In this translated collection, Kennedy glosses “progymnasmata” as “preliminary exercises”--exercises classical students of rhetoric completed prior to declamation (x). Aelius Theon’s text is particularly “addressed to teachers, not to students” and “[a]lone among the Greek authors of progymnasmata … describes classroom methods consisting of oral reading, listening, memorizing, paraphrasing, elaborating, and contradicting what has been read” (2-3). As presented by Kennedy, Theon’s sequence of exercises proceeds as follows: chreia, fable, narrative, topos (a sort of moral judgment), ecphrasis (description), prosopopeia, encomion and invective, syncrisis (comparison), thesis, and law. Theon presents each subsequent exercise as building on skills developed in earlier exercises (4). Students must be made to attend to this sequential nature, however, and the exercises are only useful if “each student exercises himself every day in writing” (6). Given the relatively narrow and well-defined purposes and situations Theon sees for orators and oratory, he sees thorough inculcation in the progymnasmata as a method of rhetorical education that will prepare students to adapt and speak or compose well in any given situation--provided, of course, that they are taught well, with “copious, numerous and varied resources [i.e. classical models]” (68), frequent reading aloud and writing, and attention to the other approaches quoted from pages two and three above.