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The House of the Wind
The internationally bestselling author of The Rose Labyrinth returns with a love story of magic and healing about two women, centuries apart, who fight to make the world of their dreams a reality.
San Francisco, 2007. Madeline Moretti is grieving her fiancé’s death. Nothing brings her joy anymore, and Maddie’s grandmother, a fiery Italian, sends her to Tuscany to heal. Here, Maddie is immersed in the mystery of a ruined villa. Destroyed centuries ago in a legendary storm on the Eve of St. Agnes, it has been known ever since as the Casa al Vento—the House of the Wind.
Tuscany, 1347. Mia hasn’t spoken since her mother’s death and lives in silence with her beloved aunt. One dark night, a couple seeks refuge in their villa. Used to welcoming passing pilgrims, Mia is entranced by the young bride’s radiance and compassion but is mystified by her reluctance to reveal even her name. Where has she come from, and why must her presence be a secret?
As each searches for a way to step into her future, both Mia and Maddie will be haunted by the myth of the young woman who walked unscathed from the ruins of the House of the Wind.
San Francisco, 2007. Madeline Moretti is grieving her fiancé’s death. Nothing brings her joy anymore, and Maddie’s grandmother, a fiery Italian, sends her to Tuscany to heal. Here, Maddie is immersed in the mystery of a ruined villa. Destroyed centuries ago in a legendary storm on the Eve of St. Agnes, it has been known ever since as the Casa al Vento—the House of the Wind.
Tuscany, 1347. Mia hasn’t spoken since her mother’s death and lives in silence with her beloved aunt. One dark night, a couple seeks refuge in their villa. Used to welcoming passing pilgrims, Mia is entranced by the young bride’s radiance and compassion but is mystified by her reluctance to reveal even her name. Where has she come from, and why must her presence be a secret?
As each searches for a way to step into her future, both Mia and Maddie will be haunted by the myth of the young woman who walked unscathed from the ruins of the House of the Wind.
480 pages, Kindle Edition
First published August 1, 2008
43 people are currently reading
1549 people want to read
About the author
Titania Hardie
90 books52 followersBorn and educated in Sydney, Australia, Titania Hardie is the highly successful author of a range of distinctive books published in the UK on folklore, magic, and divination, and recently a new series of children's books, The Frangipani Fairies. She has first-class honors degrees in psychology and English and was awarded the prestigious Chatterton scholarship for post-graduate study at Bristol University, where she is currently completing her M.A. on the Romantic poets. The Rose Labyrinth is her first novel. Titania lives in Somerset with her husband and two daughters.
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Displaying 1 - 30 of 156 reviews
October 9, 2012
I really wanted to like this a lot more than I actually did. I adore historical fiction and I love the cleverness of concurrent storylines, centuries apart, having bearing on each other, but this just didn’t work for me.
The problem for me was that it was just too darned slow. Hardy uses achingly beautiful prose that absolutely sings off the page, but the plot unfolds at a maddeningly sedate pace, not just in one timeline, but in both. As a result, I grew bored with the characters, their loss, their pain, their motivation, and their relationships, and grew tired of waiting for everything to happen.
The fact is, that the same writing device has been used before to better effect (if you’ve read Labyrinth by Kate Mosse, you’ll know what I’m talking about, and if you haven’t read it, I can heartily recommend it!) and I found myself forever waiting for something other than the writing to excite me. Truly, the writing often verges on the sublime and I give it a higher rating as a result, but it was let down by pedestrian plot and plodding pace.
I will be interested in reading more by Titania Hardy if only to see if the tale is worthy of the writer’s obvious talent with words.
The problem for me was that it was just too darned slow. Hardy uses achingly beautiful prose that absolutely sings off the page, but the plot unfolds at a maddeningly sedate pace, not just in one timeline, but in both. As a result, I grew bored with the characters, their loss, their pain, their motivation, and their relationships, and grew tired of waiting for everything to happen.
The fact is, that the same writing device has been used before to better effect (if you’ve read Labyrinth by Kate Mosse, you’ll know what I’m talking about, and if you haven’t read it, I can heartily recommend it!) and I found myself forever waiting for something other than the writing to excite me. Truly, the writing often verges on the sublime and I give it a higher rating as a result, but it was let down by pedestrian plot and plodding pace.
I will be interested in reading more by Titania Hardy if only to see if the tale is worthy of the writer’s obvious talent with words.
May 2, 2012
It doesn't happen often, but I couldn't finish a book. There are a lot of good elements in The House of the Wind by Titania Hardie, but after 246 pages I just wasn't feeling it. I usually give up on a book after about 70-80 pages. I go into every book believing I'm going to love, but sometimes that just isn't the case. I started The House of the Wind last month. There were some parts I found interesting, and others I didn't. I put it down and started other books, believing once I come back to it I would be interested again. It just wasn't the case.
I was intrigued by the plot. San Francisco attorney Madeline "Maddie" Moretti is in mourning following the death of her fiance. Working offers a distraction, but Maddie still seems adrift. Her firm is working on a big case, but sometimes it seems Maddie isn't totally focused on it. There are moments when Maddie is even socializing with the opposition. One person happens to be a family friend. I don't know much about the corporate legal world, but isn't it a conflict of interest to be schmoozing with the person you're suing? Maddie's grandmother notices the change and sends her granddaughter to Tuscany. Hopefully, the trip gives Maddie a chance to recover. Maybe she can back to her old self. Time away from the corporate shenanigans is just what the doctor ordered. While there she delves into the history of ruined villa. The history is what ties Maddie to the secondary storyline.
Maddie's plot, which takes place in 2007, alternates with Maria "Mia" Maddalena of 1347 Tuscany. Ordinarily I don't have a problem with books that alternate between centuries and points of view. I've read several books like that, and loved them (I'm reading one now: The Orchid House). This was just one of those cases where it didn't work for me.
Mia is also grieving following the death of her mother. She is so overwhelmed by grief that Mia doesn't speak. Mia lives out her days with her aunt. She uses gestures to communicate. She doesn't have the strength to speak until a mysterious young woman brings Mia out of her shell. Another stranger also helps Mia unravel her past. At the same time a deadly disease is sweeping across the area. It was rather interesting and stomach turning to read how diseases were treated.
What didn't work for me is the long descriptive passages. I have no problem with long books, but perhaps if this book were 100 pages less my opinion would be different. By the time you get back to one character, you forget where you left off with the other. It was hard to connect with the characters. Either plot would have made a good book on it's hard. But together it just was my cup of tea. It doesn't mean the rest of you won't like it.
