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Śmierć w starych dekoracjach

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136 pages, Hardcover

First published January 1, 1970

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About the author

Tadeusz Różewicz

203 books96 followers
Tadeusz Różewicz - poet, playwright, and novelist, was one of Poland's most versatile and pre-eminent modern writers.

Remarkable for his simultaneous mastery of poetry, prose, and drama, he was nominated for the Nobel Prize for Literature. Tadeusz Różewicz has been translated into over forty languages. The most recent English-language volumes, recycling (2001), New Poems (2007) and Sobbing Superpower (2011), were finalists for the 2003 Popescu Prize (UK), the 2008 National Book Critics Award (USA) and the 2012 Griffin Prize (Canada) respectively. In 2007 he was awarded the European Prize for Literature.

Mother Departs (Matka odchodzi, 1999), exploring the life of his mother Stefania, is perhaps his most personal work. It won the Nike Prize in 2000, Poland’s most prestigious literary award. He lived in the city of Wrocław, Poland.

Różewicz studied art history at the Jagiellonian University in Kraków, but he has been associated with Silesia since the late 1940s and lived in Wrocław for thirty years. His work has been translated into many languages including English (his work is championed in the UK by the poet and critic, Tom Paulin, and the Nobel Laureate, Seamus Heaney), French, German, Serbian, Serbo-Croatian, Swedish, Danish and Finnish and he has received Polish state prizes and foreign awards. He is well-known in many countries as an excellent poet of the highest moral authority. Różewicz is a precursor of the avant-garde in poetry and drama, an innovator firmly rooted in the unceasing re-creation of the Romantic tradition, though always with a teasing ironic distance. He is a grand solitary, convinced of an artistic mission that he regards as a state of internal concentration, alertness, and ethical sensitivity.

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Profile Image for Jiří Zygma.
Author 21 books6 followers
June 22, 2024
Pro tuto knihu obzvláště platí, že v jednoduchosti je krása nebo že méně někdy znamená více. Tento "sedmdesátkový minimalismus", kdy bylo Polsko v hluboké totalitě, ve svém tichém, skromném a zároveň prostém a pokorném psaní na mě zapůsobil zejména ve své první třetině. Pak již jednotlivé myšlenky trochu churavěly a bylo znát jejich jakési vyčpění za uplynulý čas, kdy se uplatnily trochu radikálnější literární a filozofické směry. Kniha tak vlastně trošku zestárla, na druhou stranu - pokud se zamyslíme nad její hlavní myšlenkou - a tou je tedy právě ztráta v čase a lidská bezvýznamnost, pak určitě její čtenář svým pohroužením do ní nic neztratí a stráví nad ní maximálně tři večery, protože se čte poměrně plynule a s očekáváním, občas s lehčím pousmáním - a pakliže ji vlastně ještě vůbec sežene, protože od r. 1972 už u nás nevyšla ani jednou...
Displaying 1 - 5 of 5 reviews