Transformation Scene

by Claude Houghton

{ 15.34 x 23.59 cms} Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2017 with the help of original edition published long back [1946]. This book is printed in black & white, sewing binding for longer life, printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - English, Pages 260. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete Transformation Scene 1946 Claude Houghton

Hardcover

First published January 1, 1946

About the author

Claude Houghton Oldfield was born in 1889 in Sevenoaks, Kent and was educated at Dulwich College. He trained as an accountant and worked in the Admiralty in the First World War, rejected for active service by poor eyesight. In 1920 he married a West End actress, Dulcie Benson, and they lived in a cottage in the Chiltern Hills. To a writers’ directory, Houghton gave his hobbies as reading in bed, riding, visiting Devon and abroad, and talking to people different to himself. He added: “I like dawn, and the dead of night, in great cities.” He disliked fuss, noise, crowds, rows, and being misquoted, or being told how much he owed “to some writer I’ve never read”.

Houghton’s earliest writing was poetry and drama before turning to prose fiction with his first novel, Neighbours, in 1926. In the 1930s, Houghton published several well-received novels that met with solid sales and respectable reviews, including I Am Jonathan Scrivener (1930), easily his most popular and best-known work, Chaos Is Come Again (1932), Julian Grant Loses His Way (1933), This Was Ivor Trent (1935), Strangers (1938), and Hudson Rejoins the Herd (1939). Although he published nearly a dozen more novels throughout the 1940s and 1950s, most critics feel his later works are less significant than his novels of the 1930s.

Houghton was a prolific correspondent, generous in devoting his time to answering letters and signing copies for readers who enjoyed his books. One of these was novelist Henry Miller, who never met Houghton but began an impassioned epistolary exchange with him after being profoundly moved by his works. Houghton’s other admirers included his contemporaries P. G. Wodehouse, Clemence Dane, and Hugh Walpole. Houghton died in 1961.

Reviews

[J McEvoy · Rating 3 out of 5]

Houghton's esoteric mystery in which an artist's model is murdered and the artist, subject to blackouts and sleepwalking, suspects himself. A fascinating hybrid, almost a cross between The Picture of Dorian Gray and Robert Aickman's story The Same Dog. The resolution is not satisfactory but, as ever with Houghton, it is the treatment that matters, and Houghton's technique is first rate.