I could have read this directly after the first book I wanted to read it so badly, and find out the truth. But I had Halloween books planned. I ended up reading it less than a month later.
I was hoping I wouldn't get this cover because it doesn't represent the characters or book at all, and doesn't go with the first book either. Those people look middle-aged.
I didn't like how the book skipped the past few weeks, and instead of us seeing her grow closer to Luca, we're told she has. And I didn't expect the arrest to happen a few pages in.
She said Luca loved her, so much, and idk how or why. They were kids, he was shy around her, then he moved to France. She's like 15. He's been gone for the past 3 years. So when did a relationship develop for him to love her so much? & certainly her feelings for him. They used to be friends. He's been gone for 3 years and she didn't wanna marry him. He comes back, she's around him a lil bit, & suddenly has feelings for someone she's been dreading marrying for 3 years?!
When I read the synopsis I thought a good deal of the book would be Cass growing close to Luca, and him being arrested maybe halfway through and then her having to go to Florence,& I was hoping too much of the book wouldn't be spent with Luca because I wanted her to hurry and get to Falco again.
It was touching knowing Luca became imprisoned because he was helping Cass, trying to get Dubois to send Cristian away. When he said "have your aunt arrange another match, perhaps with someone of your own choosing. Go be happy. It's what I want for you" was sweet.
After Falco's sweet letter about being a better man and providing for her, I was really disappointed and irritated with Cass in wanting to kiss Luca. Her saying 'she wanted to show him that she cared for him, that she was a good and decent woman' while juggling too men was very ironic.
Years ago, around the Twilight days, I used to like love triangles, but as I've gotten older, and matured, I don't like them anymore. Someone gets hurt, there's cheating, betrayal. And think of yourself in the other person's shoes. You're having fun kissing Luca, but how mad would you be if Falco was doing the same?
It's just not right. Especially Falco saying he loves you, and is working to be better to give you the life you deserve.
She loved Falco first but felt guilt kissing him after Luca saved her life when Cristian attacked her. Yet now she feels no guilt kissing Luca while loving Falco? I find that hard to believe. & it doesn't add up.
I remember in the first book the quotes from the book of the eternal rose fit what was happening in the book, but I don't remember it foreshadowing things in the following chapter. It felt like it's giving things away in here, instead of being surprised.
There were too many men finding Cass pretty. In the first book with the magician, Falco, Luca, here with a random carriage driver and a tailor. Not everyone has to find her pretty. When Siena comments the tailor liked her, Cass thinks she didn't need to juggle another boy. No kidding. I'm already annoyed there's two to juggle.
This didn't have that couldn't-put-down feeling that the first did.
I didn't like the plot as much, the settings. I thought Florence would be exciting, and I was looking forward to a change of scenery, because the first book was repetitive with Venice's scenery.
I hated the comparisons between Falco and Luca. How it was foolish to think she could be with Falco. How she was meant to be with Luca, how they had things in common about the important stuff, like right and wrong.
The couple she saw at the brothel in book one was mentioned again, and she sees another couple. She's got a weird penchant for spying on people in intimate moments.
I expected a more grand reentrance of Falco into the book. Not her seeing him and his drunken friends at a piazza.
It was ironic to say girls want to be fed on, that it's an usual fetish, because that was the craze of vampire books.
After the jealousy with Annabella in the first book, and him painting her, I didn't appreciate the belladonna,& that was one reason, the biggest reason, I was dreading reading this. Her thinking the girl in the painting was the bella's daughter, and thinking Falco came to Florence for her, which was a crazy thing to think when you know a patron hired him to paint. & a lady saying speaking of pretty playthings, her new artist was Venetian, and bella saying isn't he something, or something along those lines. Especially since she's around 40.
I was livid at the painting, that was painted in her bedchamber, that she said Falco suggested, that she was posed exactly the same way as Cass. Why would a middle aged woman wanna make a 15 yr old jealous of her bf? Can't find any men your own age?
