I could just write “no”, but will try to be a little more helpful.
I could note the triggers, as some reviewers do. In the first 90 pages of this children’s book then, we have death and bereavement, brutalisation, starvation and abuse, war and oppressive regimes, detention centres and prisons, torture, and murder.
Shadow is by a well-established author and has won many awards. It is written for children between the ages of 9 and 13, and on the cover is a beautiful drawing of a Springer Spaniel. I like what I have read by Michael Morpurgo, and had bought it for a ten year old, but she will not get it! I thank my lucky stars that I always read any book I give to a child first myself.
There is a school of thought which maintains that children’s fiction should “tell it how it is”, and that it is misguided to shield youngsters from the truth. All well and good, but we do have to consider what is age appropriate. Authors such as Judy Blume, Jacqueline Wilson and Michael Rosen have all addressed social issues in their works for children. Dysfunctional families, divorce, bullying, death, bereavement and so on are all faced squarely in children’s literature nowadays. It is seen as a way of helping them to cope with and prepare for the world they will live in, to develop self-esteem and inculcate good values. This is good, I think, as long as there is also room for developing the imagination. We all need a little magic. And there do have to be limits.
In brief, the story begins with Matt, who tells his grandad about his best friend Aman. He misses Aman, who is being held with his mother in a migrant detention centre. The author paints a picture of Yarl’s Wood, just outside Manchester, with guards and security just like a prison, and all the children inside crying. The regime is brutal and heartless.
Matt is not allowed to see his friend, but gradually Aman’s mother opens up to Matt’s grandfather and tells him her story. It includes the abuse her family suffered at the hands of the Taliban in Afghanistan, how her husband had been dragged away, and she had been tortured for stealing an apple. She eventually tells how she and her son managed to flee the country.
While hiding in a cave with Aman’s grandmother, who could barely walk, Aman made friend with a mangy, starving dog, although dogs in Afghanistan were routinely stoned. This is the dog, Shadow, whom he nurses back to health despite his family’s disapproval. The dog becomes a constant companion, and back in England when Matt’s grandfather shows Aman a photo of Matt’s dog which he has smuggled in, it reminds him of Shadow. This is the “hook” for the story, which follows Aman and his mother’s desperate flight to England, where they are assured of a safe haven with another member of the family who had married an English woman and has a good business.
I believe that one can tell whether a book is worth reading by the first 100 pages (or less!) and did not read the part where Matt and his grandfather work to help Aman and his mother to get asylum. I am sure this book will have a positive ending despite the horrors, with examples of courage, loyalty and so on, and this will presumably be believed to vindicate and justify what has gone before.
2 stars means “it was OK” on the Goodreads scale. I do not feel able to give this book that rating for a child less than 13 (the top age suggested) because of the subject matter and how explicitly it was dealt with. However I can see that with careful policing by a parent, or as part of a project at school, with much discussion, this book could be used.
Michael Morpurgo has always wanted to highlight the importance of children’s literature, and he helped to establish the post of children’s laureate in the United Kingdom. This is a 2 year position, and he actually served as the children’s laureate from 2003 to 2005. There is no question that this book is well written, with believable characters and situations. The illustrations by Christian Birmingham are superb, softly shaded pencil drawings.
But if you give this to any child, please make sure they are ready for it, and that you are not led astray by the beautiful cover, as I was. I am left wishing I had not read it.