Not so much my thing. Full review to come.
Complete review:
I've been a lifelong mystery novel nut, from my first taste of the genre thanks to Nancy Drew to all the variety that has been offered as of late thanks to translations. In general, while I like a good mystery novel set in the U.S., I really enjoy reading translations because I like the varied moods conveyed by Scandinavian fiction or Japanese fiction, so I was eager to read this book. However, it never really clicked with me, due mainly to my disconnect with the characters. Some spoilers to follow.
Neither Van In nor Hannelore did much for me. They both had very volatile mood swings that I found difficult to keep up with, and I'm never a fan of the stereotypical male character who's always on the edge of violence. At times their relationship smacked a little too much of a tendency toward domestic violence, and that made me uncomfortable, particularly as Hannelore is pregnant. I do want to stress I don't remember any particular incidents, but there is the sense that the two are right on the edge of Van In hitting his wife and Hannelore throwing things at him. Couple this with Hannelore's and Van In's rather excessive drinking and smoking, and the whole thing pretty much fell apart for me. I found it especially ridiculous that one subplot has to do with Hannelore's fears that something will go wrong with her pregnancy, yet there are a few incidents where she drinks a questionable amount, and she smokes quite often. Since science has known for a fact for some time that smoking is detrimental to fetal health, I found it very strange that a woman who has amniocentesis because she's concerned about the health of her baby nevertheless smokes plenty of cigarettes.
On the plus side, I did like that there was a gay character and that his being gay wasn't an issue for Van In. This is my first experience with Belgian literature, so I'm viewing this through an American lens, which means I have no idea how common this is in Belgian literature. From my American perspective, though, it's nice to see that kind of diversity in a book. Plus, the fact that Versavel is gay isn't the thing that defines him, it's just an aspect of him, much like Van In's being heterosexual is simply a part of who he is. Van In's friendship with Versavel is strong and nicely conveyed, even to the extent of Van In going out of his way to be there for Versavel when he sinks into a depression due to a traumatic event in his life. I really liked the dynamic between these two characters because I did get a strong vibe of friendship between the two.
Yet for as strong as that aspect of the book is, its exploration of sex crimes is far more problematic. I was especially displeased with the way Carine is treated. She's portrayed as being overenthusiastic to the point that she defies her bosses orders and ends up getting in over her head. Everyone is very concerned about her, but when the extreme trauma she's suffered has been revealed, the book doesn't give it the weight it should. It also seems that the only reason Carine does suffer is to prove a point: that she should have listened to her boss. Never mind that fact that the reason she ends up where she does is because he breaks police protocols. Her fate also serves to raise the stakes for her fellow police officers, and is used as a device to show the depths of depravity and evil of the villains the police are dealing with. In other words, her trials serve more as plot devices than as any real exploration of the impact of the sex trade on its victims. Of course, mysteries do tend to treat terrible crimes as plot devices--what else would you center a mystery around, after all--but it disturbed me that Carine's plight was shrugged off and the ending had something of a "all's well that ends well" feel to it. All is certainly not going to be well for Carine.
The mystery itself is interesting, but the books has a tendency to meander. Van In spends a lot of time drinking beer, which bogs things down. I do like a good literary mystery in which we learn a lot about the characters and their surroundings, but something about this book struck me as kind of cavalier at times. The characters seem to go through cycles where they feel a sense of urgency about the crimes, then don't seem to worry about them as much, then feel a sense of urgency again. I found this very strange. It might be due to the fact that this book packs a lot of social and cultural issues into it, along with the personal issues the characters face, which means it doesn't end up dealing with any of them with a great deal of depth.
In the end, I didn't dislike this book, but it didn't do much for me either. It certainly won't stop me from picking up other translated novels in the future, but I have no plans to continue with this particular series.