In the renovated docklands of South East London, on the bank of the river Thames, the doors of the Dusk are open for business. Bets are called, cards are dealt and roulette wheels spun. As fortunes are won and lost, an inhuman killer stalks the local avenues and alleyways a killer with a taste for human flesh.
Is there more to casino owner Reggie "The Gent" Mead or is he just a common gangster? What secrets are hidden in the bowels of the Dusk? And what connection does the apparently sleazy Bermondsey casino have to a long- buried government initiative known as Project: Twilight?
The Doctor must form uneasy alliances where the line between friend and enemy is blurred, playing games of chance...
is a freelance comic writer and author. He is best known for his work on a variety of spin-offs from both Doctor Who and Star Wars, as well as comics and novels for Vikings, Pacific Rim, Sherlock Holmes, and Penguins of Madagascar.
Cavan Scott, along with Justina Ireland, Claudia Gray, Daniel Jose Older, and Charles Soule are crafting a new era in the Star Wars publishing world called Star Wars: The High Republic. Cavan's contribution to the era is a comic book series released through Marvel Comics titled Star Wars: The High Republic.
A dark and gritty adventure set in grubby London Docklands of Bermondsey, the tone of this audio is really in keeping with the earlier Sixth Doctor televised stories.
Colin Baker's incarnation of the Time Lord has been nicely rehabilitated through Big Finish as this more softer approach alongside the always enjoyable Maggie Stable's Evelyn makes for a perfect TARDIS team.
This play is probably more memorable for both the introduction of The Forge and a first mention of Zagreus rather than the generic tropes of the storys villains - though I appreciated all the clues before the reveal.
It certainly succeeds in introducing plot arcs into the monthly range whilst a quick run time helps make this an enjoyable frantic twist on a classical enemy.
Evelyn is one of my favourite 6th Doctor companions, who breaks the mould of a new who companion. 'Project Twilight' takes the classic horror genre and gives a twist, through the use of vampires. The vampire backstory and what the Doctor implies about the time lords was interesting. The story also shows that the Doctor does get it wrong sometimes.
Trigger warning: There is a lot of violence and mention of blood in this audio so be prepared if you're squeamish?
Wasn't sure what to expect from this but was going to start Project: Lazarus but then realised you had to listen to this first so I did.
This could also fit into the relation to the eighth doctor book: Vampire Science by Kate Orman which I read last year? An interesting concept to work on and a nice bit more background information about the Time-Lord's hunting down vampires and why the Doctor really doesn't like them.
Nice premise, but I found the script to be lacking in that they basically reduce both the doctor and his companion into total bllithering idots. At various points in the story, the Doctor witnesses brutal behavior on the part of those he is trying to help, yett does nothing beyond raising his voice a bit. In another scene, his companion leaves a young woman with a man that she herself considers an animal and whom the young woman begs her not to leave alone with. Yet she still walks out with a tut-tut, hand pat, and a "be right back." No big surprise when they return and find the young lady horribly tortured. And again, all we get is "I'm going to be sick" from the moronic companion (who is supposed to be a doctor herself) and a "this time you've gone too far" from what is supposedly the most brilliant mind in the galaxy.
Avoid at all costs. Even if it builds into a satisfying conclusion, the journey of broken glass up the aisle makes for a less than happy ending.
This entire review has been hidden because of spoilers.
Nuova avventura per il sesto Dottore e Evelyn Smythe, una accoppiata che continua a deliziarmi. Ci troviamo coinvolti in progetti governativi segreti, nella creazione di super soldati, gruppi para governativi che dovrebbero controllare quello che le schegge impazzite stanno combinando... una sorta di Torchwood in anticipo sui tempi. In questo, si può dire, primo episodio che coinvolge la strana società chiamata la Forgia, abbiamo a che fare con i vampiri... entità che sembrano toccare un tasto dolente nel passato del Dottore. La storia si autoconclude, ma è chiaro che ne rivedremo alcuni elementi. Come primo assaggio non è stato male.
The Doctor and Evelyn land in mid nineties London, and soon find themselves embroiled with a group of people who have survived unchanged since they were experimented upon during the first world war. Six determines to help them fight their condition, but do they really want to be saved? Evelyn takes a young nightclub hostess, Cassie, under her wing and lurking in the shadows is a foe who might prove to be a match even for the Doctor.
This is a great story in it's own right. Full of really quite creepy moments, and an intelligent script that shows Six plunging into a situation with all of his usual enthusiasm, and the consequences of his not thinking things through first.
Another take on a classic literally foe, Project: Twilight is a mystery turned into an intense affair and yet another success for the Sixth Doctor and Evelyn.
Story: 10
Like Loups-Garoux (2001) before it, Project: Twilight seeks to take a classic horror genre concept and give it the Doctor Who twist; here, werewolves are substituted with vampires.
It's interesting how the Doctor implies that the Time Lords are to blame for the release of the virus that creates vampires. It makes them responsible for yet another thing.
This story goes from bad to worse as we realize what the Doctor has done and what the vampires are planning.