Notes: I purchased a copy from an online bookseller.
I was intrigued by the plot. San Francisco attorney Madeline "Maddie" Moretti is in mourning following the death of her fiance. Working offers a distraction, but Maddie still seems adrift. Her firm is working on a big case, but sometimes it seems Maddie isn't totally focused on it. There are moments when Maddie is even socializing with the opposition. One person happens to be a family friend. I don't know much about the corporate legal world, but isn't it a conflict of interest to be schmoozing with the person you're suing? Maddie's grandmother notices the change and sends her granddaughter to Tuscany. Hopefully, the trip gives Maddie a chance to recover. Maybe she can back to her old self. Time away from the corporate shenanigans is just what the doctor ordered. While there she delves into the history of ruined villa. The history is what ties Maddie to the secondary storyline.
Maddie's plot, which takes place in 2007, alternates with Maria "Mia" Maddalena of 1347 Tuscany. Ordinarily I don't have a problem with books that alternate between centuries and points of view. I've read several books like that, and loved them (I'm reading one now: The Orchid House). This was just one of those cases where it didn't work for me.
Mia is also grieving following the death of her mother. She is so overwhelmed by grief that Mia doesn't speak. Mia lives out her days with her aunt. She uses gestures to communicate. She doesn't have the strength to speak until a mysterious young woman brings Mia out of her shell. Another stranger also helps Mia unravel her past. At the same time a deadly disease is sweeping across the area. It was rather interesting and stomach turning to read how diseases were treated.
What didn't work for me is the long descriptive passages. I have no problem with long books, but perhaps if this book were 100 pages less my opinion would be different. By the time you get back to one character, you forget where you left off with the other. It was hard to connect with the characters. Either plot would have made a good book on it's hard. But together it just was my cup of tea. It doesn't mean the rest of you won't like it.
Notes: I purchased a copy from an online bookseller.
January 16, 2016
This intriguing dual-story line novel tells of Maddie Moretti, an up-and-coming lawyer in San Francisco who works for a human-rights firm. They are involved in a large class-action case in which many of the workers at Stormtree Components have experienced serious, if not life-threatening, illnesses for which the company is denying any responsibility. To complicate matters, Maddie has a past relationship with the owner of the firm. When tragedy strikes Maddie's personal life, she sinks into a depression and sees no hope for the future. Her grandmother rescues her by sending her to Italy to search for some peace of mind by finding her roots.
The other story-line deals with Mia, a young woman in Italy in the mid-1300s. She lives with her aunt who runs an inn where many pilgrims stop on their way to a nearby shrine. The appearance of a young couple late one night changes everything. The wife had been imprisoned by her own family for refusing to give up the man she loves and become a nun instead. Miraculously, she is saved and flees with her young husband where they find refuge at the inn.
As the two stories of Maddie and Mia intertwine, each discovers things about herself and her future. Maddie discovers the story of the House of the Winds, where Mia had lived over 700 years earlier and finds peace that life does hold a future for her.
This is a compelling story that is beautifully written. The emotional turmoil of both young women is accurately portrayed, and the details of the setting, especially the parts in Italy, are beautiful. There is a bit of myth, mystery, and romance woven together as well as a nice slice of medieval Italian history. I loved the book.
The other story-line deals with Mia, a young woman in Italy in the mid-1300s. She lives with her aunt who runs an inn where many pilgrims stop on their way to a nearby shrine. The appearance of a young couple late one night changes everything. The wife had been imprisoned by her own family for refusing to give up the man she loves and become a nun instead. Miraculously, she is saved and flees with her young husband where they find refuge at the inn.
As the two stories of Maddie and Mia intertwine, each discovers things about herself and her future. Maddie discovers the story of the House of the Winds, where Mia had lived over 700 years earlier and finds peace that life does hold a future for her.
This is a compelling story that is beautifully written. The emotional turmoil of both young women is accurately portrayed, and the details of the setting, especially the parts in Italy, are beautiful. There is a bit of myth, mystery, and romance woven together as well as a nice slice of medieval Italian history. I loved the book.
October 29, 2011
I felt this was an excellent example of a novels in which contemporary and historical settings are interwoven. Sometimes such a mixing can be jarring but here it is seamless and feels very natural.
Titania Hardie takes her time in developing her characters and settings, which may not be to everyone's taste but this pace suited my mood perfectly.
She also exhibits her extensive knowledge of myth, legend and esoteric symbolism with confidence and grace.
I loved it.
Titania Hardie takes her time in developing her characters and settings, which may not be to everyone's taste but this pace suited my mood perfectly.
She also exhibits her extensive knowledge of myth, legend and esoteric symbolism with confidence and grace.
I loved it.
May 4, 2018
This book started out promisingly and lost its way. It is badly written with such flat characters that by about halfway through I rapidly ceased to care about any of them or, indeed, what happens. Hardie would have written a more successful novel had she concentrated on the Stormcrest scandal that Maddie's legal firm were fighting. Although I doubt it would have improved her turgid prose. Avoid - I won't get those hours of reading back!
July 5, 2025
This long historical novel tells the story of two strong independent women who live centuries apart, one in modern day San Francisco, the other in medieval times in Tuscany, Italy.
Maddie Moretti is a smart, young human rights lawyer at a small American law firm, currently working on a long legal case involving a company whose production practices may be affecting their worker’s health. Maddie has just begun a one-week holiday during which she expects to welcome Chris, her British fiancé, to meet her family. But events take an unexpected turn after she receives a transatlantic phone call and learns he has been killed in a car accident. Devastated, she struggles to regain a foothold on her life and career. Her grandmother Isabelle, anxious for her granddaughter to be happy rather than dissolve in grief, sends her to Tuscany to get away from her stressful job and give her an opportunity to connect with her Italian roots and begin a new future. Maddie gratefully accepts the plane ticket to Italy and leaves to visit one of Isabella’s friends who is restoring a villa in Tuscany.
The second story line reverts back to 14th century Tuscany. Maria (Mia) Maddalena is a teenager and lives in a large manor house in Saint Pietro. She was taken in by her Aunt Jacquetta after the death of her mother, a traumatic event which left Mia mute. Mia loves her aunt dearly and helps with the many odd jobs at the villa where pilgrims often stop on their way to Rome. One evening, an unusual couple arrives at the door under mysterious circumstances and asks for shelter. Although they do not give their names, her aunt welcomes them without questions as she does all those seeking refuge, and they soon become part of the household.
