STAR SCIENCE FICTION 1, ed. Frederik Pohl
An important collection, but one that occasionally suffers under its own foundational weight.
Country Doctor • (1953) • novelette by William Morrison - giant extraterrestrial heap of a space cow has some guttural disease that can no longer go unchecked. Since the thing is the size of a warehouse and impervious to full x-rays, they have to send in the country doctor into the contemptuous alien's gut. Like all tales akin to Jonah & the Whale, this tale is plenty gooey, silly, and with the right amount of pulpworthy pleasures.
Dominoes • (1953) • short story by C. M. Kornbluth - file this one into the sub-sub-genre of greedy protagonist using time travel to alter the stock market. Fashionably fine in 1953 but perhaps not so much now.
Idealist • (1953) • short story by Lester del Rey - nuclear bomb orbit ship has been wrecked. By its own country's missiles, the Reds, or by some internal malfunction. The lone survivor must decide to unload the remainder of warheads on Russia, even though he's not sure how much of the world below is still functioning. Very tight, no-nonsense.
The Night He Cried • (1953) • short story by Fritz Leiber - femme fatale with tentacled breasts!? Not as exciting as it may sound, but more proof that Leiber was one of the horniest writers around back in the day.
Contraption • (1953) • short story by Clifford D. Simak - Simak lite. Here a boy is propositioned by two aliens in a ruined ship. Could have been an episode of Andy Griffith with a young Ron Howard throwing stones at a tin saucer in the woods.
The Chronoclasm • (1953) • novelette by John Wyndham (variant of Chronoclasm) - time travel, a blossoming love affair, men in suits in pursuit. Not much here either way, a rather pedestrian tale even by Wyndham standards.
The Deserter • (1953) • short story by William Tenn - powerful tale of a POW brought in by the government to communicate with the alien predators that had once imprisoned him. An inverted version of 'Country Doctor' but with far more fatal consequences. Grim and potent.
The Man with English • (1953) • short story by H. L. Gold - a small comedy about an asshole husband/father whose five senses have been completely rewired. A grey shade of Suburban dull, this tale is so safe it could have been passed around Sunday school.
So Proudly We Hail • (1953) • short story by Judith Merrill - interesting but its vague intentions seem like it could be a subversive feminist take, or a ripe second-fiddle account of men being superior to women in every way imaginable. The ending, while quite grim, is a vague hot mess.
A Scent of Sarsaparilla • (1953) • short story by Ray Bradbury - Bradbury always hits that note, even when you sense it from a mile away. His Sentimental Universe, Ray Ray.
"Nobody Here But ..." • (1953) • short story by Isaac Asimov - another robot comedy. Who's laughing, Isaac?
The Last Weapon • (1953) • short story by Robert Sheckley - confusing satire of grunts on Mars stealing weapons and robot armies with little success.
A Wild Surmise • (1953) • short story by Henry Kuttner and C. L. Moore - a parody of psychiatry, the hero of this tales suffers bad therapists in two alternate realities: one as man, one as bug.
The Journey • (1953) • short story by Murray Leinster - sorry, Murray, this is a flatliner of a tail. The equivalent of a Christian pamphlet preaching young men to embrace hard grueling work, marry weak women, and please your parents. Are these really the bullet points of being The Man? Lazy.
The Nine Billion Names of God • (1953) • short story by Arthur C. Clarke - another re-re-read. Premise is quite amazing but the story reads too short as it always has...but that climactic image/line, emblematic and important.