Reynolds shatters the colonial city model which draws clear demarcation lines between traditional urban localities and modern (European) ones via examining the urban space of modern Cairo up till the Cairo Fire in 1952. She contends that pre-1952 Cairo was characterized by spatial as well as identity fluidity, thereby undermining much of the later nationalist historiography that argued that Cairo’s downtown chic district was exclusively European and inaccessible to native Egyptians. In order to back up her argument, she analyzes films, advertisements and the built environment of downtown Cairo dotted as it was with large department stores, such as Chemla and Cicurel.
It’s a book that’s very much in the mold of what Raymond Williams meant by lunching cultural materialism as a critical school that not only borrows from but also builds on (and ultimately differs from) the work of traditional Marxist theorists.