From these beginnings the two separate narratives unfold as Maddie and Mia each work through personal tragedies. The stories unravel in a slow moving and meandering plot, full of long descriptive passages that run off in narrative tangents exploring everything from astronomy to unicorns. Hardie immerses readers in a variety of subject matter from legal maneuvers, Keats's poetry, medieval medicine, complicated historical gardens and corrupt church politics to folklore, superstition, myth and pagan rituals. However, these lengthy pages of detail drag the story down, creating a long and ponderous plot. That time could have been better served in other ways, such as a simpler presentation of the political background of Old Volterra in Tuscany with its warring families and bishops. Another area that deserved more time and attention was the story of the legal trial, a major theme of Maddie’s narrative. There are several pages devoted to documenting the details of collecting the necessary evidence, yet from there events are glossed over. In a similar way, the conclusion of Mia’s story jumped seventeen years in coming to its abrupt end after readers had waded through considerable detail with the earlier part of her story.
The novel explores several important themes through the stories of these two women. It shows how uncaring corporate greed and the cavalier disregard for human lives may affect generations to come. It also speaks to the difficult challenge women take on to find meaningful lives despite the odds against them and reinforces the belief that terrible things happen to people who do not deserve them. And finally, it suggests that events in the present often reflect those in the past, that discovering forgotten times may help us know who we are and help us heal after difficult and horrific events.
I found the alternating story lines initially difficult, as I experienced getting into one woman’s life when the chapter ended abruptly and I was pulled to another time and place. As the novel continued, this occurred less frequently as the chapters became longer and the leaps backwards or forward were less frequent.
The story line and its pat conclusion proved predictable and many of the convenient coincidences were pushed too far, stretching believability. There were parts I really enjoyed, including descriptions of the delicious Tuscan meals; the well-researched details about the plague that swept Europe and how cleanliness came to be a way to manage disease long before the time of Nightingale.
The novel would have benefitted from a tighter edit, reducing the times when this long and complicated plot dragged. Although I struggled to get through it, those who enjoy historical fiction and stories with a hint of folklore and myth, may enjoy it.
Maddie Moretti is a smart, young human rights lawyer at a small American law firm, currently working on a long legal case involving a company whose production practices may be affecting their worker’s health. Maddie has just begun a one-week holiday during which she expects to welcome Chris, her British fiancé, to meet her family. But events take an unexpected turn after she receives a transatlantic phone call and learns he has been killed in a car accident. Devastated, she struggles to regain a foothold on her life and career. Her grandmother Isabelle, anxious for her granddaughter to be happy rather than dissolve in grief, sends her to Tuscany to get away from her stressful job and give her an opportunity to connect with her Italian roots and begin a new future. Maddie gratefully accepts the plane ticket to Italy and leaves to visit one of Isabella’s friends who is restoring a villa in Tuscany.
The second story line reverts back to 14th century Tuscany. Maria (Mia) Maddalena is a teenager and lives in a large manor house in Saint Pietro. She was taken in by her Aunt Jacquetta after the death of her mother, a traumatic event which left Mia mute. Mia loves her aunt dearly and helps with the many odd jobs at the villa where pilgrims often stop on their way to Rome. One evening, an unusual couple arrives at the door under mysterious circumstances and asks for shelter. Although they do not give their names, her aunt welcomes them without questions as she does all those seeking refuge, and they soon become part of the household.
From these beginnings the two separate narratives unfold as Maddie and Mia each work through personal tragedies. The stories unravel in a slow moving and meandering plot, full of long descriptive passages that run off in narrative tangents exploring everything from astronomy to unicorns. Hardie immerses readers in a variety of subject matter from legal maneuvers, Keats's poetry, medieval medicine, complicated historical gardens and corrupt church politics to folklore, superstition, myth and pagan rituals. However, these lengthy pages of detail drag the story down, creating a long and ponderous plot. That time could have been better served in other ways, such as a simpler presentation of the political background of Old Volterra in Tuscany with its warring families and bishops. Another area that deserved more time and attention was the story of the legal trial, a major theme of Maddie’s narrative. There are several pages devoted to documenting the details of collecting the necessary evidence, yet from there events are glossed over. In a similar way, the conclusion of Mia’s story jumped seventeen years in coming to its abrupt end after readers had waded through considerable detail with the earlier part of her story.
The novel explores several important themes through the stories of these two women. It shows how uncaring corporate greed and the cavalier disregard for human lives may affect generations to come. It also speaks to the difficult challenge women take on to find meaningful lives despite the odds against them and reinforces the belief that terrible things happen to people who do not deserve them. And finally, it suggests that events in the present often reflect those in the past, that discovering forgotten times may help us know who we are and help us heal after difficult and horrific events.
I found the alternating story lines initially difficult, as I experienced getting into one woman’s life when the chapter ended abruptly and I was pulled to another time and place. As the novel continued, this occurred less frequently as the chapters became longer and the leaps backwards or forward were less frequent.
The story line and its pat conclusion proved predictable and many of the convenient coincidences were pushed too far, stretching believability. There were parts I really enjoyed, including descriptions of the delicious Tuscan meals; the well-researched details about the plague that swept Europe and how cleanliness came to be a way to manage disease long before the time of Nightingale.
The novel would have benefitted from a tighter edit, reducing the times when this long and complicated plot dragged. Although I struggled to get through it, those who enjoy historical fiction and stories with a hint of folklore and myth, may enjoy it.
August 12, 2016
Original review, with graphics
http://fangswandsandfairydust.blogspo...
Hardie has an entrancing way of mixing fiction with mythology and history. The resulting work combines contemporary story telling with a small education in legend. This story takes a legend, put into verse by Keats ( see article at wikipedia.org The Eve of St. Agnes), and painted by Howard and mixes it up with today's world of lawsuits, power plays, love, travel, and family.As I am accustomed to fast moving genre fiction Hardie's beautiful prose seemed wordy to me. It is very detailed and descriptive of place; a bit too much to my taste.
The author parallels the lives of two woman, linked by DNA and coincidence to Italy, each other and the legend of Saint Agnes. CUNY Brooklyn's web page on the Keats poem "The Eve of Saint Agnes" describes:
This struck me as I felt as "some readers" do with the Keats poem that this story lacked significant content, as a split story will where indeed there is more to tell but fewer words in which to tell it. Combine the number of pages with someone writing lyrical prose with detailed minutiae and the effect is not strength but dilution.
Hardie doesn't attempt complete parallels with either the poem or the descendant/ancestors either—thank goodness. That would take it from an interesting idea and story to a gimmick, and I doubt that was the goal.
I felt the whole story was rather dreamlike with nightmares of loss and fear. People are rarely as introspective or idiosyncratic as the characters in this book. In a way it makes the contemporary characters as mythic as the original legend around which the story is constructed.
