me: Queer Disclosures in the New York Art World, 1948ETH1963 by Gavin Butt

by Gavin Butt

In the decades preceding the Stonewall riots—in the wake of the 1948 publication of Alfred Kinsey’s controversial report on male sexuality and in the midst of a cold war culture of suspicion and paranoia—discussions of homosexuality within the New York art world necessarily circulated via gossip and rumor. Between You and Me explores this informal, everyday talk and how it shaped artists’ lives, their work, and its reception. Revealing the “trivial” and “unserious” aspects of the postwar art scene as key to understanding queer subjectivity, Gavin Butt argues for a richer, more expansive concept of historical evidence, one that supplements the verifiable facts of traditional historical narrative with the gossipy fictions of sexual curiosity.Focusing on the period from 1948 to 1963, Butt draws on the accusations and denials of homosexuality that appeared in the popular press, on early homophile publications such as One and the Mattachine Review, and on biographies, autobiographies, and interviews. In a stunning exposition of Larry Rivers’s work, he shows how Rivers incorporated gossip into his paintings, just as his friend and lover Frank O’Hara worked it into his poetry. He describes how the stories about Andy Warhol being too “swish” to be taken seriously as an artist changed following his breakthrough success, reconstructing him as an asexual dandy. Butt also speculates on the meanings surrounding a MoMA curator’s refusal in 1958 to buy Jasper Johns’s Target with Plaster Casts on the grounds that it was too scandalous for the museum to acquire. Between You and Me sheds new light on a pivotal moment in American cultural production as it signals new directions for art history.

Genres: Ebooks, Queer Studies

Hardcover

First published January 1, 2005

About the author

Trained as a fine artist and art historian, Gavin is a writer, curator and filmmaker.

Across his diverse output, he is interested in how the social worlds and aesthetic preoccupations of visual artists can be connected, sometimes in surprising ways, to those within popular music, queer culture and performance.

Gavin has written widely on queer art and culture, showing how LGBTQ+ artists have challenged us to think again about how aesthetic judgements are routinely linked to social ones. He has published essays on artists and performers Oreet Ashery, Joe Brainard, Mel Brimfield, Shirley Clarke, Samuel R. Delany, David Hoyle, Kiki and Herb, Larry Rivers, Andy Warhol and others.

He often works collaboratively with other authors and artists on creative projects too, including as co-director of feature film This Is Not a Dream. With writer and curator Heike Roms, he is currently exploring the civic importance of experimental art and education through a new exhibition project Live Class: Performance and the Art School.

Gavin has held academic posts as Professor of Visual Cultures and Performance at Goldsmiths, University of London, and Professor of Fine Art at Northumbria University, Newcastle.