Let's talk about elegance. Elegance is
a matter of refinement and quality. But it's
also a matter of complexity. Elegant things just have
more going on than things that are merely excellent.
You may disagree, but I find the Beatles excellent,
Bach elegant. See where I'm going with this?
The first layer in this book is the question of murder itself.
We know from the outset that someone's going to
die, but we don't find out who gets whacked until half-way into the book. The author hasn't so much muddied the waters as she's added levels to them. Is the victim to be
*the annoying and ambitious medical researcher? Could
be-he's unlikeable enough and no innocent creatures-or
readers- would miss him much.
*the graduate student with whom he is conducting an affair?
Maybe-she is brutally transgressive of all the rules of
female romantic life. She's the sort of heroine who is
always dispatched in the movies to reinforce the notion
that sin doesn't pay.
*how about the researcher's milquetoasty wife?
The researcher clearly wants her dead and from the way
her character is built, it seems that the author did too.
Her husband not only has the motivation, he has access to
all sorts of creepy viruses to do the job.
*or maybe it could be the impossibly refined and educated priest who's just arrived on the scene, sent by the Vatican tolead their parish out of the inferno of a child-abuse
scandal and into the paradiso of something better. His
name, of course is Dante and he has the combination of
faith and doubt that is sometimes resolved in pulpier
novels by a heroic death.
Then there's the question of sex. (since when is sex a question?)
anyway, all the main characters are simmering with
unfulfilled lusts. Some, like Leila the grad student, are
ferociously acting out. (Leila is a deliciously
good acter-outer by the way). Others are celibate or so
repressed as to be semi-celibate. Does all this sexual
stewing have anything to do with the illicit sex that
Dante has been sent to stamp out? Or isit thematically
related to the HIV research going on in Leila's lab?
The science adds another layer, an elegant hypothesis
is teased out of the authorized and underground experiments.
The conjecture relates ultimately to questions of faith
which are another layer.
There is more, much more. The roles and rules of men and
women, the politics of institutions and the tidal waves
of ambition all weave threads that recur and fascinate.
What makes the whole thing work is that the author is bigger
than any of the devices she uses. Nothing is obvious, every
thread leads to another consideration without a hint of cliché.
So let's define something else: the word thrill. A thrill
is a shiver of delight-it's physical and mental and spiritual.Suspenseful, erotic, many-layered and intelligent, Rabid is an elegant thriller.
Lynn Hoffman, author of bang BANG, ISBN
9781601640005