It's definitely not genre fiction; it is too internally driven. The supernatural or paranormal makes about as much headway in the life of the characters as it did in my family (of similar ethnicity), and rests on the link, similar affinity for the production of atmospheric changes, what was deemed "heresy," and a slight psychic ability.
It certainly made me miss all of Italy and want to go back. A great read if you love Italy, descriptive prose and/or San Francisco. I found myself tearing up several times.
Enjoy!.
The text of Keats poem "The Eve of Saint Agnes" go here www.bartleby.com (http://www.bartleby.com/126/39.html)
http://fangswandsandfairydust.blogspo...
Hardie has an entrancing way of mixing fiction with mythology and history. The resulting work combines contemporary story telling with a small education in legend. This story takes a legend, put into verse by Keats ( see article at wikipedia.org The Eve of St. Agnes), and painted by Howard and mixes it up with today's world of lawsuits, power plays, love, travel, and family.As I am accustomed to fast moving genre fiction Hardie's beautiful prose seemed wordy to me. It is very detailed and descriptive of place; a bit too much to my taste.
The author parallels the lives of two woman, linked by DNA and coincidence to Italy, each other and the legend of Saint Agnes. CUNY Brooklyn's web page on the Keats poem "The Eve of Saint Agnes" describes:
St. Agnes, the patron saint of virgins, died a martyr in fourth century Rome. She was condemned to be executed after being raped all night in a brothel; however, a miraculous thunderstorm saved her from rape. St. Agnes Day is Jan. 21.
Keats based his poem on the superstition that a girl could see her future husband in a dream if she performed certain rites on the eve of St. Agnes; if she went to bed without looking behind her and lay on her back with her hands under her head, he would appear in her dream, kiss her, and feast with her....
What the poem lacks for some readers is significant content; it is, for them, "one long sensuous utterance," "a mere fairy-tale romance, unhappily short on meaning." Clearly, the portrayal of ardent young love dealing with a hostile adult world and contrasted with aging and death has an inherent appeal.
http://academic.brooklyn.cuny.edu/eng...
This struck me as I felt as "some readers" do with the Keats poem that this story lacked significant content, as a split story will where indeed there is more to tell but fewer words in which to tell it. Combine the number of pages with someone writing lyrical prose with detailed minutiae and the effect is not strength but dilution.
Hardie doesn't attempt complete parallels with either the poem or the descendant/ancestors either—thank goodness. That would take it from an interesting idea and story to a gimmick, and I doubt that was the goal.
I felt the whole story was rather dreamlike with nightmares of loss and fear. People are rarely as introspective or idiosyncratic as the characters in this book. In a way it makes the contemporary characters as mythic as the original legend around which the story is constructed.
It's definitely not genre fiction; it is too internally driven. The supernatural or paranormal makes about as much headway in the life of the characters as it did in my family (of similar ethnicity), and rests on the link, similar affinity for the production of atmospheric changes, what was deemed "heresy," and a slight psychic ability.
It certainly made me miss all of Italy and want to go back. A great read if you love Italy, descriptive prose and/or San Francisco. I found myself tearing up several times.
Enjoy!.
The text of Keats poem "The Eve of Saint Agnes" go here www.bartleby.com (http://www.bartleby.com/126/39.html)
July 7, 2014
Un avis un peu mitigé sur cette lecture car si j’ai particulièrement aimé les chapitres concernant l’histoire de Mia, Gennaro et Agnesca qui se passe dans la Toscane de 1347, j’ai eu beaucoup plus de mal à rentrer dans la partie contemporaine du livre et j’avoue que l’histoire de Maddie m’a un peu laissée sur ma faim. Je me suis beaucoup moins attachée aux personnages de cette époque, j’ai moins adhéré au récit et aux événements… Du coup, ce contraste entre les Etats-Unis et l’Italie et entre la Toscane du 14ème siècle et l’Amérique actuelle a créé une trop grande inégalité entre les deux parties du roman sans doute au détriment de l’ensemble du récit. Généralement je suis plutôt fan de ce genre d’histoires qui crée des liens entre les époques mais dans ce cas précis, je finissais par attendre avec impatience les chapitres concernant l’histoire de Mia. J’essayais de conserver une certaine impartialité au fur et à mesure que j’avançais dans l’histoire mais sans grand succès. Je trouvais qu’il y avait plus de mystère, de magie et de rebondissements dans l’histoire de Mia que dans celle de Maddie. Résultat, j’ai trouvé la partie contemporaine du roman beaucoup moins intéressante, plus fade et surtout plus convenue… je trouve qu’elle aurait méritée 100 pages de moins pour vraiment donner du rythme au récit.
Je pense que le fait de m’attacher beaucoup plus aux personnages de la partie historique a contribué à accentuer mon ressenti plus mitigé sur la partie qui se passe à notre époque. Par contre, cela reste une lecture agréable et divertissante et moi qui aime l’Italie et particulièrement cette région, j’ai trouvé mon bonheur dans les descriptions de la campagne de Sienne. L’auteur a réussi à retranscrire, la lumière, les odeurs, les paysages de l’Italie des petits villages et j’ai apprécié son travail sur ce point. C’est un livre qui se lit facilement avec une écriture agréable et je pense que tous ceux et celles qui aiment la romance l’apprécieront mais pour ma part, il m’a manqué un petit quelque chose pour adhérer totalement à l’histoire.
Je pense que le fait de m’attacher beaucoup plus aux personnages de la partie historique a contribué à accentuer mon ressenti plus mitigé sur la partie qui se passe à notre époque. Par contre, cela reste une lecture agréable et divertissante et moi qui aime l’Italie et particulièrement cette région, j’ai trouvé mon bonheur dans les descriptions de la campagne de Sienne. L’auteur a réussi à retranscrire, la lumière, les odeurs, les paysages de l’Italie des petits villages et j’ai apprécié son travail sur ce point. C’est un livre qui se lit facilement avec une écriture agréable et je pense que tous ceux et celles qui aiment la romance l’apprécieront mais pour ma part, il m’a manqué un petit quelque chose pour adhérer totalement à l’histoire.
November 13, 2011
This book alternates between 2 POVS. First there is Maddie in the present day who has lost someone near to her, and she is just slowly moving along She will go to Italy and stay with friends and that is where the second POV comes in. in 1347 a young woman lived at the place she visits and they are connected in some other way too, but that takes a while to know since we need to know young Mia's life first. The title comes from the woman Mia meets, a woman who is fleeing from a cruel fate.
