Ricky Jenks se sent chez lui dans le 18e arrondissement où il est pianiste de jazz dans un restaurant. Il refuse d’entendre parler de l’Amérique où il a connu une terrible humiliation : le jour de son mariage, sa future femme n’est jamais venue. Elle était partie filer le parfait amour avec Cash Washington, le cousin de Ricky, un médecin arriviste et sans scrupules.Mais huit ans plus tard, Cash débarque à Montmartre. Il a perdu la trace de son épouse Serena qui s’est enfuie après une altercation et se trouverait à Paris. Il compte sur son cousin pour la localiser. Mais tout s’emballe lorsqu’un travesti est assassiné dans le hall de l’immeuble de Ricky. La police commence à le soupçonner. Il n’en faut pas plus pour pourrir la vie d’un expatrié bien tranquille.Roman grand public bourré d’humour et de rebondissements. L’Afro-Américain Jake Lamar a lui-même adopté le 18e arrondissement depuis de nombreuses années. Il porte sur ce quartier le regard décalé de l’expatrié et joue avec les clichés. Il a l’art de créer des personnages fouillés auxquels le lecteur s’attache.
A social history of the African-American community living in Paris towards the end of the last century. Yes, 1999 was last century! Set in the bars and restaurants dotted around the Eighteenth Arrondissement, the story centres around Ricky Jenks, a piano player in François’ crêperie. Everything’s going well until his cousin comes to town, when everything goes to hell in a handcart.
I like the references to the life of a black American in Paris at the end of the 20th century but I found the plot rather boring although the outcome was unexpected.
I had to read this book in preparation for studying abroad in France centered around the African American experience in Paris. Nonetheless the plot of this book was predictable. Ricky, the main character is the black sheep of the family, in the sense that all his relatives are successful in their careers and his doesn't match up. Therefore since he's tired of his unfortunate reputation at home in the U.S. he chooses to move to Paris and create a life of his own far away from his family, however they don't let him. The author uses episodic memories to uncover the distance and hatred between the two cousins Ricky and Cash. Early on there's the discovery of a pervasive theme between the two cousins, most of Ricky's misfortunes at home was a result of Cash's involvement however the family doesn't blame Cash but regards such an incident as one of Ricky's misfortunes. For instance during a family gathering when the cousins were younger Cash pushed Ricky into the pool, and Ricky had to be rescued since he could not swim. Another misfortune with Cash to blame was Ricky's wedding day where his bride left him at the alter and ran away with Cash, even though in college they had dated for awhile. The plot thickens when Cash is in Paris asking for Ricky's help with a marital problem he's been having, however we learn much more about the husband and wife as individuals and as a couple, with the help of the African American expatriate group in Paris. We find that Cash is very ambitious about his health care venture which leads him to have European mobsters for partners willing to kill for Cash's entrepreneur idea. Cash has beaten his wife Serena over a deep troubled secret, the fact that she can't have kids even though this a larger clue about his wife which Cash ignores. Serena finds Cash's cousin Ricky and they talk. Serena is actually a transvestite and has an identical twin sister who died as a result of being pimped out by her brother who has undergone a sex change to become his sister Serena. Ricky has to balance both his own life and the emerging mystery around his cousin and his cousins wife, which escalates into a murder of a prostitute in Ricky's own neighborhood also known as the section of town called the 18th where many African Americans and black immigrants of France live. With the help of an expat who runs her own soul food restaurant Ricky is able to piece together the mystery, although he is in the thick of it and not fooling the French police in the midst of it. This was a simple read for me, took me about two days. But through this book I was able to better understand the African American experience in Paris in a novel instead of a historical book.
This entire review has been hidden because of spoilers.
Set in Paris, France in the late 1990's, this book is the bizarre story of Ricky, an African-American expatriate living in France to escape his over-achieving family and specifically his cousin who commandeered his former fiancé on the eve of their wedding. Ricky likes his simple life in Paris as a pianist in a bar and his network of black friends in the Eighteenth Arrondissement. Then one day, his cousin Cash comes calling for his help after 10 years of not speaking to each other. Thus begins the bizarre story when a love triangle with a pimp turned transsexual, theft, murder, arms dealing, religious strife and just pure evil converge and good ultimately prevails. It is a crime novel of the rarest kind: unpredictable. I wish I could remember who recommended this book to me, as it is one I would have never stumbled on by myself. Thanks to whoever you are; it was an enjoyable vacation read.
i am disturbed. not in a giovanni room's way, just disturbed by the ending. i was expecting something more substantial. i liked the portrait into the expatriate and immigrant community in paris *albeit a fiction one*. guess you could say i'm more disappointed than disturbed. but i'm willing to give jake lamar the benefit of my loyalty since he did literally follow in the footsteps of james baldwin!
If you love books set in Paris or want to learn more about Black Americans living there in the 90's, this is the book for you. The neighborhoods where many congregate, interesting markets and cafes in the less touristy parts of Paris, Montmartre, and more are brought to life in this novel that offers a nice visual display that forms a panorama in the reader's mind. I couldn't give it 5 stars but it is refreshingly different and a decent thriller.
I gave up around page 140, I think? Lamar can write, but at the same time, I kinda feel like the first chapter was one of those shows to prove he can write and things went downhill from here. The flashbacks aren't handled terribly well, the Fatima storyline doesn't fit what we've been shown of her personality, and the arrival of Serena is yucky, too. Been here, done that.
SO much potential in this one. Hate to see it wasted.
A good friend who lives in Paris recommended this mystery and writer. Lamar created an atmosphere so real the reader feels like walking those streets of Paris. The story is based on an African American male's experience, so that was a modern twist and extremely accurate. The story has a lot of twists and surprises, backed up by smooth writing.
The book started off well, I was interested. Then, it bogged down in the middle. The end had too much going on. All in all, I love anything having to do with Paris, but not much of a story line.