Reads like a prototypical D&D campaign made into a 700+ page book. Which it essentially is.
I recall fond memories of reading R.A. Salvatore novels as a young teenager. I decided to pick him back up, to see if his novels still interested me as a jaded, fantasy trope-cognizant, late twenty-something.
Sadly, the answer was “ehhh... not really”. It's not awful, but it was not an enjoyable experience. One positive is that the pace moves at a reasonably steady clip, and things change quickly enough to keep you from getting bored. But that's about it for positives. I found the characters irritating, unlikable, and unrelatable. The story held the most interest, but only for a meta reason – I kept expecting a twist on the premise, a twist that never came.
The main character is Lucien Bedwyr, the second son of a petty lord. He grows dissatisfied with his father's subservience to emissaries sent by the *The Dark Emperor*, who are there to remind the local lords who really is in charge. Apparently, there is a nefarious, tyrannical king lurking out there, cackling into magical mirrors and other such stock tropes. Lucien becomes fed up with his father bowing and scraping to these emissaries, and runs off to make his fortune (and dare I say, find himself?) in the outside world. Not exactly an unfamiliar set up.
On his journey, not really knowing where he is going, Lucien encounters a halfling named Oliver, and they join forces. Before the main plot surfaces, they embark on a few “quests” together, swashbuckling, adventuring - your classic fantasy D&D stuff. These adventures don't have much in terms of stakes, but the action and pacing move quickly enough to be reasonably engaging. One of these mini adventures bestows Lucien with a magical invisibility cloak, which becomes a key item to the rest of the story.
They eventually take up residence in a city, where they make use of the invisibility cloak, – to steal, rob, pawn, and steal some more. Yeah. They always steal from the wealthy merchants in the city, and they give up a significant portion of their ill gotten gains to the many poor, starving people in the city. The story treats their actions like they're the paragons of virtue, but I couldn't get behind this characterization. We're supposed to see them as heroes, but I saw them as thieving bastards who happen to toss a penny to the beggar outside. I'm not sure if I even need to say this, but uh – stealing is wrong. It doesn't make you a hero. Their “Robin Hood” portrayal ties into a grievance of dissonance I had throughout the book.
It wouldn't be a D&D novel without fighting, and if that's your thing, this novel does have numerous fighting sequences. Lucien and Oliver consistently fight against “Cyclopean” adversaries, who form what amounts to be the stock enemy in the book. I could not follow his combat at all. I don't know if Salvatore isn't good as describing combat sequences, or my imagination just sucks these days, but I could never understand what was supposed to be happening in the combat descriptions. Maybe you'll have better luck than me.
Something that ticked me off about the combat, and specifically the enemies they fight against – which are always, ALWAYS “Cyclopean monsters” - is the lack of room for moral ambiguity. These cyclops adversaries are always stupid, evil, savage thugs. There is no nuance or conflict to Lucien and Oliver constantly chopping these guys to bits. All of the enemies they kill are hulking, dumb, evil bastards, so it's a good thing to kill them, right? I found myself sighing every time Salvatore referred to a Cyclopean enemy as “a brute”. Apparently that is all they are, ever have been, and ever will be. No room for depth and nuance here.
This ties into a larger problem I had throughout the novel - the lack of depth and ambiguity. The dark emperor is dark and evil. Why, you ask? [Data not found]. The protagonists breaking into houses of the wealthy, stealing all their possessions. But, isn't stealing wrong? That's handily explained away by the fact that every merchant is corrupt, evil, and greedy. I didn't total the number of Cyclopean caravan guards, Cyclopean castle guards, and Cyclopean city guards that Luthien and Oliver kill, but it's easily upwards of a hundred. But don't worry! A race as ugly and brutish as the cyclops surely have no innocents among their ranks. They are all stupid, evil, dumb, clumsy, wicked brutes.
Oh, and there's a “love story”. And by that I mean Luthien falls in love with a mysterious beautiful elf slave girl. Basically at first sight, and for no other reason than because she is beautiful. The elf woman consistently rebuffs his advances, citing the fact that he doesn't know anything about her, and that he has no reason to be enamored with her. She is 100% right, but wait!! TRUE LOVE, right? Excuse me while I vomit..
Summary: A very standard, tropey fantasy adventure. There are dark lords, adventures, mad escapes, a “love story”, swashbuckling, there's even a dragon at one point. I kept hoping for a spin on the expected, a twist... - something, anything. Nope!
2/5 Stars