A Nomad Poetics

by Pierre Joris

Powerful essays on the state and aims of contemporary poetry.

"The days of anything static―form, content, state―are over," declares poet and translator Pierre Joris in A Nomad Poetics, his first collection of critical essays. Joris maps the success and limitations of contemporary avant-garde poetics, from Tristan Tzara to the most contemporary American experimental poetry, an investigation that leads him to envision a "nomadic poetics" as a strategy for new poetic work, for translation and, fundamentally, for an ethics of early 21st century life. Extending concepts and concerns voiced by Gilles Deleuze and Félix Guattari, A Nomad Poetics is a daring first step in deploying the method of the rhizome, one grounded in Paul Celan's insight that "Reality is not. It has to be searched for and won." With articulate immediacy, Joris's essays announce a metamorphosis of language-based art, much needed if poetry is to be of essential use in shaping the world to come.

Genres: Poetry, Essays

176 pages, Paperback

First published November 5, 2003

About the author

Pierre Joris was a Luxembourgish-American poet, essayist, translator, and anthologist. He moved between Europe, North Africa, and the United States for fifty-five years, publishing over eighty books of poetry, essays, translations and anthologies — most recently Interglacial Narrows (Poems 2015–2021) and Always the Many, Never the One: Conversations In-between, with Florent Toniello, both from Contra Mundum Press. In 2020 his two final Paul Celan translations came out: Microliths They Are, Little Stones (Posthumous prose, from CMP) and The Collected Earlier Poetry (FSG). In 2019 Spuyten Duyvil Press published Arabia (not so) Deserta (essays on Maghrebi and Mashreqi literature and culture). His other recent books include: A City Full of Voices: Essays on the Work of Robert Kelly (co-edited with P. Cockelbergh and J.Newberger, CMP, 2020); Adonis and Pierre Joris, Conversations in the Pyrenees (CMP 2018); Stations d'al-Hallaj (translated by Habib Tengour; Apic Editions, Algiers, 2018); The Book of U (poems, 2017, Editions Simoncini, Luxembourg). His translation of Egyptian poet Safaa Fathy's Revolution Goes Through Walls came out in 2018 from SplitLevel. In June 2016 the Théatre National du Luxembourg produced his play The Agony of I.B. (published by Editions PHI). His earlier publications include: An American Suite (early poems; inpatient press 2016); Barzakh: Poems 2000-2012 (Black Widow Press 2014); Breathturn into Timestead: The Collected Later Poetry of Paul Celan (FSG 2014); A Voice full of Cities: The Collected Essays of Robert Kelly (co-edited with Peter Cockelbergh; 2014, Contra Mundum Press) and The University of California Book of North African Literature (volume 4 in the Poems for the Millennium series, coedited with Habib Tengour, 2012).
In 2011 Litteraria Pragensia, Charles University, Prague, published Pierre Joris: Cartographies of the In-between, edited by Peter Cockelbergh, with essays on Joris' work by, among others, Mohammed Bennis, Charles Bernstein, Nicole Brossard, Clayton Eshleman, Allen Fisher, Christine Hume, Robert Kelly, Abdelwahab Meddeb, Jennifer Moxley, Jean Portante, Carrie Noland, Alice Notley, Marjorie Perloff and Nicole Peyrafitte (2011).
Other books include The Meridian: Final Version—Drafts—Materials by Paul Celan (Stanford U.P. 2011), Canto Diurno #4: The Tang Extending from the Blade, (poems, 2010), Justifying the Margins: Essays 1990-2006 (Salt Books), Aljibar I & II (poems) and the CD Routes, not Roots (with Munir Beken, oud; Mike Bisio, bass; Ben Chadabe, percussion; Mitch Elrod, guitar; Ta'wil Productions). Further translations include Paul Celan: Selections (UC Press) and Lightduress by Paul Celan which received the 2005 PEN Poetry Translation Award. With Jerome Rothenberg he edited Poems for the Millennium, vol. 1 & 2: The University of California Book of Modern & Postmodern Poetry.

Reviews

[Paul · Rating 5 out of 5]

Excellent book of essays on poetics, to be read on the heels of Deleuze and Guattari. It investigates a rhizomatic / nomadic poetics of individuation, pluralism, and movement that values the 'drift' of cultures and expression--writing the middle, if you will--that is Heraclitean and processual (Whitehead).