Vivaldi's Music for Flute and Recorder

The Baroque Composers

by Michael Talbot

Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.

376 pages, Hardcover

First published May 28, 2007

About the author

Michael Talbot was born in Grand Rapids, Michigan in 1953. As a young man, he moved to New York City, where he pursued a career as a freelance writer, publishing articles in Omni, The Village Voice, and others, often exploring the confluence between science and the spiritual.

Talbot published his first novel, The Delicate Dependency: A Novel of the Vampire Life as an Avon paperback original in 1982; though never reprinted, it is regarded a classic of the genre, frequently appearing on lists of the best vampire novels ever written, and secondhand copies have long been expensive and hard to find. His other horror titles, both cult classics, are The Bog (1986) and Night Things (1988).

But despite the popularity of his fiction among horror fans, it was for his nonfiction that Talbot was best known, much of it focusing on new age concepts, mysticism, and the paranormal. Arguably his most famous and most significant is The Holographic Universe (1991), which examines the increasingly accepted theory that the entire universe is a hologram; the book remains in print and highly discussed today.

Michael Talbot died of leukemia in 1992 at age 38.