Poems of Cabin and Field. Illustrated with Photographs By the Hampton Institute Camera Club and Decorations By Alice Morse

by Paul Laurence Dunbar

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Genres: Poetry, Classics

Hardcover

First published February 1, 2008

About the author

Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was a seminal American poet of the late 19th and early 20th centuries. Dunbar gained national recognition for his 1896 Lyrics of a Lowly Life, one poem in the collection Ode to Ethiopia. In 2002, scholar Molefi Kete Asante listed Paul Laurence Dunbar on his list of 100 Greatest African Americans.

Dunbar was born in Dayton, Ohio to parents who had escaped from slavery; his father was a veteran of the American Civil War, having served in the 55th Massachusetts Infantry Regiment and the 5th Massachusetts Colored Cavalry Regiment. His parents instilled in him a love of learning and history. He was a student at an all-white high school, Dayton Central High School, and he participated actively as a student. During high school, he was both the editor of the school newspaper and class president, as well as the president of the school literary society. Dunbar had also started the first African-American newsletter in Dayton.

He wrote his first poem at age 6 and gave his first public recital at age 9. Dunbar's first published work came in a newspaper put out by his high school friends Wilbur and Orville Wright, who owned a printing plant. The Wright Brothers later invested in the Dayton Tattler, a newspaper aimed at the black community, edited and published by Dunbar.

His first collection of poetry, Oak and Ivy, was published in 1892 and attracted the attention of James Whitcomb Riley, the popular "Hoosier Poet". Both Riley and Dunbar wrote poems in both standard English and dialect. His second book, Majors and Minors (1895) brought him national fame and the patronage of William Dean Howells, the novelist and critic and editor of Harper's Weekly. After Howells' praise, his first two books were combined as Lyrics of Lowly Life and Dunbar started on a career of international literary fame. He moved to Washington, D.C., in the LeDroit Park neighborhood. While in Washington, he attended Howard University.

He kept a lifelong friendship with the Wrights, and was also associated with Frederick Douglass and Booker T. Washington. Brand Whitlock was also described as a close friend.[2] He was honored with a ceremonial sword by President Theodore Roosevelt.

He wrote a dozen books of poetry, four books of short stories, five novels, and a play. He also wrote lyrics for In Dahomey - the first musical written and performed entirely by African-Americans to appear on Broadway in 1903; the musical comedy successfully toured England and America over a period of four years - one of the more successful theatrical productions of its time.[3] His essays and poems were published widely in the leading journals of the day. His work appeared in Harper's Weekly, the Saturday Evening Post, the Denver Post, Current Literature and a number of other publications. During his life, considerable emphasis was laid on the fact that Dunbar was of pure black descent, with no white ancestors ever.

Dunbar's work is known for its colorful language and use of dialect, and a conversational tone, with a brilliant rhetorical structure.

Dunbar traveled to England in 1897 to recite his works on the London literary circuit. He met the brilliant young black composer Samuel Coleridge-Taylor who some of his poems to music and who was influenced by Dunbar to use African and American Negro songs and tunes in future compositions.

After returning from England, Dunbar married Alice Ruth Moore in 1898. A graduate of Straight University (now Dillard University) in New Orleans, her most famous works include a short story entitled "Violets". She and her husband also wrote books of poetry as companion pieces. An account of their love, life and marriage was depicted in a play by Kathleen McGhee-Anderson titled Oak and Ivy.

Dunbar took a job at the Library of Congress in Washington. In 1900, he was diagnosed with tuberculosis and moved to Colorado with his wife on the advice of his doctors. Dunbar died at age 33.

Reviews

[Jane · Rating 5 out of 5]

Another of Dodd, Mead & Co's beautiful books of poetry by Paul Laurence Dunbar, the poet laureate of The Old South. While the poems are wildly out of fashion today, one can't help but admire the facility of Dunbar's verse and his rich voice. The publisher put out six of these books around the turn of the century, and they're notable not only for the poetry, but for their arresting covers and interior decorations. This was The Golden Age of the decorated book cover, before paper wrappers or paste-ons became popular. It was also a time in which the first generation of professionally-trained young women were given this kind of work, and oh, baby, did they ever make the most of it! Here the decorative binding and the pale interior framework for each poem is by Alice Morse, one of the best in the field. The Grolier Club did a show of her work in 2008, with a catalog by Mindy Dubansky, The Proper Decoration of Book Covers. It's worth a Google image to see these Dunbar books - they're gorgeous. Type in Paul Laurence Dunbar decorative cover and see if you don't agree.

[Lily · Rating 5 out of 5]

A beautiful display of the dialect that comes from African American Vernacular English. It creates a music that speaks to the post-Emancipation period and reaches out to present-day audiences. Incredible use of natural imagery and depiction of community and feeling.

[Sarah Loncon · Rating 4 out of 5]

I read this book for African American writers and the natural world class. I loved these poems and the discussions we had on them.