Summer vacation has arrived and with it comes an outpouring of drama and nominal goofing around for our characters. Interestingly, despite being a time to chill, this is one of the more drama-heavy instalments of Toradora yet.
I do think that part of it is because the test of courage storyline, while clearly meant to largely get played for laughs, isn’t nearly as funny as what happened last volume. It’s kind of a dead weight in a series that has typically executed tropes really well.
At least the serious stuff is here to keep the bar high. I doubt it was intentional, but Ryuuji has real human moments with all the females in the cast over this volume and each is a bit different.
His nighttime conversation with Minorin is a believably delicate pussyfooting of two people dancing around a topic and I love the illustrations that accompany what would otherwise be a fairly static scene.
Ami, meanwhile, truly comes into her own here, even as she’s still having a hard time dropping her ‘everybody please love me’ persona. Her wrestling with her blunt and grumpy actual personality versus her need to play a role to not be lonely really comes across. Given her initial appearance it’s impressive how well she integrates with the other leads.
And then there’s Taiga, who has an unfortunately childish meltdown at the start (love of Ryuuji’s curry or not, it’s my least favourite part of the book), but rebounds with some of the best, most quiet moments here.
It’s hard to tell whether she’s having a realization when Ryuuji starts to get closer to Minorin or the latter two share a moment at the fireworks (that last scene in particular feels like a heartbreaker), but the art sells the conflict really well. When she and Ryuuji find one another in the cave, the shot of them joining hands is absolutely perfect.
My favourite scene in this volume, however, is her and Ryuuji on the couch, talking about marriage and physical distance and not managing to put two and two together with how well they mesh. It’s cute and oblivious all in one motion.
Oh, did I skip Kitamura? Not really - he’s just kind of there this time around. I never really noticed until this reading how one-note he really is before the later volumes begin to dissect things. Part of that is because he plays things closer to his chest than anybody, but it doesn’t necessarily make him very interesting either.
A very good volume, not great. The comedy mostly falling through leaves the heavy lifting to the more serious stuff, but thankfully this series is typically strong on both sides, so when one dips a little it doesn’t wreck the whole thing.