Pocas obras se explican tan bien desde la biografía de su autor como la de Francis Scott Fitzgerald. Nadie como él encarnó la euforia de la Era del Jazz y, posteriormente, la depresión del Crack del 29. Conoció el éxito temprano y fulgurante y sin embargo en sus últimos años sufrió el fracaso y el olvido. Aunque Fitzgerald siempre consideró sus cuentos literatura alimenticia, vistos con la perspectiva del presente constituyen una parte fundamental de su obra y se inscriben en la gran tradición cuentística de los Estados Unidos. Esta antología recoge los mejores cuentos de sus distintas épocas.
Francis Scott Key Fitzgerald, widely known simply as Scott Fitzgerald, was an American novelist, essayist, and short story writer. He is best known for his novels depicting the flamboyance and excess of the Jazz Age, a term he popularized in his short story collection Tales of the Jazz Age. During his lifetime, he published four novels, four story collections, and 164 short stories. Although he achieved temporary popular success and fortune in the 1920s, Fitzgerald received critical acclaim only after his death and is now widely regarded as one of the greatest American writers of the 20th century. Born into a middle-class family in Saint Paul, Minnesota, Fitzgerald was raised primarily in New York state. He attended Princeton University where he befriended future literary critic Edmund Wilson. Owing to a failed romantic relationship with Chicago socialite Ginevra King, he dropped out in 1917 to join the United States Army during World War I. While stationed in Alabama, he met Zelda Sayre, a Southern debutante who belonged to Montgomery's exclusive country-club set. Although she initially rejected Fitzgerald's marriage proposal due to his lack of financial prospects, Zelda agreed to marry him after he published the commercially successful This Side of Paradise (1920). The novel became a cultural sensation and cemented his reputation as one of the eminent writers of the decade. His second novel, The Beautiful and Damned (1922), propelled him further into the cultural elite. To maintain his affluent lifestyle, he wrote numerous stories for popular magazines such as The Saturday Evening Post, Collier's Weekly, and Esquire. During this period, Fitzgerald frequented Europe, where he befriended modernist writers and artists of the "Lost Generation" expatriate community, including Ernest Hemingway. His third novel, The Great Gatsby (1925), received generally favorable reviews but was a commercial failure, selling fewer than 23,000 copies in its first year. Despite its lackluster debut, The Great Gatsby is now hailed by some literary critics as the "Great American Novel". Following the deterioration of his wife's mental health and her placement in a mental institute for schizophrenia, Fitzgerald completed his final novel, Tender Is the Night (1934). Struggling financially because of the declining popularity of his works during the Great Depression, Fitzgerald moved to Hollywood, where he embarked upon an unsuccessful career as a screenwriter. While living in Hollywood, he cohabited with columnist Sheilah Graham, his final companion before his death. After a long struggle with alcoholism, he attained sobriety only to die of a heart attack in 1940, at 44. His friend Edmund Wilson edited and published an unfinished fifth novel, The Last Tycoon (1941), after Fitzgerald's death. In 1993, a new edition was published as The Love of the Last Tycoon, edited by Matthew J. Bruccoli.
De todos los escritores de la Generación Perdida, creo que el que mejor escribe -no digo el mejor autor, que es otra cosa- es Scott Fitzgerald. Su prosa es primaveral, tan extensa como la taiga, con una minuciosidad por el detalle y la descripción portentoso. Es casi un novela decimonónico del realismo, un Balzac o un Galdós. Hasta aquí todo bien. El problema que encuentro en su literatura es que no conecta conmigo. En muchos casos parece toda su obra meramente autobiográfica, personal y realizada como una terapia y un ejercicio de estilo. Le falta eso que a otros compañeros sus tuvieron, la temática aventurera de Hemingway, la social de Steinbeck o la negra de Dos Passos. Yo recomendaría a Fitzgerald para personas que quieren ser escritores, van a encontrar el mejor posible posible, pero yo tendría dudas de recomendarlo para lectores simplemente que quieran buenas historias. Matizo que hay que excluir "El Gran Gatsby" de esta ecuación, que es una obra maestra de Fitzgerald que merece su propio análisis. Como decía, no me termina de enganchar una narración casi de diario personal, con sus fobias, filias, miedos, deseos...está bien, pero me parece algo insustancial, al menos si no eres psicólogo.
Ni me interesó ni me acuerdo de que trata, solo me senté a leerlo y disfrute de una historia que no me atrapó, pero su autor tenia probablemente la mejor escritura de su época así que disfrute mucho leerlo, que poético que disfrute leer por el mero acto de leer, no por el libro en sí.