Full disclosure. I ordered this 2005 Chuck Logan release from our local library for a couple of reasons. First, I was curious to know if the Sylvester Stallone movie by the same title as released in November 2013 duplicated the novel. (It turns out; there are apparently some major discrepancies. The film version has the lead character, Phil Broker as a widower. His spouse, Nina Pryce, doesn’t appear in the cast. Their daughter Kit is called Mandy in the film. The screenplay version is set in the swamps of Louisiana, not northern Minnesota. There is no Harry Griffin in the movie. There is no Sheriff Keith Nygard in the movie. And the list goes on and on.)
Secondly, Logan and I live not only in the same state but in the same metropolitan area. I was just curious to know if I would recognize any of the places that appear here in “Homefront.” It turns out; Logan includes a lot of real streets and roads and other locales that do exist. Others, not so much. For example, I couldn’t find a Glacier County in Minnesota. Ditto Glacier Falls. Not sure about the Washichu State Forest. An apparent mixture of fact and fiction.
As a writer, Logan paints his characters and settings with clear, almost photographic brush strokes. For example, the author describes the middle school student who serves as a catalyst for the entire plot this way: “The Klumpe kid was almost nine. Naturally powerful for his age, he packed an extra ten pounds of junk-food blubber in a sumo-like tire around his gut and his wide PlayStation 2 butt. Biggest kid in the third grade. Most feared kid. Knew the most swear words. King of the playground.” As a casting director for the film version, this character sketch would make my job quite easy.
Logan also handles action and intense emotion in a similar fashion. Short brush strokes here. “Gator shook his head. Years of work. Perfect plan. Perfect location. Belize. Boat engines. Never gonna see the . . . ocean. With tremendous effort, he pushed off the wall, started after them, Sheryl coming up now, grimacing, rubbing a bruised knot on her temple. Eyes like jelly. Shock maybe. Yapping. ‘What’s going on? Who is she?’ ” An almost poetic sequence. Like an impressionistic painter.
Bottom line, this is a story about relationships. Broken ones mostly. In the end, healed ones. Revenge and restoration are the themes. Logan’s work here is quite graphic, but finely crafted. This is “Mrs. Doubtfire” meets “Die Hard.” Read the book first then watch the movie.