I picked up this collection of short stories, first published in various magazines in the late 1940s and early 1950s, when I visited Big Bend National Park and west Texas generally. I was looking for a book that would give me a sense of place. I’m sure I never read a western before, so this was my first. I was in a used book store in Alpine, TX and rummaged through the western section and saw there were a lot of books by Louis L’Amour, a name I associated with westerns (I guess this is how advertising and branding works). I had the sense from the large number of books, that he didn’t write great literature. I presume some works he wrote were adapted to western movies (which I’ve seen my share of). Not wanting to get sucked into a book that I might not like, I picked up this collection of short stories. Here’s my tale.
The title story, “Buckskin Run,” was my first experience with L’Amour. The writing is fairly straightforward and sparse. It seemed that I’ve heard this language in movies before, beginning to confirm my suspicion that some of his work was adapted to movies. My snarky comment is that whoever wrote every “Scooby Doo” mystery back in the day (back before Crappy, I mean Scrappy Doo stories with real (lame) ghosts and monsters) was clearly influenced by this story. Besides the western elements, the key item relating to Scooby Doo is the valley that holds a secret. There’s lost gold. There are rumors of ghosts. There are mysterious killings. Rascally Henry Childs would have gotten that gold if it wasn’t for those meddling kids, I mean, the wits and frontier spirit of Rod Morgan. It’s a fine, fine popcorn read that met its goals. It’s not literature and you could sort of see it coming. Having finished my first contact with L’Amour, I knew what I was getting into.
The second story also had a mystery surrounding it. Not quite Scooby Doo, but the same sort of idea. Does L’Amour write mysteries with a western theme, or does he write westerns?
As I read more of the stories, I began to see a theme develop: Tough, moral, upstanding, skilled protagonist finds himself in a situation against entrenched interests that are not quite what they seem (or in a mustache-twirling villain sense, exactly what they seem). A secret exists. An initial fight occurs. Each side re-groups. A climax occurs. The hero and the girl start a ranch together (or the hero and some other guy in a vaguely homoerotic way get together, with the hero running the ranch and the other guy as a helper). Also I can’t forget the element of a lost brother or relative or friend.
The stories get better, or at least are better structured, near the end. Stories like “Jackson of Horntown” and “Down the Pogonip Trail” are less mysteries to be solved or uncovered, but straight ahead stories that don’t seem as forced.
Perhaps L’Amour has a novel that I would like to read, that is considered a classic. I would like to know so that I can read my first western novel and enjoy it. This book was fun for its purpose and I would recommend it for reading only one of the first few stories, then to concentrate on the last four-ish stories.