CONTENTSIntroduction · Charles L. Grant ·Suffer the Little Children · Stephen King · Peekaboo · Bill Pronzini ·*Daughter of the Golden West [“A Feast for Cathy”] · Dennis Etchison ·The Duppy Tree · Steven E. McDonald · *Naples · Avram Davidson · Seat Partner [Saint-Germain] · Chelsea Quinn Yarbro ·Camps · Jack M. Dann · The Anchoress · Beverly Evans · Transfer · Barry N. Malzberg · Unknown Drives · Richard Christian Matheson The Night of the Piasa · George W. Proctor & J. C. Green ·The Runaway Lovers · Ray Russell ·Fisherman’s Log · Peter D. Pautz ·I Can’t Help Saying Goodbye · Ann Mackenzie ·Midnight Hobo · Ramsey Campbell ·Snakes and Snails · Jack C. Haldeman, II ·Mass Without Voices · Arthur L. Samuels ·He Kilt It with a Stick · William F. Nolan ·The Ghouls · R. Chetwynd-Hayes
Introduction (Nightmares) by Charles L. Grant Grant expands on the anatomy of fear, defining horror as the unsettling intrusion of the extraordinary into mundane life. #Dread
"Suffer the Little Children" (1972) by Stephen King An aging teacher realizes her pupils are being replaced by monstrous, ancient entities hiding behind innocent, youthful faces. #Transformation
“Peekaboo” by Bill Pronzini A man becomes increasingly paranoid that something invisible is watching him, leading to a frantic, claustrophobic struggle for sanity. #Paranoia
⭐“Daughter of the Golden West” by Dennis Etchison A traveler stops at a roadside diner, encountering a strange girl and a desolate atmosphere of lingering, faded dreams. #Isolation
“The Duppy Tree” by Steven E. McDonald Investigating a legend in Jamaica, a man discovers the terrifying reality of spirits bound to a cursed, ancient tree. #Supernatural
"Naples" (1978) by Avram Davidson In the labyrinthine streets of Naples, a traveler encounters the city’s dark, living history and its lingering, ghostly inhabitants. #Atmospheric
“Seat Partner” by Chelsea Quinn Yarbro A woman’s bus ride turns sinister as her traveling companion reveals a hunger that transcends mere social interaction. #Predatory
“Camps” by Jack Dann While hospitalized, a man experiences vivid, agonizing hallucinations of living through the horrors of a Nazi concentration camp. #Trauma
“The Anchoress” by Beverly Evans: A woman seeking spiritual purity through isolation finds herself tormented by the very carnal desires she sought to escape. #Madness
“Transfer” by Barry N. Malzberg A psychiatrist treating a strange patient realizes the man’s delusions are actually a method of transferring psychic burdens. #Psychological
“Unknown Drives” by Richard Christian Matheson A fast-paced, visceral look at a man’s descent into violence as he is consumed by primal, inexplicable urges. #Obsession
“The Night of the Piasa” by Green & Proctor Modern researchers encounter a legendary Native American monster, finding that ancient myths possess a deadly, physical reality. #Monsters
“The Runaway Lovers” by Ray Russell Escaping their lives, a couple finds themselves trapped in a surreal, unending cycle of flight and pursuit. #Nightmarish
“Fisherman's Log” by Peter D. Pautz A solitary fisherman’s diary entries reveal a growing, cosmic horror emerging from the depths of the icy water. #Isolation
⭐“I Can't Help Saying Goodbye” by Ann Mackenzie A young girl possesses a terrifying gift: she knows exactly when the people she loves are going to die. #Fate
⭐“Midnight Hobo” by Ramsey Campbell A man walking home at night is pursued by a shapeless, urban specter that thrives in the city’s shadows. #Urban
“Snakes and Snails” by Jack C. Haldeman II A scientist’s experimentation with biological growth leads to a gruesome, unintended evolution that spirals out of his control. #Science
⭐ “Mass Without Voices” by Arthur L. Samuels In a silent, desolate world, a survivor wanders through a religious ceremony performed by the eerie, walking dead. #PostApocalyptic
⭐ “He Kilt It with a Stick” by William F. Nolan An old man’s cruel past catches up to him when the cats he once tormented return for vengeance. #Retribution
“The Ghouls” by R. Chetwynd-Hayes A man stumbles upon a community of ghouls and discovers the gruesome, domestic reality of their morbid, subterranean lifestyle. #MacabreHumor
This entire review has been hidden because of spoilers.
