Did Not Finish. It was bad.
I did finish most of the Omnibus, including the 3 novels within, but after finishing the third I'm just so done with it I can't go on.
Let me start by saying I've always thought the Salamanders were a really cool chapter, but I didn't know a lot about them, hence why I wanted to read about them and get more into their lore. Unfortunately, this series was a big disappointment that left me liking the Salamanders a lot less.
Firstly, let's start with the writing quality. It's a strange mix of sub-par, painfully mediocre, and pretty darn good, all in completely different aspects and simultaneously.
The sub-par aspect definitely comes through the most in the Flanderization of the Salamanders. The Salamanders are known for a few things: using fire, being dragon-themed, respecting and focusing on fine craftsmanship, compassion and care for civilians, and stoicism. The author takes these things and just beats you over the head with them (except for the part about care for civilians, which I don't think comes up that often). The actual dialogue, names, and themes for the Salamanders is downright nauseating with how repetitive and 1-note it is. Let me break this down for you; whenever the Salamanders are talking about something, particularly on the battle-field, they read like this:
"fire fire anvil hammer forge fire anvil drake hammer hammer forge anvil forge fire fire fire drake forge fire hammer anvil fire fire hammer anvil anvil anvil fire fire hammer"
Just about EVERYTHING about the Salamanders is now some sort of reference to blacksmithing and it's so repetitive I got sick of it before I even finished the first book.
Then there are also certain plot elements that aren't explained very well and you just wonder what is going on and how. Why and how were the [spoiler] marines on [spoiler] planet in the first book? What the heck is the deal with the Archimedes Rex? Why does Lokar hate the Salamanders THAT much even after he already got even with them? Why does Tsu'gan never get punished for his constant disrespect to his fellow marines?
Oh yeah, and the conflict between Tsu'gan and Dak'ir, two of the main characters in the books. The whole time I'm thinking these two battle-brothers are going to begrudgingly respect and come to terms with each other by the end of the series, but as a mild spoiler, it doesn't happen, and their endings suck.
The actual characters also seem kind of stupid at times. In the short story about Stratos it's very obvious that the Salamanders are fighting some foe that knows exactly how to counter them, but none of the characters realize this until way too late. Characters can only be as smart as their author, amirite?
Then there's the overarching plot itself. Now as an omnibus about a particular chapter, there are a variety of directions the author could have gone. For example, the Word Bearers omnibus, which is a great one I definitely recommend, has the Word Bearers fighting the Imperial Guard, the Adeptus Mechanicus, Necrons, Dark Eldar, Tyrannids, and other Space Marines. Lots of cool foes for them to go against. The Ahriman Omnibus also has a complex variety of foes. This allows these chapters to really show how they react in different scenarios and creates a fun clash-of-cultures type combat.
In this omnibus the overarching threat is some crafty cabal of traitor marines led by only one guy with a name worth remembering and some of his Dark Eldar lackies and a little bit of orks. I think the Salamanders would have been best suited for some sort of grueling campaign where they could show off their cool tactics, their care for civilian life, and their amazing crafted weapons. Instead we just have them jumping between a few locations on some goose chase to hunt some sorcerer, and it feels like a waste of a good plot line.
The characters are rather unique and memorable (except for Tu'Shan, who I kept getting confused with Tsu'gan because their names are so darn similar), and they all have their own motivations. However, the "character development" in this series happens on a dime, extremely quickly seemingly as soon as the plot demands it to happen. I can't really explain it more without spoilers, but it's like the author just remembers at the end of an act that character development needs to be a thing and just tags it on.
The book also has a lot of "redshirts" in it - characters that get a name in the middle of combat only for them to die in the next page or so the author can pretend there is some tension, meanwhile none of the consistent, named characters are every really at risk.
Oh, and the ending to the third book of the trilogy was really lame and anti-climactic.
I'm not going to read the rest of the short stories. I only got this far because of sunk-cost fallacy.
Thanks for reading my long review.
fire fire fire forge fire hammer fire fire anvil anvil fire forge hammer drake fire hammer