Code of Darkness starts with a rather simple scenario – a bank robbery – that very quickly goes wrong, only to be set right by the intervention of a mysterious stranger. If it sounds like a big budget action flick scenario, or the opening of a DC comic book, then you’re on the right track. This is a story that’s big and bold, full of big ideas, even bigger conspiracies, and the kind of sci-fi tinged action that goes just far enough so as to stretch your disbelief, without becoming cartoonish.
What sets this apart from the standard Hollywood thriller is the way in which the lines between good and evil, between hero and villain, are slightly blurred. While it’s easy to decide who to root for, it’s not always so comfortable being on their side. Good people are forced to do bad things, and bad people . . . well, it’s no surprise that there are always ulterior motives behind anything they might do.
If you’re a fan of the darker superheroes, comic book rogues like Wolverine or the Punisher, then I suspect you’ll take to Rage as well as I did. In many ways he reminded me of Jack Bauer (of TV’s 24) at his meanest and darkest, a man with the best of intentions, who honestly believes the end justifies the means. Elias Todd (aka Asset One) is definitely harder to like, coming off a career as a mercenary assassin, but you can’t help but feel for his role in the conspiracy. If all of that makes you feel a little dirty for wanting to enjoy it, Larry Parker (police officer) and Mira Givens (social worker) not only serve the reader’s perspective into events, but also as heroic palate/conscience cleansers.
Generally, I’m not a fan of the short, quick chapters, but they lend themselves well to a story like this. Instead of becoming unwelcome breaks in the narrative, they’re more like quick scene changes, giving the book that blockbuster, Hollywood feel. Having said that, the character building is fantastic (both the heroes and the villains), the government conspiracy angle is probably a bit too clever and well thought out for Hollywood, and the ending . . . well, I’d rather not spoil the ending.