I've read and re-read Gladys Taber's "Stillmeadow" and "Still Cove" books through the years, finding them calming during difficult times. Not surprisingly, I plucked one off the shelf to read each night during this sad and scary period of life with COVID-19.
One of the many qualities about Taber that I appreciate is her ability to move easily from the small details of her pets, house, gardens, and daily activities; outward to larger subjects of culture, land use, and literature; and on further still to prejudice, aggression, fear, and hate, all within the space of a few pages. Taber doesn't lose her sense of hope or humor, and she isn't pompous, either. She confides in the reader, and I am ready to listen to her thoughtful observations and daily pleasures.
The Book of Stillmeadow was published in 1948, and some of its essays appeared in print eleven years before that. To me, many of Taber's comments seem prescient. In the book's first section, I flagged this sentence: "As we celebrate this year, we must resolve to keep our lives free from racial intolerance, from bigotry and hate. We must do everything we can to defeat cruelty in our own country" (58-59). Struck by how relevant this goal still is in 2020, I started flagging other expressions of appreciation for a variety of people and cultures, and my copy of the book was bristling with flags by the time I finished reading it.
Taber has a positive, generous soul that reaches for light. She writes, "…I sometimes think that when people reach the day in which they see no good in anything different and new, on that day they begin to die. The will to live and the will to grow are the two foundation stones on which humanity is built. During all difficult days, I am determined to keep new interests going, lest I bog down in worry and anxiety. We need to use our time constructively, creatively, if possible" (209). Sound advice in this troubled spring.
Her attention to quotidian details, though, is what keeps me returning to her books: "What a sense of life and comfort there is in the sight of an old farm wagon creaking on a country road, the farmer drowsing on the seat, the horses moving as if they had forever to get there. After being shut away from life for so much of the winter, it is good to see movement again" (104).
While "being shut away from life" myself during this pandemic, I am happy to see the natural world through Taber's shining eyes.