I can’t claim to offer a fair review, having read only 65 pages of excerpts drawn from throughout this book, but what I read impressed me enough that I wanted to say something.
First: This is designed and illustrated like no physics book I’ve ever seen. It’s not much like any works of history either, although some of the same breadth of material appears in Fernand Braudel’s three-volume Civilization and Capitalism, 15th–18th Century. In truth, though, it’s not only the design but also the textual contents that are like nothing else I know of. It’s dense, challenging, and detailed—and in a certain sense very fun.
The publisher’s description uses the flat but telling phrase “the interplay of science and the humanities,” and that’s what the author covers, across centuries. If you want to know the subjects that are addressed, try to get a look at the table of contents. As for the design: one of the less illuminating (though memorable) juxtapositions shows a “Little Mermaid” statue in Copenhagen’s harbor to accompany a discussion of the Copenhagen interpretation of quantum mechanics. Come to think of it, that’s an apt illustration; quantum mechanics is at least as fantastic and troubling as H. C. Andersen’s fairy tale.
This could serve as a textbook, and apparently earlier versions did so, in Hungarian and German editions that either accompanied or took off from a long-running series of lectures. It would be a dream class that relied on this book—but it’s essentially a course all on its own.