It would be easy to dismiss Barry Singer’s Churchill Style as a fun, breezy read on Churchill, serving as mostly soft porn for voyeurs interested in the superficial aspects of the Churchill story. Such an impulse, however, would be wrong. That’s not because it’s not fun, nor easy to read. Indeed it’s both. Churchill Style, however, is a vital addition to any true Churchillian’s library because it provides a new dimension to understanding the actions of the man who did more to shape the 20th century than perhaps any other.
In fact, it serves several purposes, collecting notes about many aspects of Churchill’s lifestyle gathered from many other books and sources into one place. Epicureans will delight in the many side bars concerning Churchill’s taste in champagne (vintage Pol Roger), cigars (inexpensive American!), scotches (heavily watered to point of being characterized as “mouthwash” by his staff), homes (city and country), books (classics of history and literature), pastimes (painting) and motor cars among others. This, however, is only the icing on the cake.
For while Churchill Style masquerades as a series of anecdotes and notes about Churchill’s books, liquors, clothes, homes and hobbies, its core is to be found in its subtitle “The Art of Being Winston Churchill.” For many of these things were mere props in the pageant that was Churchill’s life. The style, i.e., how Churchill conducted himself, was intimately intertwined with the substance of his work and the book’s real value lays in Singer’s explanation of how Churchill operated to advance himself into a place where his gifts could ultimately prove useful to King and country.
For example, Churchill knew everyone worth knowing, and flogged these relationships to place himself into the right place at the right time. He had no trouble asking for favors from his mother and other relationships to use their own networks for his purposes. His lavish entertaining, which never waned even in times of great financial stress, enabled him to build even larger networks with people from all different walks of life – finance, press, entertainment – that would prove valuable in his rise. He pressed his indomitable will on everything and everyone, remaking homes and landscapes, altering ponds, physically constructing walls at his country estate, Chartwell, even as he fought to remove the Iron Curtain he saw extending across his beloved Europe. His painting was a vital counter to what he called the “Black Dog” – the depression that might otherwise have crippled him. The same ability to visualize used in his landscapes was a vital aspect of the rhetoric that rallied and uplifted a beleaguered West.
Other books about Churchill tell their readers WHAT he did. HOW he did these things is Singer’s concern. The reader will learn about Churchill’s odd working habits, his predilection for zippers on clothes and suits to reduce the amount of time and fuss getting dressed, the books that fed his rhetorical style and the movies that provided him succor from the stressful life he maintained. The result is a much more robust picture of Churchill and a deeper understanding of his deeds. It’s as if Yousuf Karsh’s famous black and white photo that frequently graces standard Churchill biographies appeared in full color.
Singer’s book itself is visibly stylish, with numerous black and white photos and even a few old colored ones making the hardcover edition far preferable to the Kindle.