I am a bit torn when it comes to this book, some chapters moved so slowly and I was not interested at all. it was a slow book at times, and it took me quite some time to get into the book. And even when I did that I liked Mia's story more. Sure it was sad that Maddie lost that special someone, and we read how she went to Italy, but she did not stay long, and most of her parts were about the legal case she was involved in as that was her job. The Mia parts were much more interesting, first with the mystery woman who comes with a man, who was she? We learn that. And the how the Black Death sweeps through Italy and Mia is in the middle of that, and all the time while reading I wonder if she will survive. Because first there is the Black death who is going to kill plenty, then there is a lot of other factors too. So those parts were just better. The flow was faster too.
That is why I am torn, I just liked some parts in this book better than the rest. And I did not feel that Maddie got to learn about the past either. Or was it we who was supposed to learn?
Conclusion:
If it sounds interesting then it might just be the book for you.
I am a bit torn when it comes to this book, some chapters moved so slowly and I was not interested at all. it was a slow book at times, and it took me quite some time to get into the book. And even when I did that I liked Mia's story more. Sure it was sad that Maddie lost that special someone, and we read how she went to Italy, but she did not stay long, and most of her parts were about the legal case she was involved in as that was her job. The Mia parts were much more interesting, first with the mystery woman who comes with a man, who was she? We learn that. And the how the Black Death sweeps through Italy and Mia is in the middle of that, and all the time while reading I wonder if she will survive. Because first there is the Black death who is going to kill plenty, then there is a lot of other factors too. So those parts were just better. The flow was faster too.
That is why I am torn, I just liked some parts in this book better than the rest. And I did not feel that Maddie got to learn about the past either. Or was it we who was supposed to learn?
Conclusion:
If it sounds interesting then it might just be the book for you.
April 16, 2012
The House of the Wind, by Titania Hardie, tells the story of two women, centuries apart, whose lives are woven together by the myth of the woman who walked away unscathed from the ruins of the Casa al Vento. Madeline Moretti (Maddie), a lawyer from San Francisco in 2007, is mourning the accidental death of her fiancé. Maria Maddalena (Mia), living in Tuscany in 1347, has seen her own mother killled in a brutal fashion. We learn how their future unfolds and how history binds them together in a very spiritual way.
The novel is beautifully written and I only wish I'd been reading it under warm Tuscan skies with no time limits, rather than snatching chapters here and there, which, to be fair, didn't allow the book to work its magic on me.
The narrative swaps from one century to another and I do find that a bit tricky. Just when I'm being drawn into one character's story and feeling empathy, the scene changes and I have to work hard to remember where I was with the other. The book is quite long and at times I was urging the plot to move a little faster. Yet there were some fascinating insights into corporate legal work in the United States plus some very interesting detail about medieval life in Europe during a very unstable period in history.
And how could I not be captivated by the setting in Tuscany of the very real hotel Borgo Santo Pietro which sounds so luxurious and serene, I'm tempted to book a holiday there right away.
I have very fond memories of Tuscany as our son was conceived there 16 years ago. Maybe there is magic to be found in that beautiful part of Italy after all.
The novel is beautifully written and I only wish I'd been reading it under warm Tuscan skies with no time limits, rather than snatching chapters here and there, which, to be fair, didn't allow the book to work its magic on me.
The narrative swaps from one century to another and I do find that a bit tricky. Just when I'm being drawn into one character's story and feeling empathy, the scene changes and I have to work hard to remember where I was with the other. The book is quite long and at times I was urging the plot to move a little faster. Yet there were some fascinating insights into corporate legal work in the United States plus some very interesting detail about medieval life in Europe during a very unstable period in history.
And how could I not be captivated by the setting in Tuscany of the very real hotel Borgo Santo Pietro which sounds so luxurious and serene, I'm tempted to book a holiday there right away.
I have very fond memories of Tuscany as our son was conceived there 16 years ago. Maybe there is magic to be found in that beautiful part of Italy after all.
September 23, 2015
Tatiana Hardie tenía una buena idea, un buen argumento, cuando se puso a escribir esta novela. Decidió además utilizar ese estilo tan de moda en el que la narración se divide entre un tiempo presente y uno pasado que de algún modo están conectados. Así podía haber creado una gran novela, sin embargo a la hora de desarrollar la historia, el resultado no es tan bueno como cabría esperar.
Si bien la trama es atrayente y en ella se combinan hilos de tipo amoroso junto con otros épicos y algunos de cierto misterio, la narración resulta aburrida por el modo en que la autora la dilata a base de paja. Emplea demasiados detalles innecesarios para narrar o ambientar: como que los protagonistas no encontraron sitio para aparcar en un lugar y aparcaron en tal otro sin que el cambio de aparcamiento tenga ninguna consecuencia o relevancia. Lo que podría haberse contado de forma entretenida y magistral en 300 páginas se alarga así hasta el doble de su longitud, se pierde de este modo la capacidad para crear intriga o tensión y la novela carece de fuerza.
La falta de precisión en la narración; esa capacidad que tienen algunos autores de que cada hecho, cada línea, cada objeto tiene una función, un fin en la historia;llega hasta la propia conclusión dónde la autora parece no ser capaz de cerrar de un portazo en el momento en que es evidente que debería hacerlo.
En resumen, lo que podría haber sido un buen libro que encierra una bonita historia, acaba resultando un tanto aburrido y mediocre. No puedo recomendarlo, hay muchas otras cosas mejores para leer.
Si bien la trama es atrayente y en ella se combinan hilos de tipo amoroso junto con otros épicos y algunos de cierto misterio, la narración resulta aburrida por el modo en que la autora la dilata a base de paja. Emplea demasiados detalles innecesarios para narrar o ambientar: como que los protagonistas no encontraron sitio para aparcar en un lugar y aparcaron en tal otro sin que el cambio de aparcamiento tenga ninguna consecuencia o relevancia. Lo que podría haberse contado de forma entretenida y magistral en 300 páginas se alarga así hasta el doble de su longitud, se pierde de este modo la capacidad para crear intriga o tensión y la novela carece de fuerza.
La falta de precisión en la narración; esa capacidad que tienen algunos autores de que cada hecho, cada línea, cada objeto tiene una función, un fin en la historia;llega hasta la propia conclusión dónde la autora parece no ser capaz de cerrar de un portazo en el momento en que es evidente que debería hacerlo.
En resumen, lo que podría haber sido un buen libro que encierra una bonita historia, acaba resultando un tanto aburrido y mediocre. No puedo recomendarlo, hay muchas otras cosas mejores para leer.
