Walking the Clouds: An Anthology of Indigenous Science Fiction

by Grace L. Dillon (Editor), Sherman Alexie (Contributor), Zainab Amadahy (Contributor)

In this first-ever anthology of Indigenous science fiction Grace Dillon collects some of the finest examples of the craft with contributions by Native American, First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as "magical realism" by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon's engaging introduction situates the pieces in the larger context of science fiction and its conventions.

Organized by sub-genre, the book starts with Native slipstream, stories infused with time travel, alternate realities and alternative history like Vizenor's "Custer on the Slipstream." Next up are stories about contact with other beings featuring, among others, an excerpt from Gerry William's The Black Ship. Dillon includes stories that highlight Indigenous science like a piece from Archie Weller's Land of the Golden Clouds, asserting that one of the roles of Native science fiction is to disentangle that science from notions of "primitive" knowledge and myth. The fourth section calls out stories of apocalypse like William Sanders' "When This World Is All on Fire" and a piece from Zainab Amadahy's The Moons of Palmares. The anthology closes with examples of biskaabiiyang, or "returning to ourselves," bringing together stories like Eden Robinson's "Terminal Avenue" and a piece from Robert Sullivan's Star Waka.

An essential book for readers and students of both Native literature and science fiction, Walking the Clouds is an invaluable collection. It brings together not only great examples of Native science fiction from an internationally-known cast of authors, but Dillon's insightful scholarship sheds new light on the traditions of imagining an Indigenous future.

Genres: Short Stories, Science Fiction, Fiction, Indigenous, Anthologies, Fantasy, Speculative Fiction

262 pages, Paperback

First published March 1, 2012

Reviews

[Haliation]

AWW YEAH. This will be read after finals.
A quick gripe:
Really, REALLY side-eyeing Charles De Lint's "review" on the back.
"Though I'm not usually a fan of anthologies compiled by race, sex, etc., this book is so good that I'm happy to have these stories collected together however it came about. Don't read this because they're stories by Native American writers. Read them because they're damn good stories by damn good writers."

Did he actually read it? Does he know that "Indigenous" doesn't just mean "Native American"? (this anthology also includes Maori, Caribbean, Taíno, and Australian Aboriginal authors) Does he not understand the importance of "race" in this particular context and post-colonial writing? Disregarding the fact that they are Indigenous writers kind of misses the point of this book...so disappointed in him, man.

[autumn]

dnf at 170 pgs

i just think this went over my head - the language in the prefaces to each story was VERY academic. the stories i read were all either barely science fiction or nearly incomprehensibly science fiction. it didnt help that the majority of the stories were selections from longer books (rather than short stories) that required a LOT of context to parse

TLDR unfortunately, this collection wasn't for me. someone looking for an academic science fiction anthology might love it though!

[Kyle Aisteach · Rating 3 out of 5]

This is a fascinating academic text. Dillion does a beautiful job creating a survey of Native American speculative fiction, weaving insightful commentary throughout.

Unfortunately, this book's greatest weakness is as an anthology. Very few of the included works are standalone short stories. The overwhelming majority are excerpts from longer works. And although Dillon did a good job of selecting excerpts that make sense out of context, the book feels like a series of pointers to novels that we should all be reading as part of a seminar rather than as a satisfying collection of short fiction. I feel Dillon's pain, of course, as there really isn't a large body of short fiction by Native authors that would fit the narrowly defined parameters of her own narrative, but the choice limits the usefulness of this book to those with an academic interest and, unfortunately, makes it less accessible to the pleasure reader.

I do, however, hope that this anthology sparks interest in Native American science fiction, because SF could really use more Indigenous voices.

[Uvrón]

If sci fi is supposed to give us new perspectives on our future, and so much current sci fi is about colonist culture's rush toward disaster, there's an obvious value to indigenous sci fi. Unsurprisingly the publishing industry makes that hard to find, and I'm grateful to this academic editor for getting this anthology through an academic press. It's introduced me to several writers I want to read more of, and if I ever get really into it there are many referenced works in the endnotes, scholarly ones as well as fiction.

Many of the stories in this anthology are really excerpts from novels, which is an awkward thing to read and makes the intros rehash premises and plots. Those unfinished journeys and the breadth of style make it hard for me to look back at this reading with clear, strong opinions. Maybe it's best read in pieces, and best reviewed as separate stories.

