Brian John (born 1940) is the author of the historical-fiction series Angel Mountain Saga (8 volumes).
Brian was born in Carmarthen, Wales. He studied at Haverfordwest Grammar School and at Jesus College, Oxford, where he read Geography from 1959 to 1962 and went on to obtain a D Phil for a study of the Ice Age in Wales. He worked as a field scientist in Antarctica and spent eleven years as a Geography Lecturer in Durham University. He has travelled widely in the Arctic, Antarctic and Scandinavia. Since 1977 he has made his living as a writer and publisher.
Brian is also actively involved in environmental and community organizations; in 1980 he founded the West Wales Eco Centre in Newport and is one of the leaders of the community group "GM Free Cymru." He is the author of a number of articles and more than 80 books, including university texts, walking guides, coffee table glossies, and books of popular science. His Glaciers and Landscape (written with David Sugden), a university textbook, remained in print as a geomorphology classic for almost 30 years. He also writes on topics of local interest related to Wales: tourist guides, books of local jokes, walkers’ handbooks, and titles on local folklore and traditions.
In recent years Brian has done radio and TV work, and was featured in the BBC TV programme called "The Man from Angel Mountain". His children's book entitled "The Strange Affair of the Ethiopian Treasure Chest"was voted by children as the Gold Award winner in the 2012 Wishing Shelf Book Awards. His most recent novel is "Acts of God", published in November 2014. It is Cold War "chiller" set in East Greenland.
Brian John, who lives in Pembrokeshire (where much of this study is set) has had a long interest in this whole subject area. A Geography graduate of Jesus College, Oxford, he went on to obtain a D Phil there for a study of the Ice Age in Wales. Among other occupations he was a field scientist in Antarctica and a Geography Lecturer in Durham University, and is currently a publisher and the author of a number of articles, university texts, walking guides, coffee table glossies, tourist guides, titles on local folklore and traditions, plus books from popular science to local jokes. His credentials are self-evident when it comes to discussing Stonehenge.
One of the strongest modern myths about Stonehenge to have taken root is that the less monumental but no less impressive so-called bluestones were physically brought by prehistoric peoples from the Preseli Hills in south-west Wales to Wiltshire. The second strongest modern myth is that the whole saga was somehow remembered over a hundred or more generations to be documented by Geoffrey of Monmouth in the 12th century as a feat of Merlin. In this self-published title Dr John examines these and other myths and finds them wanting in terms of echoing reality.
His key points include the fact that not only do the bluestones derive from at least fifteen different locales in West and South Wales (not just the Preselis), there is no evidence at all for any stone-collecting expeditions from as far afield as this, let alone cultural links between Wessex and West Wales.
He deduces that bluestones were present “on or near” Salisbury Plain at least a millennium before Stonehenge was commenced, and were not especially selected for their quality, their supposed magical significance or healing properties. How did the stones get to Wessex? The author’s expertise in geomorphology allows him to discourse authoritatively on how Welsh stones could have been brought by the great Irish Sea glacier as far east as Bath, the Mendips and Glastonbury (though uncertainty still exists whether it reached as far east as Salisbury Plain).
If there was no Grand Designs project to transport the stones from the Preselis (and the author effectively demolishes the case for prehistoric technology being up to the task) then it follows that the famous tale of Merlin moving stones from Ireland to Wessex, much beloved by New Age mystics, is not a reflection of historical reality. Does it not seem more likely that this is Geoffrey of Monmouth’s elaboration of the folktale motif of a demigod or the Devil – Merlin was the son of the Devil after all – moving landscape features around at will?
While The Bluestone Enigma doesn’t come up with definitive answers to tell us the final story of the bluestones, it does put paid to the imaginative but impractical theories of certain archaeologists and writers of popular accounts of Stonehenge. Whether it will silence the myth-makers is another matter however.