Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism.
In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
I have read and marked this book again and again until any given page looks like a war zone. Which is not unrelated to Krauss's view of the world of modern art. There is scarcely an inch of the modern-art pond this woman has been unwilling to swim, and piss in.
Perhaps some of my favorite pieces of Krauss in here; "Grids" & "Sculpture in the Expanded Field". Again my students are reading select parts from this in a course I am currently teaching.
Read this as for research for my thesis, seeing as everything else I was reading just kept referencing this book, was very insightful, easy to understand and often witty.
Muy guay. El ensayo que más me ha gustado es 'Se acabó el juego'. Hace una crítica muy interesante a las posturas historicista sobre el arte, y defiende una aproximación estructuralista y posestructuralista de la crítica artística. Desmitifica los grandes relatos de la modernidad.
Haven't really read through all of it, but I found it very comprehensive in informing much about modern and post-modern art. If you write a review of an artwork, or perhaps a contemporary art critic, this book is the best companion to be...