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Hearing History: A Reader

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Hearing History is a long-needed introduction to the basic tenets of what is variously termed historical acoustemology, auditory culture, or aural history. Gathering twenty-one of the field’s most important writings, this volume will deepen and broaden our understanding of changing perceptions of sound and hearing and the ongoing education of our senses. The essays stimulate thinking on key What is aural history? Why has vision tended to triumph over hearing in historical accounts? How might we begin to reclaim the sounds of the past?

With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how military, social, intellectual, and cultural historians have tackled historical acoustemologies. Investigating soundscapes that include a Puritan meetinghouse in colonial New England, the belfries of a French village at the close of the Old Regime, the court hall of Elizabeth I, and a Civil War battlefield, the essays vary just as widely in their topics, which include noise as a marker of social and cultural differences, the privileging of music as the sound of art, the persistence of Aristotelian ideas of sound into the seventeenth century, developments in sound related to medical practice, the advent of sound-recording technology, and noise pollution.

This important new anthology will help us to contextualize the past within the larger rubric of all of the senses and thus free mainstream historical writing from the powerful but blinding focus on vision alone.

432 pages, Paperback

First published June 1, 2004

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Mark M. Smith

34 books3 followers

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Displaying 1 - 2 of 2 reviews
Profile Image for Tara Brabazon.
Author 43 books561 followers
May 31, 2011
An absolute ripper. Every university library should have at least one copy of this book. As an edited collection it provides the key and influential texts in aural history, rather than oral history. The key argument explored throughout the chapters is probing the relationship between how we hear and how we think about ourselves and our environment.

Why I love books like this is that for people new to the field, it provides a fine taster of the remarkable writers within it. For more experienced scholars, they can evaluate and check interpretations and find further references in areas of interest.

This is a big, punchy, passionate and engaging edited collection. Magic. A great place to start if scholars are interested in sound and aural history.
Profile Image for Alison.
210 reviews7 followers
May 9, 2019
(Just read helpful introductory chapter)
Displaying 1 - 2 of 2 reviews