If you're looking for a quicker introduction, or if you already know these and have recommendations for which books of theirs I should read: my favorite short stories were Diane Glancy's "Aunt Parnetta's Electric Blisters" and Eden Robinson's "Terminal Avenue". My favorite excerpts were from Gerald Vizenor's "Darkness in St. Louis: Bearheart" (the excerpt works well as a story), Misha's "Red Spider, White Web" (not sure it does, but the characters and setting intrigue), and Robert Sullivan's poetry collection "Star Waka":

"oh to be in that generation
to write in freefall picking up the tools
our culture has given us

and to let them go again
knowing they won't hit anyone
just stay up there

no longer subject to peculiarities
of climate the political economies
of powers and powerless"

I could reread the academic framing about time as slipstreams, but right now I'm content with the simple truth this poem captures, that navigating the future is about our relationship with the present and the past, the reality of it and our hopes for changing it.

[Cait · Rating 2 out of 5]

2.5

:\ Was really hoping to like this a lot more!!! It is so, so, so off-puttingly disjointedly academic in a weird way; I kept having to reread passages in the intro and intros because I just could not make head nor tail of what was being said. It felt messy, like someone's thesis that could have stood a SIGHT more editing. And, as many other people have stated, don't be fooled: this is not actually a short story anthology; MOST of the entries are excerpts from longer novels, and most of those selections do not work as standalones.

I think the way in which this worked best for me was as a sort of primer/intro type of thing like 'hey, there's a whole bunch of indigenous speculative fiction out there!!' and I was introduced to authors I hadn't heard of and blah blah etc, so now my next task is to go through the book's recs and decide which of those texts might work out better for me than this one, which tbh felt like reading a book for school (tbh I was skimming at times!!), which is never a good thing. It's like, take the already unpredictable nature of the anthology, which is often super uneven to begin with, and then make it further unpalatable by having a bunch of academics (the people who edited this are really lovely and earnest and passionate and good people, I feel certain!! just...a little...misguided) render it nigh incomprehensible. I don't know, it was such a disappointment! But, again, going to be using this as a jumping-off point to get into what I am sure is a totally awesome sphere of writing.

Some standout entries, for me:

"Aunt Parnetta's Electric Blisters," by Diane Glancy, wasn't bad at all
"Flight," by Sherman Alexie, wasn't bad either
"Men on the Moon," by Simon Ortiz, was quite excellent, and likely my favorite from the whole thing
"When This World Is All on Fire," by William Sanders, was very compelling although indicative of how much of a dude-skewed viewpoint even a collection like this can have!! (12 entries by men, 7 by women)

(also fuck charles de lint for that back-cover review lol)

[Ed Erwin · Rating 3 out of 5]

Took me ages and I still never finished it. I guess the problem is that it is mostly excerpts from longer works rather than complete stories. Or maybe I've just had too many other things grabbing my attention.

I'm glad to have read the excerpt from "Midnight Robber". I don't think I'll read the rest of that book. The only author here I will likely seek out in future is Sherman Alexie.

[❄Elsa Frost❄ · Rating 3 out of 5]

This is a fantastic idea for an anthology, no doubt about it. It's a collection of Indigenous Science Fiction. This means that it includes Native Americans, First Nations, Aboriginal Australian, and New Zealand Maoris. A great thing, to be certain. I wanted to read not only from the perspectives I'm more familiar with--such as Native American groups from the U.S. and Tainos from the Caribbean--, but also from other Natives of other locations. This offered that variety of perspectives, and I'm grateful for the extended perspective. As always, each of us can benefit greatly from other perspectives aside from those we have been exposed to.

Now, this next thing I'm going to mention is somewhat a positive, yet somewhat a negative. Y'see, most of the works included here are from larger works. This is a positive thing in the sense that you can be exposed to more Indigenous writers through this book, and pursue their works after reading the excerpts. However, this is somewhat a negative too. Usually, an anthology may include a few pieces that are excerpts from larger works, but this one features a lot of excerpts (13/19, to be more exact). I think that's too many. Again, I understand that it's exposing the larger audience to the vast amount of Indigenous writers out there. But you gotta admit, this isn't very common to do in anthologies, mainly because you don't want to have the reader bugged down by the enormous number of excerpts that don't really have satisfactory endings because they aren't ended.