September 26, 2017
Cada cierto tiempo uno se topa con libros tan malos, que se lamenta el tiempo perdido. "La Casa del Viento", es de esos libros que es mejor no haber empezado a leer nunca.
Dos historias paralelas que ocurren con varios cientos de años de diferencia y que básicamente es como leer dos libros en el mismo. La autora no tuvo mejor idea que ir intercalando un capítulo de la historia que se desarrolla en el presente y uno de la historia que se desarrolla en el pasado.
Habría sido quizá una buena idea, si no es porque las historias no guardan ninguna relación entre sí, apenas y muy por encima, la protagonista del presente, va de vacaciones y se hospeda en la casa donde vivió cientos de años antes, la protagonista del pasado y esa es toda la relación entre las dos historias.
Un desastre de libro por donde se vea, aburrido, interminables narraciones y detalles que al final no aportan nada a la trama y que si no hubieran estado, igualmente la historia queda igual. Pareciera que la editorial le pidió un número mínimo de páginas y con tal de cumplir, llena con relleno el espacio, lo malo es que el relleno fue mas que la historia en si.
Luego tratando de comprender un poco mas, quise saber que otra cosa tiene publicado la autora y leyendo su biografía, me llevo una tremenda decepción y comprendo lo fatal de su narrativa.
Por ningún motivo recomiendo su lectura, no vale la pena, mejor pasen al siguiente libro en sus listas de lectura.
Dos historias paralelas que ocurren con varios cientos de años de diferencia y que básicamente es como leer dos libros en el mismo. La autora no tuvo mejor idea que ir intercalando un capítulo de la historia que se desarrolla en el presente y uno de la historia que se desarrolla en el pasado.
Habría sido quizá una buena idea, si no es porque las historias no guardan ninguna relación entre sí, apenas y muy por encima, la protagonista del presente, va de vacaciones y se hospeda en la casa donde vivió cientos de años antes, la protagonista del pasado y esa es toda la relación entre las dos historias.
Un desastre de libro por donde se vea, aburrido, interminables narraciones y detalles que al final no aportan nada a la trama y que si no hubieran estado, igualmente la historia queda igual. Pareciera que la editorial le pidió un número mínimo de páginas y con tal de cumplir, llena con relleno el espacio, lo malo es que el relleno fue mas que la historia en si.
Luego tratando de comprender un poco mas, quise saber que otra cosa tiene publicado la autora y leyendo su biografía, me llevo una tremenda decepción y comprendo lo fatal de su narrativa.
Por ningún motivo recomiendo su lectura, no vale la pena, mejor pasen al siguiente libro en sus listas de lectura.
August 3, 2016
I really wanted to like this a lot more than I actually did. I adore historical fiction and I love the cleverness of concurrent storylines, centuries apart, having bearing on each other, but this just didn’t work for me.
The problem for me was that it was just too darned slow. Hardy uses achingly beautiful prose that absolutely sings off the page, but the plot unfolds at a maddeningly sedate pace, not just in one timeline, but in both. As a result, I grew bored with the characters, their loss, their pain, their motivation, and their relationships, and grew tired of waiting for everything to happen.
The fact is, that the same writing device has been used before to better effect (if you’ve read Labyrinth by Kate Mosse, you’ll know what I’m talking about, and if you haven’t read it, I can heartily recommend it!) and I found myself forever waiting for something other than the writing to excite me. Truly, the writing often verges on the sublime and I give it a higher rating as a result, but it was let down by pedestrian plot and plodding pace.
I will be interested in reading more by Titania Hardy if only to see if the tale is worthy of the writer’s obvious talent with words.
The problem for me was that it was just too darned slow. Hardy uses achingly beautiful prose that absolutely sings off the page, but the plot unfolds at a maddeningly sedate pace, not just in one timeline, but in both. As a result, I grew bored with the characters, their loss, their pain, their motivation, and their relationships, and grew tired of waiting for everything to happen.
The fact is, that the same writing device has been used before to better effect (if you’ve read Labyrinth by Kate Mosse, you’ll know what I’m talking about, and if you haven’t read it, I can heartily recommend it!) and I found myself forever waiting for something other than the writing to excite me. Truly, the writing often verges on the sublime and I give it a higher rating as a result, but it was let down by pedestrian plot and plodding pace.
I will be interested in reading more by Titania Hardy if only to see if the tale is worthy of the writer’s obvious talent with words.
August 15, 2013
Bought this book on impulse and totally judged it by its beautiful cover! I thoroughly enjoyed it. Probably 4 and a half stars but felt generous! Two story lines, one in the present and one in the 14th century, with similar themes and shared imagery. Loved the role of the wind, and the gardens as well as the characters and how they developed. Just a really great read with some depth to it, which gives it a meaningful feel.
October 29, 2011
An atmospheric novel which whilst doesn't move along at any great pace manages to be wonderfully readable. Filled with evocative descriptions that transport you to other places and time and woven throughout with symbolism and mythology this is a book to be savoured like a fine wine. Beautiful!
December 30, 2019
I enjoyed this novel but I realize it is not for everyone. The lives of late 18th century well developed characters and a character from current times parallel. So it begs the question as to whether or not we can learn from our ancestors . . . .
February 26, 2012
A quick undemanding read. While I found the historical parts of the story interesting I din't like the modern day parts, I didn't care about any of the characters in the modern part of the story.
May 6, 2012
This was an excellent read! The writing was lyrical! The story was engaging. The characters had depth. I enjoyed the traveling back in time in Tuscany!
January 6, 2025
In this novel of two parallel timelines, Madeline Moretti in 2007 San Francisco and Mia in 1347 Tuscany, both characters interact with the House of Wind, a ruined villa destroyed centuries ago on the Eve of St. Agnes.
From the get-go, I had a struggle with this novel. For Maddie, we're supposed to believe that she's stricken so deeply with grief by the car-accident death of her long-distance fiancé from college that she can no longer function. We're also supposed to accept that the humanitarian rights law firm she works for (starting at a young age) is a place where new lawyers love their work so much they really don't mind the long hours. There's also a sub-plot about a case with a very Erin Brockovich-esque feel. It takes a rather long time for Maddie to arrive in Italy, and when she does, she of course meets a man and learns that things will be ok. Because from the back cover description, I'd understood this to be the plot for this character, so by the time I finally got there, I didn't care all that much how she experienced Italy, which is a shame, because Italy is just lovely.
