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Color studies, by Thomas A. Janvier. 1885 [Leather Bound]

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Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2018 with the help of original edition published long back [1885]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - English, Pages 252. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete Color studies, by Thomas A. Janvier. 1885 Janvier, Thomas A. -.

252 pages, Leather Bound

First published September 27, 2015

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About the author

Thomas A. Janvier

101 books5 followers
Thomas Allibone Janvier was an American story-writer and historian

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Profile Image for Jane.
2,682 reviews65 followers
November 8, 2020
Three things charmed me about this quartet of short stories. First, The elegant gray cover with a beribboned trio of palette knife,brushes and golden tube of paint. Second, Janvier took the names for all his characters right off the palette box on the book's spine: Rose Carthame; Violet Madder; VanDyke Brown; Jaune d'Orpiment; Mr. Gamboge: McGilp etc. And then for the setting he chose Greenwich village ca. 1885 - the year the book was published. His descriptions of the exhibitions, artists' studios, the mise-en-scene of the New York art world of the day is a peep through the keyhole into the past.
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