As for the stories... something I did not like is that this is a science fiction anthology. Some of these stories... aren't science fiction, by any means. And so I'm trying to figure out how some non-science-fiction stories managed to be included here...? Is there something I'm missing in the interpretation...?

Some of the works here are strong pieces. I absolutely loved the story "Men on the Moon" by Simon Ortiz, for example. Some works, however, I wasn't really fond of--which is to be expected from an anthology. It's rare to find someone who loves absolutely every work featured in it.

Overall, this is pretty good. Personally, I give it 3.75 stars.

[Saige · Rating 2 out of 5]

My star rating is for the collection as a whole, not for any individual story.

I wanted to love this anthology because I think Indigenous science/speculative fiction is frequently amazing and deserves so much more attention than it gets. I just don't think this format was successful. This anthology felt like it doesn't know what it wants to be. A history lesson? A collection of essays about Indigenous SF? A short-story collection? It went in too many directions at once. I appreciate that many of the stories are more powerful/interesting placed into their contexts within history and the genre at large, but some of the "intro" sections to pieces felt nearly as long as the pieces themselves. The intros often frequently spoiled aspects of the stories, revealing plot points and quoting lines that I then read 5 pages later. It took the wind out of the sails of the fiction itself. I also think that several of the novel excerpts were poorly chosen for this project. They often involved many characters, places, or plot points that weren't introduced (even in the long story intros), leading to "impactful" conversations and plot revelations that didn't make much sense. It's a shame, really, because so many of those stories felt like compelling parts of larger texts; they just didn't work for me in isolation.

That said, I found many of the stories themselves absolutely wonderful. The excerpt from Midnight Robber stands out, as does "When This World is all on Fire." I wish that these individual pieces of fiction had been presented in a format that better allowed them to shine.

[Lindsay · Rating 4 out of 5]

Most anthologies I've read are collections of short stories, but this one differs in that it is a collection of excerpts from longer pieces of fiction, rather than self contained short stories. Each story had a good introduction which, in addition to describing who the author was and why they like writing science fiction, gave some background to the stories and major plot points that would be important to understanding the excerpt.

Some of the stories I found a bit confusing, but many of them were super interesting and made me want to pick up and read the full novel that the story came from.

[Jenny · Rating 4 out of 5]

I was interested to find that this is a very academic text. The editor has collected stories and excerpts as examples of five common themes in Indigenous sf, and the book's introduction (as well as mini-intros to each story) are not written in layperson's terms. Without having read more on these topics, I felt that I got the gist of the ideas but not the full nuance.

I found the anthology to be very interesting (although I wish I understood more!) and also enjoyed most of the stories.

[Ruxandra Grrr]

DNF @5% (ish?)

I only managed to read 2.5 of the fragments in this anthology. One of them was a re-read, because it was a (final) part of my beloved Almanac of the Dead. The other two were fragments from two of Stephen Graham Jones's novels (including his debut), which I'll probably get to, in time.

Then I went to book club and found out that most of these are novel fragments, with very few actual short stories, and that it wasn't a super friendly experience to just read bits of novel without context. So yeah, I think I'm going to give up and maybe look up some of those novels. Midnight Robber by Nalo Hopkinson I've been meaning to read for a while so that might be my first one. I just don't want to make myself read stuff anymore, cause this reading slump which I'm maybe overcoming now has been brutal anyway.

[Elizabeth]

This was incredible. It was kind of like a buffet or a trailer reel of so much incredible indigenous sf in that you had carefully-chosen passages from a lot of other amazing full-length works by various authors, which then gives you a sense of what you're interested in reading more of (in my case, everything, which is saying something since I'm not always interested in contact narratives and other sub-genres of sf). At first, I worried the book might be too academic for pleasure reading for me in that each excerpt is introduced with some commentary, but once I actually started reading it, I felt that those passages gave so much context and situation for what I was reading that it really added to the enjoyment.

[Stephanie Masta · Rating 4 out of 5]

we're reading this in my Indigenous perspectives course to stretch our minds around what is possible in a Native future. very good but a bit dense, as most academic books are.