As for Mia in the medieval ages, she comes to the villa mute after witnessing something terrible. Soon after, a mysterious woman arrives (also conveniently with a sexy man) and magically coaxes Mia into talking again. The first words Mia, who is a girl, says are to describe in graphic detail her mother's rape, and not only are the words the girl uses sounding suspiciously like a middle-aged author in the 2000s, but also...isn't this a bit cliche? Unlike Maddie's glacial plot, Mia's moves at a brisk trot. Soon enough the Black Death arrives...and is quickly controlled, which was a shame because the story was just getting going. After that, there was some complicated, convoluted nonsense about local Italian politics that probably would have fit inside another novel had the author been able to give it justice, but by then...I didn't care, which is a shame as well, because historical fiction is what I read.
In all, I'm not sure how this novel got published. The pace putters and roars and stutters and whirs. The modern characters sound very 2008-ish rather than timeless and the medieval characters sound like my mom, born 1960, who's reimagining this novel for her retirement book club. It's somehow simultaneously overwritten and underplotted, rushed and dashed AND barely above comatose. The cover's pretty, though, and it's the last book I bought during Borders' going-out-of-business sale, so it's go that going for it.
From the get-go, I had a struggle with this novel. For Maddie, we're supposed to believe that she's stricken so deeply with grief by the car-accident death of her long-distance fiancé from college that she can no longer function. We're also supposed to accept that the humanitarian rights law firm she works for (starting at a young age) is a place where new lawyers love their work so much they really don't mind the long hours. There's also a sub-plot about a case with a very Erin Brockovich-esque feel. It takes a rather long time for Maddie to arrive in Italy, and when she does, she of course meets a man and learns that things will be ok. Because from the back cover description, I'd understood this to be the plot for this character, so by the time I finally got there, I didn't care all that much how she experienced Italy, which is a shame, because Italy is just lovely.
As for Mia in the medieval ages, she comes to the villa mute after witnessing something terrible. Soon after, a mysterious woman arrives (also conveniently with a sexy man) and magically coaxes Mia into talking again. The first words Mia, who is a girl, says are to describe in graphic detail her mother's rape, and not only are the words the girl uses sounding suspiciously like a middle-aged author in the 2000s, but also...isn't this a bit cliche? Unlike Maddie's glacial plot, Mia's moves at a brisk trot. Soon enough the Black Death arrives...and is quickly controlled, which was a shame because the story was just getting going. After that, there was some complicated, convoluted nonsense about local Italian politics that probably would have fit inside another novel had the author been able to give it justice, but by then...I didn't care, which is a shame as well, because historical fiction is what I read.
In all, I'm not sure how this novel got published. The pace putters and roars and stutters and whirs. The modern characters sound very 2008-ish rather than timeless and the medieval characters sound like my mom, born 1960, who's reimagining this novel for her retirement book club. It's somehow simultaneously overwritten and underplotted, rushed and dashed AND barely above comatose. The cover's pretty, though, and it's the last book I bought during Borders' going-out-of-business sale, so it's go that going for it.
November 20, 2020
I finally finished reading the House of the wind. Surprisingly it took me nearly 3 weeks to finish. And my feelings toward it are ambivalent. There are moments I liked it and moments when I felt like “what the heck is happening? Where is this going? “.
But let’s starts from the beginning. I was excited about the dual timeline and wondering how they would connect to each other and I think it sort of became pretty obvious early on specially when they kept mentioning Maddie’s and Mia’s hair. Anyway my excitement soon dissipated when I found myself forcing myself to read it. And as much as I was excited about the dual timeline I wished the author had written two different books. It was a little disorienting to pull myself from one character just when their story was getting interesting to immerse myself in the other. The latter half of the book got very interesting and I hated to wait for the characters story to unfold.
I also wish the author had reduced the lengthiness of the book . I do not know whether it was the abundance of descriptions but I just felt like the story could have been told in less.
Overall at the end I was satisfied with the ending and how the reader is the only one aware of the connection between the past and present. The modern character Maddie is not aware of her ancestor Mia or it is her bones that she found at the hotel she was staying in Italy. The reader is the only one aware of the myriad details that connect the two and that made it exciting somehow. And somehow that makes sense... we all come from people who went before us and yet we know nothing about them. Nevertheless the connection remains and will always do so and in someone ways always influence us.
But let’s starts from the beginning. I was excited about the dual timeline and wondering how they would connect to each other and I think it sort of became pretty obvious early on specially when they kept mentioning Maddie’s and Mia’s hair. Anyway my excitement soon dissipated when I found myself forcing myself to read it. And as much as I was excited about the dual timeline I wished the author had written two different books. It was a little disorienting to pull myself from one character just when their story was getting interesting to immerse myself in the other. The latter half of the book got very interesting and I hated to wait for the characters story to unfold.
I also wish the author had reduced the lengthiness of the book . I do not know whether it was the abundance of descriptions but I just felt like the story could have been told in less.
Overall at the end I was satisfied with the ending and how the reader is the only one aware of the connection between the past and present. The modern character Maddie is not aware of her ancestor Mia or it is her bones that she found at the hotel she was staying in Italy. The reader is the only one aware of the myriad details that connect the two and that made it exciting somehow. And somehow that makes sense... we all come from people who went before us and yet we know nothing about them. Nevertheless the connection remains and will always do so and in someone ways always influence us.
This entire review has been hidden because of spoilers.
June 5, 2020
Recensione di Francesca:
È sempre piacevole andare a rispolverare libri che si erano messi da parte, perché non adatti a noi in quel momento.
È ciò che mi è accaduto con questo romanzo che avevo interrotto alla ventesima pagina.
Sapete bene che amo le storie su più piani temporali e non mi smentisco neppure questa volta, facendovi spaziare dalla San Francisco odierna alla Toscana medievale.
Nella vita di Madeline tutto gira alla grande: è un avvocato di successo, vive in un delizioso appartamento, ha una famiglia che la ama e una nonna che la adora. Sta per sposare l’amato Christopher, giovane e brillante medico.
Cosa potrebbe andare storto? Un ubriaco alla guida della sua auto provoca un incidente che costa la vita a Chris e getta Madeline in un tunnel buio.
Ma le Pleiadi guidano la vita di Maddie, nata sotto il cocciutissimo, ostinatissimo segno del Toro (ne ho sposato uno per cui parlo con cognizione di causa) e la porteranno nel cuore della fulgida Toscana. Terra natale di Mia, Jacquetta e Agnesca, le altre protagoniste della storia.
Questa volta però siamo in un’epoca che noi italiani conosciamo bene: è l’Italia delle Signorie, delle infinite lotte di potere tra guelfi e ghibellini, dove ancora si narrano le leggende sulle streghe.
