‘A marriage of convenience, that’s what it will be! Dash it, it may not be as romantic as I dare say you’d have liked, but you can’t deny it will be more amusing than being a governess!’
Enraged after his hasty proposal of marriage is rejected by Miss Isabella Millborne, renowned as the Incomparable in London circles for her beauty and her dowry, young Viscount Sheringham, Sherry to his friends, vows to marry the first woman that crosses his path. He needs to be hitched in order to access his inheritance and to pay his substantial gambling debts. Currently his inheritance is held in trust by his mother and her brother.
Luckily for the young blood, Sherry soon meets by the side of the road a childhood friend in need of a saviour herself. Miss Hero Wantage is an orphan raised by distant relatives, who want to send her to Bath to earn her keep. His wild and unorthodox proposal is instantly accepted and the two co-conspirators elope to London.
‘Was it very dull and disagreeable in your cousin’s house, Cinderella?’
‘You’re out of Shakespeare too,’ said Hero, helping herself liberally from a dish of green peas.
‘If you don’t take care, Kitten, you’ll have people saying you’re bookish.’
This Regency romance, the author’s undisputed field of expertise, borrows both from fable and from Shakespeare, but cooks its own screwball recipe for fun in a high society setting obsessed with fashion, formal dances, gossip, social etiquette and gambling. The underage Cinderella is foolishly thrown to the lions by her clueless new husband, her expected faux-pas cause for scandal and consternation among the older, starched-collar generation.
A young lady, reared in the heart of Kent and uninstructed in the niceties of social etiquette, was to be depended on to make mistakes, and to get into all the minor scrapes which lurked in the path of any high-spirited damsel bent on cutting a dash in the world.
As with the novels of P G Wodehouse, a lot of the charm of the story relies on the posh locations and wealthy characters, who do not have to worry about where their next meal is coming from. Also similar to Wodehouse is the delightful and colourful use of slang, typical of the Regency period. Heyer puts to good use her extensive reference library and the sparkling dialogue is one of the main attractions for me.
For example, a Tiger is a sort of specialized footman, who rides in the coach with his master and can intervene in a scrap when needed. Jason, Viscount Sheringham’s Tiger is of particular interest in the plot for his Cockney accent and for his pickpocket addiction.
Similarly, a cicisbeo is a sort of companion for married women, who attends to all their wishes with the husband’s tacit approval. Sherry is in theory keen on the idea of a marriage of convenience with Kitten, as his young wife is soon called among his circle of friends, but when the theory is put to the test, he quickly develops more traditional [jealous] views.
Finally, it was decided that a cook, a butler, two abigails, and a page-boy or footman should, in addition to his lordship’s personal maid, a coachman, two grooms, and the Tiger, be sufficient to ensure the young couple a moderate degree of comfort.
For most of the fist half of the novel, I was a little underwhelmed by the long and slow development of the young couple’s establishment in London, with the numerous descriptions of fashion and of social events starting to feel kind of too escapist for my taste.
Luckily, things pick up considerably in the second half, as Hero starts making a splash in society with her enthusiasm for racing horses, her naive and loud commentaries on her peers and for visiting the wrong kind of places for a young lady. Sherry tries to discipline her, with the result of the young wife running away from him to Bath, where a spectacular finale is brewing.
Just such a situation as her mischievous nature delighted in appeared to be brewing.
... resolved upon a course of action fantastic enough to have appealed to the silliest damsel ever discovered between the marbled covers of a circulating library novel.
One can read the last quote as a subtle metafictional commentary on her own material from Heyer, who declared in an interview that the story of Sherry and Hero is her favorite among her own novels.
For me, the story shines in the interesting and well deployed cast of secondary characters, like Sherry’s trio of young bucks: Ferdy Fakenham, Gilbert Ringwood and especially the fiery George, Lord Wrotham who would duel anybody at very short notice. The tribulations of the Incomparable Miss Isabella Millborne in the marriage market and a subplot involving a knave named Sir Montagu Revesby add meat to the bare bones of the Cinderella story and numerous chances for extra mischief.
I’ve been taking a longish break from the novels of Georgette Heyer, and maybe the distance added a certain freshness to the setting, but I would still rate Friday’s Child as one of the best in her catalogue.