[Anne-Marie · Rating 3 out of 5]

This was a really good anthology introduction to a number of sci-fi themes, topics, and stories from a variety of Indigenous perspectives. The anthology collects writings from a variety of Indigenous authors living across what is now known as Canada, the United States (including Afro/Black-Native American), Australia, and New Zealand. It further compiles them into five broad categories: Native Slipstream, Contact, Indigenous Science and Sustainability, Native Apocalypse, and Biskaaiiyang/"Returning to Ourselves."

For me personally, I enjoyed the Contact and Indigenous Science and Sustainability sections the most, but there were (subjective) gems in each section.

I finally got to read some writings from Stephen Graham Jones and Nalo Hopkinson - two authors I've been meaning to read. I was also introduced to a number of new-to-me authors (and one familiar, Eden Robinson) and several novels that I'd be interested in checking out one day.

One of the strengths of the collection was the introduction to each piece - (presumably) the editor wrote a brief description of how this story fits into the section's theme with a bit of literary analysis, and in the case of novel excerpts, a summary of relevant info preceding the excerpt's text.

If you're a fan of sci-fi short stories/anthologies, I highly recommend checking out this collection (or others) - especially if you've been mostly focused (like I was) to mainstream/Western sci-fi.

[Elizabeth Chorney-Booth · Rating 3 out of 5]

This was interesting but felt more like an academic read than a pleasurable one.

[Ai Miller · Rating 4 out of 5]

A solid collection and introduction to indigenous sci-fi. It's worth noting that at this stage, this functions maybe more as a kind of potential space for foundations for indigenous sci-fi, rather than necessarily a place to explore new works or authors; there's been a huge amount of work put out after this (especially in the young adult arenas) that might be worth checking out if you're looking to avoid, say, Sherman Alexie's work. Nevertheless, Dillon's analysis and introductions are very solid, and the excerpts are great places to move towards the larger works. I definitely came away from this with many more books and stories to look for. I couldn't necessarily name a "favorite" among these--they were all so different and interesting and good, and I think you get a good taste of the number of different themes and kinds of stories.

[Collin]

Enough people have said that they find it dissatisfying or disappointing that the majority of stories in this collection are excerpts from novels instead of short stories, that I don't feel the need to belabor the point. Yeah, it felt a little pointless after a while, engaging with a fantastic self-contained short story and then diving straight back into three or four contextless excerpts that are so much harder for me to get invested in, but "Anthology" is on the cover of this book so I can't really put the blame on the editor. I just really found it hard to become emotionally involved with so many of the entries here.

That said, the actual short stories were fantastic! "When This World Is All On Fire" was probably my favorite.

[Becky · Rating 3 out of 5]

This is a smartly put together book and I admire it, but it's sort of a 'reader' of Indigenous SF rather than your usual anthology. I liked that each story comes prefaced with an introduction containing biographical information and/or positioning the story's context, but I was surprised that a lot of the contents were excerpts of novels rather than self-contained short stories, and I found these excerpts harder to connect to.

[Feral Academic · Rating 5 out of 5]

This anthology opened worlds to me. Grace Dillon takes us across a broad landscape of subgenres and perspectives and offers commentary I found enlightening and just thorough enough. She sent me scurrying to add books to my "to read" list every few stories.

[Jo Eva · Rating 4 out of 5]

This was a challenging and insightful book, I was glad to be introduced to new concepts and perspectives. I initially thought this was a collection of short stories, but the anthology includes excerpts from novels which I found difficult to follow/unsatisfying to read at times.

[Full Stop]

http://www.full-stop.net/2012/08/30/r...

Review by Lindsey Catherine Cornum

For the geeky Indian tired of reading and watching science fiction about white heroes conquering red planets, Walking the Clouds: An Anthology of Indigenous Science Fiction is what the recent release of The New Yorker Science Fiction Issue was for other nerdy types—the validation of something that has for too long been ignored. In this case, not just the perennially-overlooked Indigenous voices but the weird Indigenous voices of speculative and science fiction.

Edited by the ever-insightful Grace L. Dillon, Walking the Clouds is the first anthology to bring together writers from around the world representing not only their own tribal literature but also the burgeoning movement of Indigenous futurism. This inherently radical literature dares to project the Vanishing Indian, victim of genocide or modern despondency, far into the future and onto a genre that re-envisions the world through uniquely Indigenous perspectives. 