Il finale si chiude in un sospeso di rinascita e speranza. Di accettazione dell’inevitabile.
Il libro mi è piaciuto davvero molto, tanto da spingermi a comprare l’opera prima di questa scrittrice.
È un romanzo che superato il blocco iniziale regala belle emozioni, capace di far viaggiare con la mente. Che, visti i tempi, male non fa.
È sempre piacevole andare a rispolverare libri che si erano messi da parte, perché non adatti a noi in quel momento.
È ciò che mi è accaduto con questo romanzo che avevo interrotto alla ventesima pagina.
Sapete bene che amo le storie su più piani temporali e non mi smentisco neppure questa volta, facendovi spaziare dalla San Francisco odierna alla Toscana medievale.
Nella vita di Madeline tutto gira alla grande: è un avvocato di successo, vive in un delizioso appartamento, ha una famiglia che la ama e una nonna che la adora. Sta per sposare l’amato Christopher, giovane e brillante medico.
Cosa potrebbe andare storto? Un ubriaco alla guida della sua auto provoca un incidente che costa la vita a Chris e getta Madeline in un tunnel buio.
Ma le Pleiadi guidano la vita di Maddie, nata sotto il cocciutissimo, ostinatissimo segno del Toro (ne ho sposato uno per cui parlo con cognizione di causa) e la porteranno nel cuore della fulgida Toscana. Terra natale di Mia, Jacquetta e Agnesca, le altre protagoniste della storia.
Questa volta però siamo in un’epoca che noi italiani conosciamo bene: è l’Italia delle Signorie, delle infinite lotte di potere tra guelfi e ghibellini, dove ancora si narrano le leggende sulle streghe.
Il finale si chiude in un sospeso di rinascita e speranza. Di accettazione dell’inevitabile.
Il libro mi è piaciuto davvero molto, tanto da spingermi a comprare l’opera prima di questa scrittrice.
È un romanzo che superato il blocco iniziale regala belle emozioni, capace di far viaggiare con la mente. Che, visti i tempi, male non fa.
June 4, 2019
This book could have been good... if it was about 200 pages shorter. If it focused on the actual interesting parts, like the blurb suggested, instead of meandering through the boring bits of the main character's life, such as spending hours in a flower shop or making a high-stakes law case sound boring. If any of the characters in the present-day story felt at all developed and made sense (I may be a heartless person but it's hard to feel sorry for Maddie missing her fiance if we never actually meet him, and don't even get me started on the randomness of her other love interests). It could have been good if the author actually WROTE her interesting scenes - she did this bizarre thing of detailing the preparations for a plot point, then skipping to after the major event happened and telling us what happened by having the characters think about it. How about just WRITE THE ACTUAL SCENE?? and it happened multiple times too. It could have been good if the ending didn't seem hurried and unearned. If there wasn't a really bizarre, kinda racist bit with a mystical dying Native American woman that plays into uncomfortable stereotypes of the magical Native American.
The only reason this got two stars instead of one is that for some bizarre reason I couldn't put it down so something somewhat captivated me.
The only reason this got two stars instead of one is that for some bizarre reason I couldn't put it down so something somewhat captivated me.
April 18, 2021
Ho letto questo libro per un #bookcrossing: è stata un’esperienza molto divertente. L’autrice ha un modo di scrivere delicato, gentile e intriso, al contempo, di una forte cultura in materia letteraria. Il fatto che la maggior parte della storia fosse ambientata in Toscana😍 (la mia terra), mi ha colpito è affascinato molto, soprattutto per il fatto che l’autrice è straniera. Sentir parlare dei propri posti in un romanzo di questo genere, mi ha ammaliata e mi ha permesso, inoltre, di conoscere alcune storie (tra mito e realtà) intorno al mio paese natio. Le due protagoniste, Maddie e Mia, mi hanno colpito entrambe a modo loro. Sicuramente un romanzo “confortevole”, in cui rifugiarsi la sera, ricordandosi che non si deve mai smettere di lottare e di sognare!
December 27, 2019
Had the makings of a good story...two young women, hundreds of years apart searching for their true selves after tragedy. But the writing really destroyed the story. Seemed as if it was translated, and a very poor translation. Elements didn’t make sense. Characters weren’t developed enough to care about them. A little history but not enough to get the reader involved. I only finished it because I am stubborn.
October 30, 2025
I’m ashamed to admit I probably read about 80% of this book completely zoned out. So I honestly have no idea what went on for most of it; it’s all a blur. My brain somehow recognised the interesting bits and tuned in only for those.
The only reason I didn’t DNF was the writing. It’s genuinely beautiful. Sadly, that alone couldn’t rescue the story from being an absolute bore. It had no business being that long. Or perhaps it just wasn’t my cup of tea.
The only reason I didn’t DNF was the writing. It’s genuinely beautiful. Sadly, that alone couldn’t rescue the story from being an absolute bore. It had no business being that long. Or perhaps it just wasn’t my cup of tea.
September 11, 2021
Me ha gustado. Pero en algunos momentos se me ha hecho pesado, sobre todo para mi la segunda parte tiene muchas hojas de más en la parte de la historia que transcurre que en momento actual. La verdad es que me ha gustado muchísimo la parte que se desarrolla en el 1300, mucho más interesante que la parte actual, que ya digo que se me ha hecho en general pesada.
May 30, 2023
Uno splendido scorcio su una Toscana d'altri tempi che intreccia storie e segreti con la contemporaneità. Una rinascita dopo un lutto grave che porta ad una nuova consapevolezza di sé e del mondo intorno alla protagonista. Un pizzico di romanticismo che non guasta mai... Una lettura molto piacevole.
March 30, 2019
I needed something that would carry me away for a while, and this novel absolutely did the trick.
The writing was wonderful, the characters finely drawn, the places and landscapes subtly evocative... and the "magical" elements never felt overblown. An enjoyable and engrossing read.
The writing was wonderful, the characters finely drawn, the places and landscapes subtly evocative... and the "magical" elements never felt overblown. An enjoyable and engrossing read.
May 16, 2020
I loved the premise of this book and wanted to love it. It seemed like it would be right up my alley, but sadly, I just could never get into it. I tried! I read a good chunk and then skimmed and it still didn’t grab me.
February 23, 2021
Una historia maravillosa que hace hincapié en el poder que ejerce el destino sobre nuestras vidas y en la paciencia que debemos tener para comprender el porqué de todo aquello que sucede en nuestras vidas, ya que, al final, todo es una lección que contribuirá en nuestro ser de una forma u otra.
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