Boost
by Steve Brewer
Speck Press, 252 pages, hardback, 2004
Sam Hill is a professional car thief. Boosting cars is his
main source of emotional stimulus . . . with the possible
exception of his romantic yearnings toward his fence, Robin
Mitchell, daughter of the fence and car thief who mentored Sam
way back in the days before he'd found anything worthwhile to do
with his life. In turn Sam is mentoring the youth Billy Suggs,
teaching him not just how to be a car thief but the
artistry of the profession for Sam's specialty is
not common-or-garden theft but the stealing, under commissions
channeled through Robin, of rare and collectible items.
It's a good life until the day Sam discovers the Thunderbird
he's just stolen has a dead body in the trunk. His first task is
of course to get rid of the corpse before the cops come sniffing
(perhaps literally) around. But the problem's bigger than that.
The whole situation smacks of a setup: someone's trying to land
him not just in trouble but in serious trouble, including
a possible murder rap. That someone has to be stopped before they
try something, well, worse.
Aided by Billy, Robin and Sam's man-mountain friend Way-Way,
Sam soon traces the line back to seedy car fence Ernesto Morales
and beyond him to drugs kingpin Phil Ortiz, who, it proves, is
seeking revenge for the time Sam boosted one of his prized
collection of vintage cars. The makeshift team of buddies find
themselves taking on Ortiz and Ortiz's equally murderous army of
thugs in a tit-for-tat war of thrust and counterthrust, all the
while keeping out of the clutches of both local and federal cops.
This is not a war Sam intends to lose, even though just
capitulating and getting out of town could well be his wiser
course. But to win it he's going to have to be very inventive
indeed . . .
This is modern, straightforward, fast-moving, no-nonsense
caper fiction at something close to its finest. The characters
are beautifully and economically drawn, in the best noir
tradition not just the major players but also the
supporting cast, including notably the cops Stanton and Delgado
and their fed counterparts Brock and Jones (Jones is an
especially delightful creation). At times the text is as laugh-
out-loud funny as anything by Donald E. Westlake; at other times
it's as grim as anything by Westlake's auctorial alter ego
Richard Stark. Always it's possessed of a lively wit and
intelligence . . . and it would make a marvellous movie.
This little gem of a novel is thoroughly recommended.
This review, first published by Crescent Blues, is
excerpted from my ebook Warm Words and Otherwise: A Blizzard
of Book Reviews, to be published on September 19 by Infinity
Plus Ebooks.