Cass lost serious points when she wondered if she had a right to be mad at Falco. You can be mad if you want to be. I couldn't wait to have the matter out in the open between them, but when she sees him next, she does what any woman, adult or young, does in books. She let's herself get distracted by his presence & then they kiss& all is forgotten.
As if that wasn't enough, there's another painting of her mostly nude, posing as the birth of Venus. She has Falco show the painting off at dinner, and Falco is pale and avoids Cass's eyes.
I'm tired of jealousy being used as plot conflict & drama. There are other things to use besides that.
And there is no way someone in her 30s or 40s would look 20 years old. Or what did they know in the 1500s that we don't know today?
I started to resent just how much Cass is always in trouble and finds danger when she leaves the party, stupidly follows a deer because she wants to pet it, and gets attacked by wild dogs. She's actually incredibly stupid at times.
The yard has a fence on three sides so idk how Cass went to the garden, somehow ended up in the woods & then ran through a field to the church. How was that even possible?
Cass was slow to put things together, things she should have known, things we readers know. When she said the flower must be the symbol for the order of the eternal rose, I'm thinking we knew that from book one. She's not as smart as you'd think she should be considering the things she's wrapped up in.
Cass had already seen Piero wearing the ring at that party, but is looking for it in his room, saying if she found it then she'd know for certain he's a member. What does that even matter? You already know he's a member.
It annoyed me to no end when she sees Falco next & they remark on Bella admiring him, and his jokes and smooth words distract her from the issue of him painting her like Cass. And where is Falco's guilt? His jokes at serious moments were annoying. Why was he pale at the party if he's not gonna show guilt later?
When Cass commented that Bella admired Falco, he said she admired Cass at the party, and Cass says she's not the one she's posing nude for, and Falco laughs and says she should if she asked, she isn't particular about who admires her. No denial, no guilt, no explanation from Falco.
She said Siena could be fierce and thinks back to when she hit Falco with a pan, saying his head had hurt for days. But it hadn't. It hurt in the moment and I don't remember him mentioning it again. You can't rewrite your book like that.
The scenes with Cass stuck in bed, with her repeatedly drinking the drinks Piero fixed for her, and asking for the drink herself again, were frustrating to read. If she thinks Piero is involved in the order why would she say she could trust him because he was a doctor? & this is a girl that's been in danger repeatedly who's acting this stupid. You think she would be a little smarter, a little more wary of people.
When Siena tells Cass Piero took her blood in secret, she wonders why he'd leave her pale and bed bound, and if he wanted her to think she was being attacked by vampires. And she doesn't even make a connection to the vampire trials, the pale women, and the marks on their necks. He's obviously doing to you what's happening to other women in Florence; they're drugging them, stealing their blood, and making it look like a vampire attack. Even when Siena tells her he kissed her, she isn't upset enough. I wish Cass was smarter.
It was crazy coincidental the quote that said essence and vitality of youth are in the blood of the young, because I just saw something on The Talk recently about injecting teenage blood to look young. That seems such a modern concept, so it seems very advanced for the 1500s.
I really don't like how the quotes from the book of the eternal rose totally give away what's about to happen. We obviously know bella's secret now, that she's using the blood from young people. It just gave it away.
After all that's happened, the murdered servants and courtesans, Cristian after Cass, Dubois and de Gradi, I can't believe Falco didn't believe her about the book and the order, when he's the one who told her bella was head of the order. His lack of belief in her was annoying and just wrong. It was an issue for me.
Why do we have to hear comments about after only a few weeks at the palazzo, Falco knew his way around in the dark as if he'd been there for months. I hate the implications of that.
She follows Piero to the church and it amazes me she does so many brave--foolish things--with no thought yet is seriously simpleminded at other times. She actually thinks they're having a baptism late at night, and then thinks they're baptizing a vampire.
Not wanting to leave the villa after knowing Piero was taking her blood and kissed her, I was actually surprised she said she wasn't going back to the villa ever again. I expected her to go back to the villa and get back in bed.
