Written for Glasgow Unity in 1947, this extraordinarily moving play of women surviving in the east end of Glasgow of the 1930s was revived by 7:84 Company to tremendous critical acclaim. It finds in the lives of Maggie, her family and her neighbours not only all the tragedy that appalling housing, massive unemployment and grinding poverty can produce, but alo a rich vein of comedy - the sense of the ridiculous, the need for a good laugh.
Ena Lamont Stewart was a Scottish playwright. She was the daughter of a Church of Scotland minister whose family was originally from Canada and had settled in Glasgow. She married the Scottish actor Jack Stewart and they had a son, William. The couple joined Glasgow's MSU Repertory Theatre in Rutherglen.
Stewart was disturbed by the poverty in the Gorbals. She became a receptionist at the Sick Children's Hospital and witnessed malnutrition and other diseases.
Her first play was Distinguished Company. Her second play, Starched Aprons, was about the everyday trials of hospital life. Her third play, Men Should Weep, was a major theatrical landmark for the representation of Scottish class and women's issues. Glasgow Unity Theatre first performed the play at the Athenaeum Theatre, Glasgow, on 30 January 1947.
Stewart was a founder member of the Scottish Society of Playwrights.
If I get an A in Higher English I'll give it 5 stars, other than that I never want to ever think about this play again - good enough when first reading but if I have to analyse the line "whit wis I, when we wis coortin, but your tart?" I'll start crying and might never stop
read it for my exams. hate it. if i have to write about poverty in this book and about Maggie another time i might actually cry. if i get an A in English I’ll rate it higher but eugh
higher engkish 🔫😭😔😔 i’m never gonna pass. better than sailmaker but what the hell and if i was jenny i’d run away with a man too just to get out that place
x The accurate rhythms and noise of the Scots brands the social realism with a unique identity, gaining verisimilitude.
x A vein of life (dear to Scotland) has been successfully tapped into: the closeted world, where life ended young, still resonates, as does the way the characters travel existentially through the poverty prism accompanied by a mirthful and largely hopeless drive forward.
+ There's an abundance of themes, but was their epic potential? Spidery Isa; rash Alec; the potential for multifaceted conflict between John and Maggie driven by the orbiting minors - Lily, Bertie, etc. It was all a lot more interesting before the final act, where toxic femininity won The Battle of the Social Cesspit over toxic masculinity; bathos would have worked better.
I read this for my higher English course in Hugh school and I was oh So bored there is one scene with action in it that I enjoyed however I found this to be extremely boring and monotonous. I do appreciate that it was supposed to be about gender roles etc but I couldn’t help not caring because of how bored I was
I read this for Higher English and like it's okay but I wish we did shakespeare or something funny, this is just depressing, also the original ending is so much better cause what am I meant to analyse out of "they'll be flowers come the spring" or whatever, fingers crossed I get an A though
This is on the Higher English curriculum, which I'm bashing through in lockdown in preparation for teaching next year. Bleak play that could/should be bleaker on the theme of useless men.
Hard hitting and relentlessly depressing, but genuinely moving and real. Every character is beautifully and lovingly constructed. You have sympathy for even the worst of them. The women, especially Maggie, are all so strong despite their circumstances, but I can't help but love poor John the husband despite his failings.
terrible people all around in a terrible situation no less. I do not pity violent men calling women bitches and being whiny and useless. I pity the mother of the house, the aul granny, heck even Jenny and Isa though they can be terrible. And the wee children
not my cup of tea, I can see liking it better on stage
A tender and moving play set in the working class slums of Glasgow in the 1930s. It's funny, heartbreaking and beautifully written in a very specific Glasgow dialect that I can only assume is faithful to the era.
Displays many keys themes, providing multiple different perspectives on the conditions during that period of time, I think it’s an interesting play to study. The writer certainly has a hook, although I didn’t and quite frankly will never understand the humour but that’s just me.
Everyone is saying this is the most boring thing they've ever read but it really wasn't so bad when read alongside voice actors playing out the scenes !