Acting: 10
Holly De Jong and Rob Dixon are equally good as opposite sides of the same coin. I particularly like Dixon's mad demeanour and De Jong's slowly growing intensity. Colin Baker is also great as a more vulnerable Sixth Doctor, which is a great side to experience.
The Doctor: 11
The Doctor makes a huge mistake here, putting Evelyn's life at risk. We even hear him apologise for shouting at her, which shows how far he's come since the TV days. We truly understand that he feels strongly for Evelyn by now.
The Companions: 7
Evelyn takes a more laid-back approach here. She's not quite as sassy or reckless as other times and seems genuinely discomforted by the things going on.
The Monster/Villain: 11
I like the way the vampires have been humanized; they use syringes to draw blood from their victims and arent afraid of crucifixes. They live for hundreds of years and are cold to the touch, however. They resemble the vampires of the Supernatural universe. I also like how all vampires have personal weaknesses.
I like how Amelia is the sensible, scheming vampire, a little bit like Dracula himself. Reggie, meanwhile, is the temperamental brute, whid jut like to do things his way.
Production: 10
This is a pretty simple and straightforward production, although the soundscapes fail to conveniently depict what js going on at the beginning do the story. I was left slightly confused at first.
There are some creepy sounds in the first part that are very well realized.
Pacing: 11
While not an action-packed adventure, this is tense enough to not feel overlong. The scenes are short and the story evolves fairly quickly. New story details are presented with good pace, so the story stays fresh.
Atmosphere: 12
From the very beginning, there is a sense of mystery and danger in the air. We understand that something bad is going on, but not exactly what. The tension builds up extremely well until the total explosion that is Part Four.
This story is unexpectedly mature, violent and intense, particularly in the final part. Hearing the vampires drink blood is among the most horrifying things I've heard.
Impact: 10
Big Finish yet again proves they can handle classic concepts within fiction in new settings. The Forge will show up over the years until 2010 and will become an important recurring element in further adventures.
Replay Value: 11
Much like The Holy Terror (2000), this story grows in intensity and reaches its climax in the final episode, where things truly turn rough. It's an intestine and exciting affair, well worth a replay.
Random Observations:
Different kind of vampires show up in the 2010 TV story Vampires of Venice.
This story starts a several-year-long story arc involving the mysterious Forge.
Evelyn yet again fishes the Doctor from the Thames, as she did in the Marian Conspiracy (2000).
I feel like this one deserves a lot more appreciation than I see it getting in most reviews. It is the beginning of an arc of audios that all start with 'Project:', though this is the only one i've heard so far, it is just fantastic. It is very dark and disturbing and really just toys with your emotions, I was almost in tears at one point, and it all works so well. It's hard to talk about without spoiling though, so I will just leave it at; everyone should listen to this audio, it is fantastic, Colin Baker and Maggie Stables are fantastic as usual, and makes for just a wonderfully creepy audio.
The Doctor and Evelyn go to London for a Chinese. There they get caught up with gangsters, vampires and the mysterious forge.
This is quite a dark story that shows that sometimes the Doctor can make mistakes. Evelyn is the one here with sense, even if she does make a mistake that will haunt her for a long time. The introduction of Cassie as a hapless young mother made her a well rounded character. The idea of the Forge is good, but it is only hinted at what they do, and is still very mysterious by the end of the story. A good listen.
I'm honestly not sure what I thought of this one. I continue to like Evelyn as a companion. The villaness was superb. I loved the first two parts but as soon as the "vampires" showed up I thought it all went a bit to pieces. It was odd as even though it was supposed to have a modern day setting it felt like a very Victorian or Edwardian story for most it. Now of course the name is very amusing! (Though I did note that it was written 4 years before certain Mormon books)
The plotline was not particularly surprising or original, and the guest characters felt pretty familiar, but the Sixth Doctor and Evelyn were, as always, delightful to spend time with, and this audioplay helped me endure a tedious wait at the airport on the way home from Dragon*Con, and for that I am grateful.
I didn't read the blurb so the monsters will remain unnamed lest I accidentally spoil anything. At the point when the Doctor discovers the nature of the monsters, he goes off on a ranting tangent about how it's all his fault and that the Timelords were responsible for unleashing them on the galaxy AND that the Timelords now have a sworn duty to destroy them wherever they find them; to try to wipe them out.
Sorry about the paragraph-long sentence, but if you're any measure of a Who fan you'll see why I'm pointing this detail out. It's highly unusual for the Doctor to actually want to wipe out his enemies. To my foggy memory, there have even been many moments where the Doctor has opted against eradication of his foes purely on the principle that genocide is never an option.
I actually went to a fan wiki site and looked up the monsters from this story, but it's a huge entry and I couldn't really glean how the Doctor's remarks fit into the larger picture. That makes this a very intriguing little development in the overall lore although it may be the only time the idea was explored.
I think the monsters are a bit uninspired but the problem they are trying to overcome is interesting and the story can be quite gripping at times.
Unfortunately there are other times when the writing feels terribly like filler. For example the paragraph above about the Doctor's ramblings describes one of those frustrating scenes where a character paces back and forth spurting nonsense and tiny snippets of the truth instead of simply answering the other character's damn question properly.