I couldn't believe she didn't even think of warning Falco, and just left him there. She knows he went out for a drink, walks past the bar she knows he goes to, and didn't even look for him. I was so upset at that. It didn't make any sense!
Because Mada's family villa wasn't expecting her, she doesn't even try knocking on the door. She just goes and sleeps in the stable. Ever heard of waking the staff up?
I was disappointed that Dubois and de Gradi's shady business was for the fifth humor. I expected something...more.
Then the comparisons between Falco and Luca start again. Falco was passionate but had a temper, Luca was calm. You can't love someone because of how they're different from someone else.
It's like the only reason she would choose Luca is because he happens to be different from Falco. But if he wasn't, who knows how she would feel?
I hated how she kept bouncing back and forth between both guys. You need to pick one and stick with it.
I couldn't believe it when Cass announced she was going to go home, and asked Mada to investigate the order for her. The whole reason she was there was to research& find the book.
Falco writes her a note saying he'll come to the palazzo and if she doesn't receive him he'll accept the fact she never wants to see him again. Why would he think that from a simple fight? It annoys me how easily he gives up on Cass, when he supposedly loves her. He left Venice w/o fighting for her, & now he's doing it again.
The author already used the painting drama twice. But she does it again. And this time Cass had to see it in action. He's posing her naked outside and adjusts one of the roses against her breast, his hand lingering, and Bella twines her fingers through his hand and Falco doesn't pull away. She thought they were going to kiss or worse.
I effing knew something like this would happen.
If Cass had warned Falco the night before that his patroness was a psycho she could have gotten him to leave the villa, & we could have avoided this whole infuriating scene. How could she leave Falco with dangerous people? Then again, after his lack of faith in her, maybe he deserves to be left there and be experimented on.
After his letter, how he's trying to be a better man and give her a life she deserves, why would he do that with the belladonna? It doesn't even make sense.
I just knew after the letter, no there's no way Falco could be doing anything like that, because he loves Cass. And that line he fed her about Bella being cold and Cass being ten times prettier. That reassured me, gave me false hope.
And can we talk about how freaking disgusting it is that a 40 year old is with a freaking teenager? Just because you look 20 does not mean you are 20.
I'm assuming Falco is maybe 17 or 18, a couple years older than Cass. I don't actually know his, or Luca's, age because the author doesn't think that's important information. But he's still way too young for her.
It was so easy for Cass to leave the villa. I expected Piero or someone to come after her. What made even less sense is that she goes back just to deliver a letter, and goes right inside as if the people inside weren't drugging her and stealing her blood. How was it possible that she was able to get away?
I find it amazing and extremely ironic that Cass wouldn't go away with Falco because she had Agnes to think of. Yet she was willing to break Luca out of prison, knowing she wouldn't be able to resume normal life after. She'd have to go with Luca and be on the run.
I didn't like how the plot of finding the book, exposing the order, and taking everyone down with it was just scrapped,& then turned into a simple, unimaginative plot to just sneak Luca from the prison. She could have done that from the start without going to Florence.
Siena's death was so unexpected, so unnecessary. I hated that the author just did that. It was like she said, no ones died for a while, and it'll look too easy if they all make it out alive, and Siena's the only expendable one, so I'll get rid of her. I felt so bad Feliciana would never see her sister again.
Why couldn't Siena just return to the villa with Cass's aunt and live there? What was wrong with that?
I suspected, maybe sometime in book one, definitely in this one, that her parents death wasn't accidental. Cass never thought of it herself, of course, so it was surprising when she suddenly throws out the order was responsible for her parent's deaths, Luca's imprisonment and Siena. She's never had that thought before, so what made her think that now? Earlier she was saying she felt it was her fault, because she asked her parents to come home for Christmas.
It amazed me Luca not only knew of the order but their plans for everlasting life, and didn't tell Cass any of it before.
Now the plot is them defeating the order.
This girl is all over the place. She kisses Luca again. Even after saying seeing Falco and Bella had made her realize she still had feelings for him, after the pain and rage she felt. But she doesn't think how Falco would feel knowing or seeing her and Luca kissing. Is no one concerned with being faithful to anyone?!
