Edouard Manet was one of the first artists who can truly be called "modern," combining a highly individual and fresh vision with tremendous technical virtuosity. Together with the sumptuous color plates, the text by Manet specialist Pierre Courthion offers an unforgettable view of the glories of this artist's work.
Beautiful depictions of the art, where each painting is located, and a brief description of the inspiration or story behind the paintings. Short, sweet and to the point.
Regarding the artist, I can't help but feel like I should like Manet more than I do, and I wonder how much is lost "in translation" of making a painting a print. I also wonder if, Manet was neither traditional nor modern enough. I find myself agreeing with at least one of the contemporary criticisms, that his paintings are flat. Whether that's emotionally or pictorially, I don't know. But they fall flat for me. And interestingly I think I like him less as he paints more impressionistically, though there are definite exceptions to this general statement. I've found with most painters I've studied, the hardest subject to do something with, in my opinion, is a landscape. This is true for Manet as well.
Some more random notes: Manet was well-to-do, and supported Monet and others when they needed money. It seems he pushed a more realistic approach at a time when that was frowned upon. I like that he said, "Do what is true and let them talk." He does seem to know how to balance a painting.
As for the author, he told neither an interesting narrative (is that his fault or Manet's? I don't know) nor did he fill the pages with BS criticism. Not to say that I agreed with his take, but generally I could understand it and believe it.
The order of the book didn't please me. The author started with all kinds of artists. Most of the illustrations weren't even from Manet. This was 25% of the book. And then he feature Manners work. I enjoy seeing Manet's portraits of women. Unfortunately the flowers I like were only shown one time.