Walking the Clouds is not just an introduction to what Indigenous Futurism is, but a continuous attempt to create the subject of its study. To that end, the stories and excerpts are rather short with Dillon’s introduction and analysis defining and guiding us through the conceptual framework of each brief piece. The book is more an encyclopedia of ideas than a true collection of stories, providing a useful road map thorough previously scattered works while pointing out valuable sources to revisit.

The driving tension of this exploration is between what Indigenous futurism shares with science fiction and what it subverts. For Stephen Graham Jones, a self-proclaimed follower of “Blackfeet physics,” the time-bending, multidimensional quality of science fiction is simply an extension of tribal tradition. Neither Dillon nor I would go so far as to say all Indigenous literature is inherently science fiction, but what this anthology does reveal is that Indigenous science fiction is not new: it is simply a new way to group aspects that have shot through certain Indigenous literature and perceptions for a very long time.

Read more here: http://www.full-stop.net/2012/08/30/r...

[Dan Clore · Rating 5 out of 5]

Not just a science fiction anthology on a particular theme, as the editor used her expertise in Science Fiction Studies and Indigenous Nations Studies to take a cross-disciplinary approach that allowed her to put together a selection of first-rate science fiction (or science fictional) short stories and novel excerpts whose theme broadens the scope of the genre.

The authors come from various Indigenous backgrounds (Native American, First Nations, Aboriginal, Maori, sometimes intersecting with African, just as Indigenous Futurism intersects with Afro-Futurism), but the book is not simply a selection of SF stories by writers from a particular group "identity", or even simply informed by the social position that comes with that background (though such "Skin thinking" is one theme of the volume, but not just between Indigenous peoples and Eurowestern colonizers but in a network of relations between different tribes, nonhumans, post-cyberpunk neotribalists, etc).

Above all, this is an anthology of work informed by the authors' multi-cultural perspectives, of science fiction informed by Indigenous models of reality and Indigenous narrative techniques. In some cases, the Indigenous SF included actually anticipates mainstream SF. For example, a form now recognizable as Native Slipstream, based on cultural models similar to scientific models of non-linear time, the multiverse, alternative histories, etc., not only anticipates the mainstream SF subgenre slipstream, the first example here, Gerald Vizenor's "Custer on the Slipstream", includes the word in its title.

The anthology is divided into five sections: The Native Slipstream; Contact; Indigenous Science and Sustainability; Native Apocalypse; and Biskaabiiyang, "Returning to Ourselves", but most of the selections could fit in more than one category.

The one major criticism I have is that two-thirds of the selections are novel excerpts, but I trust the editor's decision based on her knowledge of the material, and actually didn't really mind much in this case. Several excerpts definitely make me think I want to read the whole novel, such as the piece from Nalo Hopkinson's Midnight Robber.

[Sérgio Pelado · Rating 4 out of 5]

"Walking the Clouds" provides a quintessential point-of-view to the sci-fi lover, focusing entirely on fiction written by those to whom the Apocalypse has already happened: Indigenous people.

Indigenous North-American, Caribbean and even Maori sci-fi writers reflect, on their futurist tales and novels, on the centuries of oppression at the hands of the self-proclaimed superior civilization, i.e. Euro/Western colonizers, and how Indigenous knowledge has so much to offer to a World which rapidly plunges towards self-destruction. On that topic, "Walking the Clouds"' contributors walk much more closely to the original, cautionary purpose of science fiction than many of their much more marketed counterparts.

Some have complained about the excess of novels' snippets in the anthology, and therefore lack of complete short stories, but I found the cuts made by the editor to the bigger works quite well-trimmed, and so much of those snippets work as short stories themselves, contributing to a sense of unity that pervades "Walking the Clouds". If there’s a minor repair to be made to this anthology, it is the fact that the literary merit of some of the selected fiction is somewhat questionable, but given all the different authors featured in the book, I was not expecting all of them to be my cup of tea.

