Representing Reality: Issues and Concepts in Documentary

by Bill Nichols

"... a valuable and important book..." -- The Year's Work in Critical and Cultural Theory Representing Reality is the first book to offer a conceptual overview of documentary filmmaking practice. It addresses numerous social issues and how they are presented to the viewer by means of style, rhetoric, and narrative technique. The volume poses questions about the relationship of the documentary tradition to power, the body, authority, knowledge, and our experience of history. This study advances the pioneering work of Nichols's earlier book, Ideology and the Image. "[Nichols] has written a road-block of a book which reconfigures the debate on the documentary at a new level of sophistication and complexity which can only be ignored at the risk of ignoring the whole area of documentary film." -- Sight and Sound "... the most important book on documentary film yet published." -- Canadian Journal of Film Studies

Genres: Film, Nonfiction, Art, Academic, Ethnography

336 pages, Paperback

First published January 1, 1991

About the author

Bill Nichols (born 1942) is an American film critic and theoretician best known for his pioneering work as founder of the contemporary study of documentary film. His 1991 book, Representing Reality: Issues and Concepts in Documentary, applied modern film theory to the study of documentary film for the first time. It has been followed by scores of books by others and by additional books and essays by Nichols. The first volume of his two-volume anthology Movies and Methods (1976, 1985) helped to establish film studies as an academic discipline.

Bill Nichols is Professor Emeritus in the Cinema Department at San Francisco State University and Chair of the Documentary Film Institute advisory board.

Reviews

[Taylor · Rating 5 out of 5]

One day I might take some time to put together something of a real review in reference to this book, but until then I'll just say that it contains two of the most aesthetically beautiful, intellectually stunning passages I've read in the last year, and it's a critical studies text. Think about that for a minute. The chapter on axiographics is indispensable and Nichols's ideas of magnitude in relation to reflexive (and perhaps more interestingly) non-reflexive documentary are extremely complex while thoroughly contextualized within a group of film of which most readers will surely recognize at least one. It will most certainly take more than one read, and at times Nichols' ultra-lucid style can become monotonous, but every now and then you hit a linguistic vein of gold, as valuable as it is beautiful.

[skylar lokota · Rating 3 out of 5]

*3.5 stars

Easy to understand: 3/5
- I have never studied film before so a lot of new concepts have been introduced
- so it's a little hard for me to read, since I have to lookup what he's talking about a lot
Introduces new concepts well: 4/5
- the central concepts are introduced very well (concepts in documentary, that is, not film terms
as a whole
Used effectively by the professor: 5/5
- my professor utilizes this book heavily in the lesson
- also explained parts that confused me
Necessary to the course: 2/5
- while necessary for the week, I do not think it impacted the overall course too much
Overall Score: 3.5/5

[Alberto Martínez · Rating 2 out of 5]

Está chido cómo los textos comienzan tratando de puntualizar situaciones muy específicas del documental y el aparato cinematográfico, sin embargo, conforme van avanzando los capítulos el autor (lo reconoce) se va metiendo cada vez más en un embrollo que excede cualquier marco discursivo.
Al final parece que queda clara la diferencia entre documental y cine ficcional. ¿O no?
Más o menos. Creo.

[KeaWorth · Rating 5 out of 5]

For anyone interested in film and specifically documentary, you need to have Bill Nichols on your shelf. Period. This book goes into some of the concerns that may arise for a viewer of documentaries, and it reminds readers that documentaries are intentional works.

[Josefa Infante]

más denso de lo que pensé

[Niall Roland · Rating 4 out of 5]

Illuminating but, dense AF at times.

[Dan Humphrey · Rating 5 out of 5]

Required reading for anyone who wants to think seriously about documentary film. One of the minority of academic books that's actually beautifully written.

[Patriciacabrinha · Rating 5 out of 5]

A "must have" for all working in journalism and documentary production.