Luca tells her he loves her and she tells him I love you back, and I just don't know where that came from. You don't go from not liking someone, dreading marrying them, then spending a little time with them, to loving them.
Just because someone messes up, you don't just jump to the next person because they're not an option anymore. She just gets with whoever's there at the time.
There's the mystery of who stole the book, and possibly having someone on their side. I'm curious to see who it is.
After hearing of someone getting a pure dose of blood from Venice, I figured it was Cass's mom, and that her blood was pure. It was no surprise at all when Cass turns out to have the purest blood. The MC always has to be a special snowflake.
Piero says he knows where to find her, but Cass fled, & they just let her go, so how does he know where she is?
I didn't like that Cristian wasn't a threat. He was mentioned in the beginning when she'd see someone who resembled him & then again in the wine cellar at the end, as if to remind us he's still a threat, since he hadn't been mentioned in so long. He was the biggest threat in book 1, so I didn't like for him to fade to the background.
He's thrown in at the end, & it's just exhausting. Of course everyone knows everyone and they're working together. A simple murder plot has turned into so much more.
I think this was a case of Curse of the Second Book. It happens so much in books. It actually reminded me of The Winner's Curse. I really liked the first book, it had my triggers in the second one that ruined the whole series. I felt shades of that all over again.
I was Team Falco and couldn't wait for them to be together again in here. I was dreading reading this because of the belladonna, and I just knew there'd be something between Falco and her, and I was right. I have a sixth sense for things like that in books. I've been burned so many times. Those are my triggers in books, other women, jealousy, cheating, all of it, so that ruined the book for me, and just really upset me. It also made me not like Falco anymore.
I have hope that there'll be an explanation, and he'll be innocent, because at least they didn't kiss. It could have been much worse. She didn't see his face, and might have imagined his hand lingering, but he didn't pull away, so I'm not really holding out hope.
I'm just so freaking sick of this crap in books, and how authors will suddenly ruin a character just so it's easy for the heroine to pick the other guy. She loved Falco first, they spent the most time together, she's barely been around Luca, so their romance wouldn't be as developed anyway.
Of course, this author 'develops' relationships really quickly. She didn't know Falco that well either. And she hasn't spent much time with Luca and suddenly she loves him. And how the heck did things develop so fast with Falco and that stupid woman anyway? He's only been gone a few weeks.
I dreaded reading this, and now even more so about reading the final book. Idw hear anymore of Falco and that woman. His excuses, or god forbid if it's true. I'll hope the author kills him off if it's true. I had hope there was nothing going on, because at least they didn’t kiss, but the evidence was there. How could it be anything else? After Falco’s sweet letter, he turned into a bastard.
Then I go back to: if he's guilty then why did he never act that way? Why tease and joke like Cass's jealousy is unfounded, when she was right? It won't even add up if it turns out to be true because Falco never let on that something was going on. He wrote that letter to Cass, and was jealous of Luca, and wanted to be with her.
I’m so tired of authors using some cheap cop out to ruin a character just so the heroine can get with the other choice.
I don't like the time frames of these books; they take place over a few weeks, and that's just too short for all of this stuff to develop. I wish it skipped time. Thought Florence would be exciting, but it wasn't.
I didn't like the turn the book took, and the direction it suddenly veered off in at the end. I never thought Cass would break Luca out of prison, and that they'd be on the run, and I don't like it at all.
If they’re on the run, how can they search for information?
There's the mystery of Agense’s boxes. I’m actually more intrigued about that. But idk how she'll find that out when she can't go home.
This was nowhere near as good as the first,& actually wasn't enjoyable. There were hardly any good scenes, just when she first saw Falco. And I didn't have many quotes to even get from the book, which means it wasn't good.
This was a low two stars, as in it could almost be one. But then this really would be like The Winner's Curse all over again, and I can't stand that.
Oh, and btw, I hate that this book is named after that woman whose name I don't even like saying.