A big old anthology of late '70s-era short horror stories from editor Charles L. Grant, and aside from the King and Chetwynd-Hayes efforts these were all unfamiliar to me (which is always a great thing). They tend towards dark thrillers on the most part and most are worth at least a cursory look.
PEEKABOO, by Bill Pronzini, is a simple set-piece about a guy searching his house at night and all about the suspense, which comes in bucketloads. Dennis Etchison's DAUGHTERS OF THE GOLDEN WEST feels like a grindhouse movie in a story, notable for some ghastly moments and interesting setup. Steve McDonald's THE GUPPY TREE is notable for its Caribbean setting although a little heavy on the vernacular.
Avram Davidson's NAPLES is appallingly obtuse – no idea what that was about at all – while Chelsea Quinn Yarbro's SEAT PARTNER is a jokey vampire effort, although I'd have preferred it serious. CAMPS is by Jack Dann and a rather unpleasant recollection of WW2 concentration camps, while Beverly Evans' THE ANCHORESS is a creepy thing about a farmer's wife with a strange collection.
TRANSFER sees Barry Malzberg delivering a somewhat obscure and unsatisfying lycanthropic effort, while Richard Christian Matheson's UNKNOWN DRIVES is a top little thriller – imagine DUEL condensed into something sweet and suspenseful. Geo Proctor's NIGHT OF THE PIASA is almost exactly like the film/novel WOLFEN except considerably shorter and I'm not sure whether he or Strieber came first.
Ray Russell's RUNAWAY LOVERS is pretty trashy, a medieval torture effort let down by reams of cod Shakespearian dialogue, but Peter Pautz's FISHERMAN'S LOG is better, a tale of a childhood fishing trip ending disastrously. Ann Mackenzie's I CAN'T HELP SAYING GOODBYE sticks with the kids to strong effect with an original voice, while MIDNIGHT HOBO is one of Ramsey Campbell's strongest efforts, another extraordinarily creepy ghost story with a background of urban decay.
Jack Haldeman's SNAKES AND SNAILS is a traditional vampire story with a good setting in the swamplands of southern Georgia, while Arthur Samuels' MASS WITHOUT VOICES is a gruesome short-short about a violinist's revenge. Meanwhile, William F. Nolan's HE KILT IT WITH A STICK is a gruelling one about a man who hates cats – animal lovers, look away – and his comeuppance.
This was purchased at a vintage paperback show held once a year in Glendale, California, and I love going to this show. You never know what you might find. Some of the vendors will have deals, like buy 10 books for $25 and that's how I picked up this -- I needed a tenth book.
It's a horror anthology so I figured I couldn't go wrong. Well, it's not terrible, but...
This book was tough to finish and took me more than five months to do so, only dipping in and out it between novels. I read all the stories but one (just couldn't get into it) and finished the last "Camps" last night just to knock it off.
I came very close to putting this as DNF, but I'd already read more than half so I pushed through. And the remainder of stories weren't bad, they just weren't good.
The only story I really enjoyed felt like it belonged in a fantasy anthology more than this one. It was set in medieval times and had the rather boring title of "Runaway Lovers".
And while some stories were just boring, a few started well or were well written, but just fell flat by the end. That's where about half of this anthology lies - well written enough, but bland.
I should probably purge this from my collection, but it has kind of a neat psychedelic cover so it'll sit around for now. But I would NOT recommend it.
I love old collections like this. Not only is it highly entertaining to read blurbs about world-renown authors such as Stephen King from a time when they had only a book or two published, but it's also nice to see that so many stories from almost forty years ago are still so pertinent and poignant today. With the exception of a story or two I loved the entire collection, which is why I jumped straight into its companion volume, Shadows. Expect a review of that one coming soon.