[Emma Gerts · Rating 3 out of 5]

This was sadly a little middle of the road for me. That's not necessarily because of any weakness of the stories themselves, but more the way this was structured. Because more often than not, these actually weren't short stories, but many of them were excerpts from novels. Which I feel like is not quite the same reading experience as a collection of short stories, and not one I'm specifically fond of. Scenes from a novel are meant to be read as part of a novel, where short stories are designed to be read in isolation. On top of that, I felt like many of these stories were over-explained (possibly necessitated by having so many excerpts that needed context). The introduction to each story seemed to me to be telling me why I should like it, how clever or subversive it was, instead of just letting me enjoy the stories for themselves. As a result, this felt like a bit of a slog. Some of the stories were really good, which is why I gaave it a 3 star rating, but on the whole this wasn't the best reading experience. I think I would have preferred to just read the stories on their own, without the length prologues.

[Kate · Rating 3 out of 5]

"I don't read a lot of sci-fi" is a lie I tell people. In reality, I don't read a lot of the typical (white male) sci-fi canon.

This anthology is made up of stories from communities I am not privy to, communities my knowledge of is pretty shallow, even though I live on land that belonged to the Dakota people before it was stolen by white settlers.

So this is a warning for white people: this book will not be kind to us. This is a book about contact and land and scars. Some stories are harder than others. All of them are fascinating in their own right. The point of reading this book was to make myself uncomfortable. But it was also really deeply fulfilling to read stories written by voices, some familiar, some new to me, that tell me things about communities I need to learn more about.

[Adrienne · Rating 2 out of 5]

This reads like a fleshed out dissertation. It claims to be an anthology but literally half of it is lengthy "introductions" to the pieces that are extremely academic and not particularly enjoyable to read. Worse, the selections themselves are nearly all taken from the middle of complex books, and are only given a couple pages. The result is that you don't really get a good feel for any of the writers, and you don't really get any true stories, just confusing excerpts (with one or two exceptions). What a massive disappointment.

[Valerie Gazelle · Rating 2 out of 5]

I was really excited to get my hands on this book and get a glimpse of speculative fiction and sci fi from a different perspective.

Unfortunately, this anthology mostly includes exceprts from novels and in the end just comes across as disjointed and kind of a chore to slog through. Instead of inspiring one to search further and read the source material, I felt disinterested by the vast majority of the works, and I feel like that may be the antithesis of an anthology

[A. · Rating 3 out of 5]

There are some incredible stories in this anthology. 'Custer on the Slipstream' and 'Men on the Moon' are two extremely powerful and fascinating examples. Unfortunately, Grace L. Dillon's forewards do little to provide the necessary context for understanding the excerpts from novels. This makes reading the excerpts provided frequently frustrating and confusing.

[Daggry]

Rather than an anthology of short stories--standalone works of Indigenous SF--this is a collection of readings that illustrate various categories of indigenous futurisms. Some of the readings are short stories; most are excerpts from novels. Since some of the novels were already on my TBR, I'll be skipping much of this book.

[Tassara · Rating 3 out of 5]

3.0 out of 5 stars because there are some really great excerpts in this anthology, and I've added a number of the titles featured in Walking the Clouds to my TBR, but I really struggled with the fact that the vast majority of the entries in the book were... parts of other books.

Jumping into random scenes (which may or may not contain 'spoilers' for their larger works) made it really hard to lose myself in the stories featured, and, sometimes, I think that lack of context actually hurt Dillon's overall thesis.

Unlike some other readers, I didn't mind (and largely actually enjoyed) Dillon's prefaces to each of the entries she included in the anthology — as a complete and total science-fiction lover, my nerdiness extends even to the academic observation of the genre. Those prefaces made me think that Walking the Clouds may have actually worked better as a non-fiction, lit crit book, à la Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction, wherein the editors wrote about the authors, the cultural/social/historical context that informed their writings, and included some recommended reading for each section.

As it stands, the stories collected here range from excellent "teasers" for full-length works to great standalone short stories to confusing excerpts that just don't quite work on their own (due to no fault of the author's — they were never meant to stand on their own). And I think that disjointed feeling took away from what could have been a spectacular sampler platter of some really incredible Indigenous spec-fic.

My Favorites/Books I've Added to my TBR:
☁️ Refugees by Celu Amberstone (Cherokee)
☁️ The Black Ship by Gerry William (Spallumcheen Indian Band)
☁️ Midnight Robber by Nalo Hopkinson (Taino/Arawak)
☁️ Mindscape by Andrea Hairston (her characters are Black & Seminole)
☁️ Land of the Golden Clouds by Archie Weller (Koori)
☁️ The Moons of Palmares by Zainab Amadahy (Black & Cherokee)