It'll still get four of my stars for excellent voice acting and some truly chilling story telling!
Can’t lie, one of the weaker big finish stories, however that is not to say it’s not okay. Certainly it’s better than many a current who storyline but BF is so good I expected more. Felt that Evelyn was pushed into the sidelines to a degree which is a shame as Maggie Sables and Colin are so damned good together usually. The story took a long time to get moving and to the point. I may have fallen asleep...
*spoilers*
However then we get vampires!!! It finally gets moving and gets a darker edge going. This is great stuff but not until the last instalment. It could have been a two parter that would have been better, or a one off hour long episode.
But VAMPIRES!!!
Torture!
Science making vampires!
Yes yes all good.
The doctor is a total fool doing what he does but I do see why he does it. The final solution was good but smacks a little of Jago and lightfoot and a certain vampire friend of theirs...
I’ll say no more. Good acting, mediocre script that gets better. Three stars for effort but there’s better out there.
Now to the twin dilemma... 😐😐😐... *help... me.
This entire review has been hidden because of spoilers.
DAMN. That's how you start a story arc. You can tell it's going to be something special from the title, but the truth absolutely blindsides you - or at least it did me. This is probably the most horrified I've been at any Doctor Who story (in any medium) yet. The direction and the soundscape create this incredible gothic atmosphere, and that final location reveal is just chilling. The characters were nothing particularly special, for the most part, but they were well-portrayed, and Nimrod was absolutely fantastic. Cassie was also pretty good, Some of the dialogue was pretty annoying, particularly Reggie's, and so was the Doctor, to be honest. But I liked the development for his and Evelyn's relationship. Evelyn was also great on her own in this story. The plot was simple, but effective, and the main antagonist was scary. And that tease at the end was just perfect.
Interesting to listen to this close to Bloodtide, as seems to be in some respects the opposite to it. A good intriguing story, with some good twists, and all the introduced characters were pretty well rounded out here, not one dimensional at all, and the pace moved quite well. On the flip side, the Doctor was more obtuse than normal here, and even once realises what is going on (or has it pointed out), is unnecessarily secretive towards Evelyn, with no real just cause (just got hyperbolic and mysterious about it) - and Evelyn seemed to take it more on the chin than would normally be the case, and at one point also seemed uncharacteristically gullible. Still a pretty good listen though for what overall happens here, and what is hinted at for the future, (will be interesting to see how I find the future story on a re-listen though, didn't enjoy it as much first time round, and Evelyn went from one extreme here to the other in terms of reacting to the Doctor).
This entire review has been hidden because of spoilers.
As the episode that kicks off the long-running "Forge" story arc, this one is fairly good, yet at the same time doesn't really hint at what's to come. You might end up thinking, oh, this story arc is all about , but it's really not. It's fairly dark and brutal in places. And we can be thankful it wasn't filmed because there's one sequence that would rival the baby-alien birth in Alien for gross-out quality. Maybe more than one.
This one was not the best. I have always liked the team of the 6th Doctor and Evelyn and I would have loved to see the two of them on screen. This story was just a lot and not in a good way. There was so much information and there seemed to be an assumption that I would have more background information than I actually did. I ended up having to look at Tardis Wiki a few times in order to understand the significance of some of the characters and plot points. Overall, it was not my fave but just okay.
"He knocks around with a dotty old bird called Evelyn" says Reggie the night club manager/ vampire (voiced by Rob Dixon) when trying to find out some intel on the Doctor. Fun to listen to, though the plot a bit convoluted, and quite hard to follow at points. I guess big bad Nimrod appears in more plays after this one. I haven't yet listened to the sequels. Colin Baker in top form, and the chemistry with Evelyn continues to be pretty good.
I am so excited about the discovery of all the Doctor Who 50th Anniversary shorts which are done by all the authors I already love. It's like the perfect match. I have really enjoyed the variety of worlds and troubles that these adventures explore. I hope to read them all one day.
This Big Finish, Doctor Who audio, was released on August 20, 2001. It is the 23rd Doctor Who audio. It features Colin Baker as the quintessential audio Doctor and the late Maggie Stables as his companion professor Evelyn Smyth.
It takes place in 1999 in a shady part of South London where the Doctor is in search of a good Chinese takeaway restaurant that he used to go to. Then immediately runs into dismembered animals and his ancient enemies, the vampires, and amazingly gangsters! These are not the sympathetic emo vampires that came into vogue via Anne Rice novels and the Twilight movies.
Again I was amazed at how adept Colin Baker is at portraying the Doctor on audio. As usual I was not bored or confused by the plot of the audio. It kept me awake and was easy to follow. How can one possibly go wrong with gangsters and vampires! It's an unusual winning combination!
Also it should be noted that this audio features the first reference to Zagreus, a figure from Gallifreyan nursery rhymes. Zagreus later appears prominently in the Big Finish audios, Neverland and Zagreus.
The Sixth Doctor and Evelyn are an entertaining pair. The plot is interesting and takes a direction that I wasn't expecting. And I double checked: Project Twilight came out several years before Twilight.